In this groundbreaking study, Anton Bierl uses recent approaches
in literary and cultural studies to investigate the chorus of Old
Comedy. After an extensive theoretical introduction that also
serves as a general introduction to the dramatic chorus from the
comic vantage point, a close reading of Aristophanes'
"Thesmophoriazusae" shows that ritual is indeed present in both the
micro- and macrostructure of Attic comedy, not as a fossilized
remnant of the origins of the genre but as part of a still existing
performative choral culture. The chorus members do play a role
within the dramatic plot, but they simultaneously refer to their
own performance in the here and now and to their function as
participants in a ritual. Bierl's investigation also includes an
unparalleled treatment of the phallic songs preserved by Semos.
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