The renowned World Press Photo Foundation ("Connecting the world to the stories that matter") publishes a compilation of prizewinning press photographs each year. Carefully selected from thousands of entries, they present the most celebrated, powerful, moving, and often disturbing images from around the world, often putting a face on conflicts in far-flung places and reminding us of our shared humanity. The 2022 Yearbook, bringing together the best press photographs from 2021, will reflect the joy, anguish, and upheaval of this incredible year.

A decade of rapid change caught by two of Ireland's premier photographers, The Lensmen. Covers everything from the visits of President Kennedy and The Beatles, to lifestyle, fashion and sport as well as the start of unrest in Northern Ireland. Will evoke memories of a bygone age.

When you think of Paris do you picture the Eiffel Tower? The medieval city of Notre Dame? The elegant boulevards of Baron Haussmann? The Montmartre of Toulouse- Lautrec? The grandeur of the Louvre? The Art Nouveau of the Paris Metro? The Grand Projets of Francois Mitterrand? Or...? Yes, there is just so much beauty to Paris. In 150 striking images, Paris celebrates the French capital, from its world-famous landmarks to evocative alleyways and corners that might surprise you. You may have heard, for instance, about the Paris catacombs and sewers that you can visit, but did you know about La Petite Ceinture, a disused 19th century railway line that circumnavigates the inner city? From the medieval marvels of Sainte-Chapelle to the 1970s Pompidou Centre to the latest pop-up beaches beside the Seine, the book explores a great many sides to the city. In collecting these images of the city today, we come to understand something of its history - from the executions that took place at the Place de la Concorde during the Revolution to the Arc de Triomphe honouring those who served in the Revolutionary and Napoleonic Wars to the skyscrapers of La Defense. Presented in a landscape format and with captions explaining the story behind each entry, Paris is a stunning collection of images celebrating the world's most romantic city.

Easton's photographs, alongside texts by writer, poet and social researcher Abdul Aziz Hafiz, aim to confront stereotypes and question the dangerous over-simplification of the challenges facing such communities. They do so by presenting the contemporary experience of residents as an 'alternative history telling'. The black and white photographs in the book were all made in an area less than half a mile square in Blackburn during 2019 and 2020. Working with a large-format wooden field camera, Easton spent long days and weeks in the neighbourhood talking to residents and sometimes making pictures. The project melds image and text - Easton's portraiture and landscapes combined with poetry and an essay by Aziz Hafiz and with the testimonies of residents. This long-form collaboration acknowledges the issues and impacts of social deprivation, housing, unemployment, immigration and representation, as well as past and present foreign policy. The result is a collective and nuanced portrait of the town - a sensitive response to the oversimplistic representation of such communities in both the media and by government, which deny the right of Bank Top to tell its own story.

Understanding Photojournalism explores the interface between theory and practice at the heart of photojournalism, mapping out the critical questions that photojournalists and picture editors consider in their daily practice and placing these in context. Outlining the history and theory of photojournalism, this textbook explains its historical and contemporary development; who creates, selects and circulates images; and the ethics, aesthetics and politics of the practice. Carefully chosen, international case studies represent a cross section of key photographers, practices and periods within photojournalism, enabling students to understand the central questions and critical concepts. Illustrated with a range of photographs and case material, including interviews with contemporary photojournalists, this book is essential reading for students taking university and college courses on photography within a wide range of disciplines and includes an annotated guide to further reading and a glossary of terms to further expand your studies.

Thatcher’s Children was born out of a series first made in 1992 focusing on two parents and six children living in a hostel for homeless families in Blackpool, England. The project was made in response to a speech by Peter Lilley, then Secretary of State for Social Security, in which he announced his determination to ‘close down the something-for-nothing society.’ French newspaper Libération dispatched a journalist to northern England to find out what this society looked like, and Easton was commissioned to take the accompanying photographs. His resulting monochrome images of the overcrowded two-bedroom council flat in Blackpool sparked a reaction by both the public and the press. His images attached human faces and nuanced realities to a group of people casually maligned by politicians and media as an ‘underclass of scroungers.’

