The killing of thirty-four miners by police at Marikana in August 2012 was the largest massacre of civilians in South Africa since Sharpeville. The events have been covered in newspaper articles, on TV news and in a commission of inquiry, but there is still confusion about what happened on that fateful day.

In Murder At Small Koppie, renowned photojournalist Greg Marinovich explores the truth behind the Marikana massacre. He investigates the shootings near Wonderkop hill, which happened in view of the media, as well as the killings that happened beyond the view of cameras at a nondescript collection of boulders known as Small Koppie, some 300 metres away. Many of the men killed here were shot in cold blood at close range. Drawing on his own meticulous research, eyewitness accounts and the findings of the Marikana Commission of Inquiry, Marinovich accurately reconstructs that fateful day as well as the events leading up to the strike, and looks at the subsequent denials, obfuscation and buck-passing by Lonmin, the SAPS and the government.

This is the definitive account of the Marikana massacre from the journalist whose award-winning investigation into the tragedy has been called the most important piece of South African journalism since apartheid.

In art and literature, walls are frequently used as powerful symbols of division. For the people of Palestine, however, the wall that cuts deeply into their land and society is all too real, snaking through over 700 kilometres of the West Bank. It throttles Palestinians, seals off Israelis, and all but guarantees perpetual ignorance, fear and rage on both sides. Keep Your Eye on the Wall brings together seven award-winning artist-photographers and four essayists, all responding to the Wall in images or words, specially commissioned for this book. The photographers present unique perspectives, whether documenting the journey of labourers across the barrier, the desolation of abandoned checkpoints or the tattered posters of "martyrs" on a wall in Gaza. Informed, critical and powerful, the photographs constitute, in the words of French philosopher of art Georges Didi-Huberman, 'a space for struggle'. The book fetaures photography from Taysir Batniji, Raed Bawayah, Rula Halawani, Noel Jabbour, Raeda Saadeh, Steve Sabella and Kai Wiedenhofer; text from Malu Halasa, Yael Lerer, Christine Leuenberger and Adania Shibli and a foreword from Raja Shehadeh.

Exploring some of the world's eeriest places, Abandoned Islands features American civil war forts, Europe's last leper colony and South Atlantic whaling stations, along with once grand mansions and colonial settlements and churches, and much more. Arranged geographically, the book takes us from New York's East River to islands off Alaska, from a French Napoleonic-era fort off the coast of Normandy to deserted villages on remote Scottish isles, from Venetian sanatoria to Croatian penal colonies, Japanese mining colonies to Sudanese deserted ports and abandoned atolls in the Indian Ocean. Leafing through these pages, the reasons for abandonment are revealed: climate change sealing off fresh water or river channels, shifting economic forces making life too hard, religious conflict, or wars disrupting daily life - or the absence of war rendering a military settlement unnecessary. With more than 180 outstanding colour photographs and fascinating captions, Abandoned Islands is a brilliant pictorial exploration of lost worlds.

In Toy Soldiers, Simon Brann Thorpe blurs the boundaries between document, landscape and concept-based photography to explore this conflict. He examines the impact and potential consequences of the stalemate. Through real soldiers - posed as toy soldiers - he reveals the current situation in Western Sahara, a nation in waiting trapped in an historic cycle of colonial conflict, displacement and endless non-resolution. The work is a unique collaboration between Thorpe, a military commander and the men under his command. Shot entirely on location in the isolated and hauntingly beautiful territory known as 'Liberated Western Sahara' it is influenced by the historic works of photographers such as Mathew Brady, Roger Fenton and Edward Curtis. Toy Soldiers provides a contemporary archive on the issue of non-resolution and the paradigm of post colonial cycles of violence within modern conflicts.

Nic Dunlop spent 20 years photographing Burma under military rule. His new book, Brave New Burma, is an intimate portrait in words and pictures of a country finally emerging from decades of dictatorship, isolation and fear. From the frontlines of the civil war to deceptively tranquil cities, from the home of democracy leader Aung San Suu Kyi to the lives of ordinary people struggling to survive, Brave New Burma is both an historic collection of rare images and a powerful expose of Burma's crisis. Change has come to Burma for the first time in decades. But change brings dangers, including the erasing of history and the invention of a new Burma in appearance alone. Brave New Burma is a haunting record of a country now struggling to recreate itself.

Over the past six years Mexico has been consumed by a brutal conflict - more than 35,000 people have been killed and kidnappings have skyrocketed. After barely winning Mexico's 2006 presidential election, Felipe Calderon escalated the battle against the country's drug cartels in an attempt to marginalise the deadly gangs and the corrupt politicians and police officers who enable them. The cartels are ruthless, meting out an awesome brutality where heads are rolled into crowded discos and dismembered bodies are abandoned on busy streets. The gruesome nature of the crimes is at once unbearable and on display for the entire country to see. The narrative of Mexico's conflict is often reduced to the bodycount on the border, but the offensive against the cartels has caused an eruption of violence that is not isolated to one region. The wounds of this war bleed into every corner of the country, staining the very fabric of Mexican life with violence, death and fear. In Heavy Hand, Sunken Spirit, David Rochkind moves beyond simple depictions of carnage to explore the stress and tension left in the wake of such violence and to illustrate how this conflict will impact on and handicap Mexico's future.

