Using highly detailed color photographs, John Ganis has chronicled the effects of development and extraction industries in every region of the Continental United States over a period of seventeen years. The subjects of Ganis s images are for the most part flagrantly clear abandoned wrecks, desolate strip mines, clear-cut forests, industrial parks, landfill sites, and the flattening of terrain for housing -developments and just as flagrantly disturbing. This is a thesaurus of our "civilized" incursions into the wildness of nature, a charting of our debris-strewn topographies, and a cogent report on our abdication of any reverence -towards the land. In an introductory essay, Robert -Sobieszek, from Los Angeles County Museum, gives an insightful overview of the historical responses to the American landscape and places the work of John Ganis within the context of "the new American pastoral." In 1989, Ganis entered into a collaborative exchange with the noted anthropologist Dr. Stanley Diamond, who wrote the poetry for this book in response to John Ganis s photographs. They represent some of his last and previously unpublished poetic work.John Ganis established his reputation with work on -important environmental issues. His color photographs of land use in America have been exhibited widely and are in the collections of The Brooklyn Museum of Art, The Center for Creative Photography, The Detroit Institute of Arts, The San Francisco Museum of Modern Art etc.He is currently professor and photography department chair at the College for Creative Studies in Detroit."

The Siege of Sarajevo remains the longest siege in modern European history, lasting three times longer than the Battle of Stalingrad and over a year longer than the Siege of Leningrad. Reporting the Siege of Sarajevo provides the first detailed account of the reporting of this siege and the role that journalists played in highlighting both military and non-military aspects of it. The book draws on detailed primary and secondary material in English and Bosnian, as well as extensive interviews with international correspondents who covered events in Sarajevo from within siege lines. It also includes hitherto unpublished images taken by the co-author and award-winning photojournalist, Paul Lowe. Together Morrison and Lowe document a relatively short but crucial period in both the history of Bosnia & Herzegovina, the city of Sarajevo and the profession of journalism. The book provides crucial observations and insights into an under-researched aspect of a critical period in Europe's recent history.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Picture Post magazine was made famous by its pioneering photojournalism, which vividly captured a panorama of wartime events and the ordinary lives affected. This book is the first to examine this fascinating primary source as a cultural record of women's dress history. Reading the magazine's visual narratives from 1938 to 1945, it weaves together the ways in which design, style and fashion were affected by, and responded to, the state of being at war - and the new gender roles it created for women. From the working class of Whitechapel to the beach sets of the Bahamas, and from well-heeled Mayfair to middle-class New York, Women in Wartime takes a wide-angled lens to the fashions and lifestyles of the women featured in Picture Post. Exploring the nature of femininity and the struggle to be fashionable during the war, the book reveals critical connections between clothing and social culture. Drawing on a unique range of photographs, Women in Wartime presents a living history of how women's clothing choices reflect changing perceptions of gender, body, and class during an era of unprecedented social change.

For more than forty years Angola has faced conflict. From 1961-1975, there was the struggle for independence from Portuguese rule. This was followed by a period of civil war which, in one form or another, extended until 2001, when the UNITA leader Jonas Savimbi was killed in an ambush. This led to a cease-fire, armistice and peace. As a result of these 40 years of war the country has suffered a terrible legacy of unexploded mines and other weapons. Photographer Sean Sutton, who works alongside MAG (Mines Advisory Group) has recorded the impact that this has had on the country and its people, as well the work of those clearing the mines. MAG has been working in Angola for more than 10 years, clearing tens of thousands of landmines and items of unexploded ordnance. The book is introduced by Heather Mills who is a patron of MAG and has campaigned vigorously on the issue of landmines. There is also a text by the renowned photojournalist Tim Page whose photographs during the Vietnam War were published worldwide. Page is the subject of many documentaries, two films and the author of nine books. Lou McGrath, Director of MAG, contributes a further text contextualising the work of landmine clearance.

Being essential to the survival of civilisations, rivers run through mythology - think of ancient Egypt - and religion - think of the Ganges and Hinduism. And they continue to inspire writers and artists - think of Mark Twain's Mississippi and John Steinbeck's Salinas. From the Ganges rising in the Himalayas to the Nile Delta, from the Amazon rainforest to the Bow River flowing out of the Rocky Mountains, from the Rhine to the Rhone, Yangtze to the Mekong, Danube to the Volga to the Ebro, Rivers explores the grandest and most interesting rivers around the world. Arranged by continent, the book reveals the fascinating stories of how rivers have supported and shaped civilisations, the significance that rivers have gained in religion and myth, the battles that have been fought over them, the borders that they have marked, and how rivers have altered their courses, thus changing lives and livelihoods. Illustrated with more than 200 spectacular colour photographs supported by expert captions, Rivers is a fascinating journey from the mountains to the sea.

Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction Winner of the Eastern Communication Association's Everett Lee Hunt Award A behind-the-scenes account of how death is presented in the media Death is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a "fit" and "unfit" image of death. Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society. In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them-even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.