Frontkampfer I: Blitzkrieg 1939-1942 is a collection of rare photographs, many of which have never been published before, highlighting the German war machine in the early years of the Second World War. Beginning in September 1939 with the invasion of Poland, the reader will follow the German military as it conquers France, the Balkans, and North Africa, before sweeping deep into the Soviet Union during Operation Barbarossa. Frontkampfer I: Blitzkrieg 1939-1942 reaches its crescendo as the German military occupies the Caucasus Mountains region and advances to the frontier of Asia, before being repelled by the Red Army at the horrific Battle of Stalingrad on the banks of the Volga River in the winter of 1942. Frontkampfer I: Blitzkrieg 1939-1942 offers the reader a glimpse into the conditions of the opening years of the war in photographs directly from the albums of the men who were there. From heavy tanks to small arms to uniforms and equipment, Frontkampfer I: Blitzkrieg 1939-1942 is a collection of rarely seen German photographs of World War Two, with pertinent historical background, and a study of the photographs themselves.

Open your eyes to a new world view with 100 women and nonbinary photojournalists' stories from behind the lens. 85% of photojournalists are men. That means almost everything that is reported in the world is seen through men's eyes. Similarly, spaces and communities men don't have access to are left undocumented and forgotten. With the camera limited to the hands of one gender, photographic 'truth' is more subjective than it seems. To answer this serious ethical problem, Women Photograph flips that bias on its head to show what and how women and nonbinary photojournalists see. From documenting major events such as 9/11 to capturing unseen and misrepresented communities, this book presents a revisionist contemporary history: pore over 50 years of women's dispatches in 100 photographs. Each image is accompanied by 200 words from the photographer about the experience and the subject, offering fresh insights and a much-needed perspective. Until we have balanced, representative reporting, the camera cannot offer a mirror to our global society. To get the full picture, we need a diverse range of people behind the lens. This book offers a first step. Relearn how to see with this evergreen catalogue that elevates the voices of women and nonbinary visual storytellers.

Dispersal considers the period of change in Stratford, East London prior to the 2012 Olympic Games. It is both a visual record of a place that has transformed beyond recognition and a commentary on the impact of these changes. Though often represented as a post-industrial 'wasteland', this part of East London was a melting pot of over 200 trades and industries. Photographers Marion Davies and Debra Rapp documented 60 of these small businesses - from belt-making, zinc- galavanising, kebab-making and salmon smoking - before they were forced to move from the area in 2007. These unique photographs reveal the atmosphere and processes of the workplace alongside a short account of the personal histories of each business. While the photographs provide an impression of the site at the cusp of change, they also suggest a landscape shaped over time. How this landscape or urban 'edgeland' developed and evolved from the mid-19th century is explored by urban planning and architectural historian Juliet Davis. A series of maps from 2007 to 2015 analyse the patterns of dispersal of these businesses. The three authors have charted the progress, successes and failures of these large and small firms, re-photographing a selection in 2015. They show how this major urban redevelopment project has had a permanent and dramatic impact on the Lea Valley's industrial areas; and at the same time they have created a lasting record of this previously diverse and often unappreciated working environment.