Our beautiful planet is in danger: the warning signs are there, year after year – from vast forest fires across Australia to coral bleaching in the Pacific and the rapid break up of polar ice and the consequent rise in sea levels, threatening low-lying coastal communities everywhere. Arranged by continent, Endangered Places introduces the reader to many of the most stunning natural locations from the around the world that are currently under threat. Learn about the magnificent Bornean rainforest, home to threatened species such as orangutans, probiscis monkeys and the Sumatran rhinoceros; marvel at the beauty of the Great Barrier Reef, stretching 2,300 kilometres along Australia’s east coast and built by billions of tiny organisms, known as coral polyps; explore the Aral Sea, formerly the fourth largest lake in the world and today less than 10 per cent of it’s original size after the rivers that fed it were diverted by Soviet irrigation projects; and understand the process of desertification, which has led to the huge expansion of the Sahara Desert and the dramatic shrinkage of Lake Chad. Illustrated with more than 180 photographs of more than 100 threatened locations, Endangered Places celebrates the beauty of our planet while reminding us of how easily this can be lost through human behaviour and climate change.

To describe the complexity of this ever-changing and multi-layered terrain, Kremer creates aesthetic, orderly and beautiful compositions that parallel the defense mechanisms developed to protect Israelis from the painful reality of the current political situation. Rather than confronting the Israeli occupation in the way that it has been absorbed by the world's media, Kremer adopts a more subtle approach. For him, the media's aggressive representation of reality numbs people's sensibilities making them callous to the suffering of others.Instead of shock, Kremer seeks to challenge the viewer, using the landscape as a focus to understand the overwhelming impact of the situation at the deepest of levels. Four decades ago the historian and philosopher, Yeshayahu Leibovich, forewarned that the Israeli occupation was a cancerous disease in the heart of the nation. As Kremer himself says, 'my goal is to reveal how every piece of land has become infected with loaded sediments of the ongoing conflict'.

Red Thistle, the 2011 winner of The European Publishers Award for Photography, is a powerful and fascinating exploration of the important but relatively unknown region and people of the Northern Caucasus. It lies between the Black and Caspian Seas and is within European Russia. Wars have been fought here for centuries - the most recent in Chechnya. Monteleone examines the stubborn, rebellious culture of this region, which although part of Russia, differs in the ethnicity, religion and social customs of its inhabitants.

The war in Darfur, which has been controversially termed as 'genocide', is still ongoing, alongside a tardy peace negotiation process, which began back in 2010. Around 300,000 people are estimated to have died from the combined effects of war, hunger and disease. Darfur is inhabited by tribes of both African and Arab lineage. Both groups had co-existed for centuries, however, as a result of the increasing desertification of the region in the 1970s and 1980s, the nomadic Arab tribes began to head south in search of water and grazing land. They soon arrived at the settle-ments of the Africans. Skirmishes followed, though the fighting was small in scale and ended in 1994. The conflict resumed in 2003, when African rebel groups under the banner of the Darfur Liberation Front responded to the neglect and marginalization of their communities by initiating attacks. The Sudan government replied with major land and air assaults. By the summer of 2003 the infamous Janjaweed had become involved. By Spring 2004, they had killed several thousand non-arabs and an estimated million more had been driven from their homes. Yet it was not until more than 100,000 refugees, pursued by Janjaweed militia, escaped to neighbouring Chad that the conflict captured the attention of an international audience.

The remarkable photographs in "Forever Engand" were taken at Bekonscot Model Village in Beaconsfield. Initially built by a London accountant to entertain his house guests, it opened to the public in 1929 and is the oldest model village in the world, welcoming close to 200,000 visitors each year. Now a world famous folly, it stands as a tribute to English eccentricity, humour, determination and craftsmanship. Its particular charm is that it presents a vision of England firmly rooted in an idyllic 1930s timewarp. Yet it is its quirkiness that Bailey has captured so stunningly. In wonderful tableaux of everyday life he creates an extraordinarily rich and powerful sense of character and atmosphere. Bekonscot's miniature population of 3,000 people and 300 animals becomes real, their lives frozen in time, as we are carried back to an England we all know and long for - an England of our imaginations - when life was simple, secure, unchanging.

In "Our Man in Havana", Graham Greene wrote that 'to each man a city consists of no more than a few streets, a few houses, a few people. Remove those few and the city no longer exists except as a pain in the memory, like the pain of an amputated leg no longer there.' In this, his third book, John Comino-James shows us the world that is contained within just a few streets in the very ordinary neighbourhood of Cayo Hueso in Havana, Cuba. Through portraits and candid observation, he builds an honest and intimate record of a small and tight-knit community. This is not the Havana of the tourist, but a city in which people go about their daily lives, dealing with the everyday realities that have resulted from decades of political isolation. In a powerful and beautifully written afterword, Comino-James intersperses his experiences of several vists to the area, with fascinating information on the history of Cuba and the city of Havana.

