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Installation Art (Paperback)
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Installation Art (Paperback)
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This book explores how installation art developed into an
interdisciplinary genre in the 1960s, and how its special
intertwinement of the visual and the performative has acted as a
catalyst for the generation of new artistic phenomena. It
investigates how it became one of today's most widely used art
forms, increasingly expanding into consumer, popular and urban
cultures, where the installations' often spectacular appearances
ensure that they fit into contemporary demands for sense-provoking
and immersive cultural experiences. Making an important
contribution to the development of the critical and theoretical
discourse on installation art, Ring Petersen addresses a series of
basic questions: What is an installation? What techniques does it
employ? How does installation art affect its viewers? How can we
explain the rise of installation art in a cultural-historical
perspective? Answers to these questions are pursued through
analyses of installation art's spatial, temporal and discursive
aspects as well as its reception aesthetics and cultural-historical
contexts, and through analyses of a large number of works from a
variety of sub-genres, including performance installations, video
installations, installational exhibitions and recent use of
installation in commercial contexts, including by artists such as
Bruce Nauman, Olafur Eliasson, Mona Hatoum, Pipilotti Rist, Ilya
Kabakov, Superflex, Thomas Hirschhorn, Carsten Hoeller, Terike
Haapoja and ART + COM.
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