An outstanding photography book documenting a movement that rocked the world. Syd Shelton: Rock Against Racism is a body of photographs that Syd Shelton produced for and about the British Rock Against Racism movement (RAR) of 1976-1981. For Shelton, this work was a socialist act, what he calls a "graphic argument," on behalf of marginalized lives. His practice of photographic activism began in 1973 when he was driven to document the socio cultural and political dynamics expressed on the streets of Sydney by urban Australian Aboriginal communities, the working class, and the architectural landscapes of these groups. Shelton's first solo show in 1975, "Working Class Heroes" at the Sydney Film-makers Cooperative, established his distinct activist eye. Shelton joined RAR in early 1977 on his return to England from Australia. He did so because he found his birthplace a more racist country than it had been when he left. This was marked by the increased political presence of the National Front, notably its gain of some 119,000 votes in the Greater London Council Elections of May 1977. Shelton, like millions of others, feared for the future of multi-cultural Britain. His contribution to RAR was to be on the London committee, to create graphic material with other RAR members such as the RAR publication "Temporary Hoarding," posters' badges and his photography-RAR did not have an official photographer. Shelton's instinctive need to document RAR-its events, contributors, and supporters-has resulted in the largest collection of images on the movement. Alongside his documentation of RAR, Shelton took photographs of what he calls "the contextual images," the lives and landscapes that were defined by others as "different," and that often fueled racist acts of violence by simply being. What is presented here are Shelton's authoritative visual statements as participant-photographer on the social tempo in Britain at this time and the activist potency of RAR. As collective activism, RAR's success was dependent on individual contributions to fuel the movement's activities across the country. This unique national, and eventually international, charge incorporated the visual dynamic of how Black and white RAR contributors and participants styled their bodies as another antagonistic tool against racism. These were acts of style activism-the making of an activist identity through the considered composition of clothes, accessories, hairstyles, makeup, and body language. Shelton's images prompt us to remember that the individuals at RAR carnivals, gigs, and demonstrations were the event-they were RAR. There are many versions of what RAR was and its legacy. Syd Shelton: Rock Against Racism provides an auto/biographical telling of that historical moment. It reflects on how Shelton's work as a photographer contributed towards social change at a critical moment of political and racial tension in Britain.

From abandoned structures that have long ceased to take you anywhere to today's feats of engineering, Bridges is a pictorial celebration of 150 suspension bridges, iron bridges, stone bridges, aqueducts, viaducts, railway bridges, footbridges and rope bridges. Organised in sections such as abandoned bridges, classic bridges and superstructures, the book contains an immense range of wooden, stone, iron, steel and concrete bridges. There are tiny village bridges and vast bridges, narrow bridges and motorway-wide bridges, bridges that act as dams and bridges that support buildings, covered bridges, famous bridges and little-known gems. From San Francisco's Golden Gate bridge to the 21st century Millau Viaduct in France - the tallest bridge in the world, from the Roman aqueduct in Segovia, Spain, to farmers still building bamboo bridges, the book draws examples from all over the world. Ranging from the Rocky Mountains to Siberia and Iran, a picture emerges of not only how new technologies have made it possible for bridges to be built, but also how bridges have themselves been catalysts for social change. And when they have been abandoned, such as in former gold rush towns, these bridges tell their own stories of how the world moves on. Presented in a landscape format and with 150 outstanding colour photographs, Bridges is a stunning collection of images.

Ruined cities overgrown by jungle. Towns buried beneath the ground. Statues lying half- hidden in the sand. Why do civilisations collapse? Why are towns abandoned? And how do once mighty cities come to be forgotten about? From the pyramids of Egypt to the ruins at Angkor in Cambodia and on to the mysteries of the Easter Island moai statues, Abandoned Civilisations is a brilliant pictorial work examining lost worlds. What emerges is a picture of how vast societies can rise, thrive and then collapse. We admire how whole cities develop, but equally fascinating is what happens when their moment has passed. From the 9th century temples at Khajuraho in India which were lost in the date palm trees until stumbled across by European engineers in the 19th century to Mayan pyramids in the Guatemalan jungle to Roman cities semi-buried - but consequently preserved - in the North African desert, the book explores why societies fall and what, once abandoned, they leave behind to history. With 150 striking colour photographs exploring 100 worlds, Abandoned Civilisations is a fascinating visual history of the mysteries of lost societies.

Autopsy of America takes you through the tattered remnants of the United States of America in a way that you never seen before. The beautiful apocalyptic landscapes consisting of abandoned schools, factories, shopping malls, amusement parks, theaters, hospitals, sport arenas, homes even entire towns offer a visual diagnostic to some of the county's true ills. The captivating images are accompanied by Lawless' personal anecdotes and thoughtprovoking stories that are equally riveting as the images.