In February 2001, Foot and Mouth Disease arrived in Cumbria. At its peak Cumbria was the worst affected county in Britain with a staggering 41 per cent of all cases. For the local community, the environmental and social consequences were to prove devastating. As a local resident, leading UK photographer John Darwell found himself surrounded by the effects of the disease. Over the next twelve months, he committed himself to recording what was taking place. Despite government reports to the contrary, the Cumbrian countryside became largely a 'no-go area', whilst on the farms thousands of animals were destroyed, their bodies burnt on the now notorious pyres. The ultimate clean-up of the infected farms led to extraordinary lengths being taken to eradicate the virus. "Dark Days" represents, perhaps, the most complete record of this time and provides a powerful and emotive insight into one of the most dramatic and destructive periods in British farming history. It is published in association with Littoral Arts.

These photographs from Shanghai explore the new culture rapidly developing in China as it expands its domestic market at breakneck speed. As elsewhere in the world, the appeal of modern consumer goods and the benefits they bring is there for all to see. But such rapid change has its dark side. As the not-so-old cultural structures become increasingly irrelevant, there are threats to social cohesion as communal identity gives way to individuality and alienation. What we are seeing now is a new Cultural Revolution, a capitalist Cultural Revolution that is more complete, more total, and no less ideological than the Cultural Revolution that was instigated by Chairman Mao in the 1960s.
"Lovin' It" is introduced by John Gittings, for many years foreign leader-writer and East Asia editor at the "Guardian." Gittings first visited China in 1971 during the Cultural Revolution and in 2001 he opened the "Guardian"'s first staff bureau on the Chinese mainland, in Shanghai.
The book also includes an interview with Hinton by writer and cultural critic Nigel Warburton.
London-based photographer Adam Hinton has produced several documentary projects based on various communities, including a favela in Rio de Janeiro, a coal mining family in the Ukraine, and a Himba community in Namibia. His personal and commissioned photography have won numerous awards and been exhibited at various galleries, including the National Portrait Gallery and The Photographers' Gallery, London.

How does a mudskipper fish manage to “walk� on land? Why is the Hoatzin also known as ‘The Stinkbird’? And once the female Pipa toad has laid her eggs, where does she put them? The answers? The mudskipper can “walk� using its pectoral fins, the Hoatzin has a unique digestive system which gives the bird a manure-like odour, and the female Pipa Toad embeds its eggs on its back where they develop to adult stage. Illustrated throughout with outstanding colour photographs, Strange Animals presents the most unusual aspects of 100 of the most unusual species. The selection spans a broad spectrum of wildlife, from the tallest land living mammal, the giraffe, to the light, laughing chorus of Australian kookaburra birds, from the intelligence of the Bottlenose dolphin to octopuses that change colour when they dream to the slow pace of the three-toed sloth. Arranged geographically, the photographs are accompanied by fascinating captions, which explain the quirky characteristics of each entry. Including egg-laying mammals, birds, reptiles, amphibians, cannibalistic insects and other invertebrates, Strange Animals is a compelling introduction to some of nature’s most curious beasts.

This truly global and visually stunning  compendium showcases some of the most breath-taking pieces of street art and graffiti from around the world. Since its genesis on the East Coast of the United States in the late 1960s, street art has travelled to nearly every corner of the globe, morphing into highly ornate and vibrant new styles. This unique atlas is the first truly geographical survey of urban art, revised and updated in 2023 to include new voices, increased female representation and cities emerging as street art hubs. Featuring specially commissioned works from major graffiti and street art practitioners, it offers you an insider’s view of the urban landscape as the artists themselves experience it. Organized geographically, by continent and by city – from New York, Los Angeles and Montreal in North America, through Mexico City and Buenos Aires in Latin America, to London, Berlin and Madrid in Europe, Sydney and Auckland in the Pacific, as well as brand new chapters covering Africa and Asia – it profiles more than 100 of today’s most important artists and features over 700 astonishing artworks. This beautifully illustrated book, produced with the help of many of the artists it features, dispels the idea of such art as a thoughtless defacement of pristine surfaces, and instead celebrates it as a contemporary and highly creative inscription upon the skin of the built environment.

The taxi journey of a lifetime - eight days across India. Andreas Herzau's photographic travel book records an eight-day journey that he undertook by taxi from Calcutta to Mumbai (formerly Bombay). It provides impressive insights into the culture and life styles of central India and is a closeup view of the country's complex and stratified society. A fascinating document of reportage and narration. Andreas Herzau has won the European Press Award on more than one occasion. He has exhibited his photographs throughout Europe and his work regularly features in the leading European magazines. This is his third book.