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The Civil Contract of Photography (Paperback)
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The Civil Contract of Photography (Paperback)
Series: The Civil Contract of Photography
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An argument that anyone can pursue political agency and resistance
through photography, even those with flawed or nonexistent
citizenship. In this compelling work, Ariella Azoulay reconsiders
the political and ethical status of photography. Describing the
power relations that sustain and make possible photographic
meanings, Azoulay argues that anyone-even a stateless person-who
addresses others through photographs or is addressed by photographs
can become a member of the citizenry of photography. The civil
contract of photography enables anyone to pursue political agency
and resistance through photography. Photography, Azoulay insists,
cannot be understood separately from the many catastrophes of
recent history. The crucial arguments of her book concern two
groups with flawed or nonexistent citizenship: the Palestinian
noncitizens of Israel and women in Western societies. Azoulay
analyzes Israeli press photographs of violent episodes in the
Occupied Territories, and interprets various photographs of
women-from famous images by stop-motion photographer Eadweard
Muybridge to photographs from Abu Ghraib prison. Azoulay asks this
question: under what legal, political, or cultural conditions does
it become possible to see and to show disaster that befalls those
who can claim only incomplete or nonexistent citizenship? Drawing
on such key texts in the history of modern citizenship as the
Declaration of the Rights of Man together with relevant work by
Giorgio Agamben, Jean-Francois Lyotard, Susan Sontag, and Roland
Barthes, Azoulay explores the visual field of catastrophe,
injustice, and suffering in our time. Her book is essential reading
for anyone seeking to understand the disasters of recent
history-and the consequences of how these events and their victims
have been represented.
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