In 2007 TASCHEN released The New Erotic Photography, followed in 2012 by The New Erotic Photography 2. Each book featured hundreds of fresh and provocative images from the world's most intriguing erotic talents. Now the best of both books is available in The New Erotic Photography, featuring 62 photographers from 10 countries, exploring the global variations of erotic photography, as well as the evolution of photographic media over the last decade. We see film give way to digital, while those who persist with film are as likely to use Polaroids and primitive cameras like the Lomo and Holga as traditional SLRs. The featured photographers include new names Gregory Bojorquez, Jo Schwab, Tomohide Ikeya, Frederic Fontenoy, Andrew Pashis, and Jan Hronsky, as well as established artists Guido Argentini, Bruno Bisang, Eric Kroll, and the late Bob Carlos Clarke. Several outstanding women are also featured in this edition, including erotic film star Kimberly Kane, digital pioneer Natacha Merritt, heavy metal skateboarder Magdalena Wosinska, self-portraitist Jody Frost, and cover artist April-lea Hutchinson. It all adds up to an awful lot of nudes for a tantalizingly low price. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Karl Marx is buried in London, John Keats in Rome and Leon Trotsky in Mexico. Pere Lachaise Cemetery in Paris is today known for the graves of Jim Morrison, Victor Hugo and Oscar Wilde, but when it opened in the early 19th century the owners felt that they needed some star names to make it a desired burial site - and so they had Moliere's body transferred there. Arranged thematically into 75 entries, Graves of the Great and Famous tours the world exploring the resting places of leading artists, thinkers, scientists, sportspeople, revolutionaries, politicians and pioneers. Some, such as communist leaders Ho Chi Minh and Vladimir Lenin, are interred in great mausoleums, where they are visited by millions each year; others are buried in little-known country graveyards. From lives cut short through assassinations - Martin Luther King and Abraham Lincoln - to those who suffered terrible accidents (Princess Diana), from mobsters such as Benjamin 'Bugsy' Siegel and John Gotti to Napoleon and his mistress Marie Walewska, from Nelson Mandela to Eva Peron, Graceland to Highgate Cemetery, the book provides a guide to some of the most famous and unusual graves of the great and the good. Featuring 150 photographs of graves, cemeteries, graveyards and mausoleums, Graves of the Great and Famous is a compact guide to the final resting place of the famous - and infamous.

Two acclaimed South African artists offer a cross-generational dialogue on history, memory, and the power of self-narration Three decades after the dismantling of apartheid began, South Africa’s so-called “born free� generation has reached adulthood and its artists have used their work to navigate their difficult inheritance. At the same time, the historical distance between their experience and that of an older generation grows. This book brings together two of South Africa’s most acclaimed contemporary artists to reflect upon this moment. In their respective practices, Sue Williamson (b. 1941) and Lebohang Kganye (b. 1990) incorporate oral histories into film, photographs, installations, and textiles to consider how, just as formal statements determine collective histories, so the stories our elders tell us shape family narratives and personal identities. Exploring the complexities involved in the passing down of memories, their works implicitly and explicitly address racial violence, social injustice, and intergenerational trauma. This richly illustrated catalogue features essays that consider themes of voice, testimony, ancestry, and care, and a dialogue between Kganye and Williamson that explores how art can mobilize the healing powers of conversation. Distributed for the Barnes Foundation Exhibition Schedule: The Barnes Foundation, Philadelphia (March 5–May 21, 2023)

