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Bad Language, Naked Ladies, and Other Threats to the Nation - A Political History of Comic Books in Mexico (Paperback)
Loot Price: R678
Discovery Miles 6 780
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Bad Language, Naked Ladies, and Other Threats to the Nation - A Political History of Comic Books in Mexico (Paperback)
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In Bad Language, Naked Ladies, and Other Threats to the Nation,
Anne Rubenstein examines how comic books-which were overwhelmingly
popular but extremely controversial in post-revolutionary
Mexico-played an important role in the development of a stable,
legitimate state. Studying the relationship of the Mexican state to
its civil society from the 1930s to the 1970s through comic books
and their producers, readers, and censors, Rubenstein shows how
these thrilling tales of adventure-and the debates over them-reveal
much about Mexico's cultural nationalism and government attempts to
direct, if not control, social change. Since their first appearance
in 1934, comic books enjoyed wide readership, often serving as a
practical guide to life in booming new cities. Conservative protest
against the so-called immorality of these publications, of mass
media generally, and of Mexican modernity itself, however, led the
Mexican government to establish a censorship office that, while
having little impact on the content of comic books, succeeded in
directing conservative ire away from government policies and toward
the Mexican media. Bad Language, Naked Ladies, and Other Threats to
the Nation examines the complex dynamics of the politics of
censorship occasioned by Mexican comic books, including the
conservative political campaigns against them, government and
industrial responses to such campaigns, and the publishers'
championing of Mexican nationalism and their efforts to preserve
their publishing empires through informal influence over government
policies. Rubenstein's analysis suggests a new Mexican history
after the revolution, one in which negotiation over cultural
questions replaced open conflict and mass-media narrative helped
ensure political stability. This book will engage readers with an
interest in Mexican history, Latin American studies, cultural
studies, and popular culture.
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