People magazine's top reason for Hope in America. Curated from a grassroots social movement, The Front Steps Project is an inspiring, uplifting portrait series capturing how people coped with living in isolation during the COVID-19 pandemic. The Front Steps Project™ demonstrates that even in the most challenging of circumstances, kindness, love, courage, and hope exist to build, bind, and connect communities around the globe. Created on March 18, 2020, The Front Steps Project™ began when friends Kristen Collins and Cara Soulia sought out to unite their neighbors through photographs of life in quarantine. In addition to incorporating work from other local photographers, the women traveled to neighborhoods around Needham, Massachusetts to photograph residents in front of their homes in exchange for donations to their local food pantry. Within days, #TheFrontStepsProject became a grassroots social mission, connecting thousands of people across the globe and raising over $3,250,000 for vital non-profit organizations and local businesses including food pantries, frontline workers, homeless and animal shelters, hospitals and so much more. Through their noble efforts, hundreds of thousands of images and stories of love, sacrifice, compassion, kindness, perseverance, and – ultimately hope – flooded social media. Featured on Good Morning America, The Today Show, People Magazine, The Wall Street Journal, The Boston Globe and more, The Front Steps Project brings communities together virtually, despite being – and maybe feeling – isolated. The Front Steps Project contains over 400 photographs and dozens of stories of families during the COVID-19 pandemic. This heartwarming keepsake commemorates a massive effort of courage, unity, and goodwill. As a tribute to the good work of The Front Steps Project, a portion of book sales will be donated to The United Way to help people impacted by the pandemic.

Temples have been places of worship, a focus for spirituality and a place for communities to gather since the earliest days of human civilisation. The first temples date back to ancient Mesopotamia and Egypt, deriving from the cult of deities and residing places for gods and immortals. Today, temple buildings remain lively focal points for the Jewish, Buddhist, Hindu, Jain and Sikh religions. Organised by continent, Amazing Temples of the World offers the reader an intimate portrait of some spectacular and unusual places of worship dating from the fourth millennium BCE to the present. Ornate or spartan, immense or intimate, from the Middle East to California, this book features such impressive places of worship as the Mahabodi Temple, India, built in the location where Buddha is thought to have achieved enlightenment; the fifth century BCE Temple of Confucius in Qufu, China, the largest Confucian temple in the world; Abu Simbel, in southern Egypt, the great carved monument to the Pharaoh Ramses II; the Golden Temple in Amritsar, Punjab, the spiritual home of the world's 25 million Sikhs; and the Shri Swaminarayan Temple in Neasden, London, the biggest Hindu temple outside India. Illustrated with more than 180 photographs, Amazing Temples of the World includes more than 150 places of worship, from Ancient Greece and Rome, through traditional synagogues to modern Buddhist, Taoist and Sikh temples.

A second volume of photos from the archive of the oldest off-road cycling club in the world is a further look into an unseen corner of cycling, social history and outdoor culture. Since 1955 the members of the Rough-Stuff Fellowship - the world's oldest off-road cycling club - have explored the 'rough stuff' where the roads end. From tight thickets to sheer rock faces and the wide open spaces of the mountains, these pioneers of riding off the beaten track have recorded their adventures at home and abroad in stunning photos and ride reports.

Twenty years after the end of the Bosnian War, this photographic journal aims to explore the changing faces of the cities and landscapes of Bosnia, as well as the country as a whole. These moving and haunting images are brilliantly captured and displayed by award-winning photographers Stephanie Borcard and Nicolas Metraux.

In 1960, photographer William Claxton and noted musicologist Joachim Berendt traveled the United States hot on the trail of jazz. Through music halls and marching bands, side streets and subways, they sought to document this living, breathing, beating musical phenomenon that enraptured America across social, economic, and racial lines. The result of Claxton and Berendt's collaboration was Jazzlife, much sought after by collectors and now revived in this fresh TASCHEN volume. From coast to coast, from unknown street performers to legends of the genre, this defining jazz journey explores just what made up this most original of American art forms. In New Orleans and New York, in St. Louis, Biloxi, Jackson, and beyond, Claxton's rapturous yet tender images and accompanying texts examine jazz's regional diversity as much as its pervasive vitality and soul. They show the music makers and the many spaces and people this music touched, from funeral parades to concert stages, from an elderly trumpet player to kids who hung from windows to catch a glimpse of a passing band. With images of Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, Dave Brubeck, Stan Getz, Billie Holiday, Ella Fitzgerald, Miles Davis, Charles Mingus, Thelonious Monk, John Coltrane, and many more, this is as much a compelling slice of history as it is a loving personal tribute.