Since they were founded in 2001, Trolley Books has been highly regarded as a maverick independent publisher of photography, reportage, contemporary art and recently, literature. Trolley's founder Gigi Giannuzzi is a well-known figure in the publishing and photographic industries for his original and dynamic approach to photobook publishing as well as his unrelenting support of photographers and important but underexposed stories. In a shock to the photography and publishing worlds he was diagnosed with cancer last year and passed away on Christmas Eve. Shortly before he died work began on a new book TROLLEYOLOGY, a look at the story behind Gigi and Trolley, which also will mark our first decade in publishing.

John Davies began photographing both the rural and urban landscape in the 1970s and this book brings together his early images alongside new contemporary works evisiting the same landscapes - mapping both equilibrium and change. These pairs of images are made from the same vantage point, and tell of the alterations made by human activity and bear witness to cultural and social changes over nearly four decades.

Emotionally resonant photographs of everyday life in the Jewish Lodz Ghetto taken during WWII From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910-91) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. This compelling volume, originally published in 2015 and now available in paperback, presents a selection of Ross's images along with original prints and other archival material including curfew notices and newspapers. The photographs offer a startling and moving representation of one of humanity's greatest tragedies. Striking for both their historical content and artistic quality, his photographs have a raw intimacy and emotional power that remain undiminished. Distributed for the Art Gallery of Ontario

The unfolding events in the run up to the Iraq war had given Tom Hurndall, a 21-year-old British photojournalist, an increased curiosity and desire to journey to the Middle East. In February 2003, initially as an observer alongside the Human Shields, he left with a passion to make a difference, to record and photograph the truth for himself. We follow his journey first from Baghdad, then to Amman and the Al-Rweished refugee camp in Jordan, and finally on to the town of Rafah in Gaza close to the Egyptian border, where US peaceworker Rachel Corrie had been killed just weeks previously, On April 11th, unarmed and wearing and internationally recognized orange peacekeeper jacket, he was severely wounded while carrying Palestinian children to safety. He died nine months later in a London hospital. The book follows Tom's life and thoughts in the final weeks leading up to the shooing. Motivated by a sense of injustice and striving to remain objective we are drawn into his increasingly serious photographs and words, through extracts from his diary, emails and poems. It is realised through collaboration with the Hurndall family on the sixth anniversary of the fateful day, and with the recent Channel 4 film-documentary 'The Shooting of Thomas Hurndall'.

Easton's photographs, alongside texts by writer, poet and social researcher Abdul Aziz Hafiz, aim to confront stereotypes and question the dangerous over-simplification of the challenges facing such communities. They do so by presenting the contemporary experience of residents as an 'alternative history telling'. The black and white photographs in the book were all made in an area less than half a mile square in Blackburn during 2019 and 2020. Working with a large-format wooden field camera, Easton spent long days and weeks in the neighbourhood talking to residents and sometimes making pictures. The project melds image and text - Easton's portraiture and landscapes combined with poetry and an essay by Aziz Hafiz and with the testimonies of residents. This long-form collaboration acknowledges the issues and impacts of social deprivation, housing, unemployment, immigration and representation, as well as past and present foreign policy. The result is a collective and nuanced portrait of the town - a sensitive response to the oversimplistic representation of such communities in both the media and by government, which deny the right of Bank Top to tell its own story.

Returning to the North East in 2001 to document the Durham Coalfield, at one time the heartland of the British coal industry, Chris Steele-Perkins found himself in that exurban culture that we now associate with "Billy Elliot". This world of "lamping" (for rabbits), ferreting, whippet racing, grouse shooting, pigeon fancying and the rearing of birds of prey is a survival of what D. H. Lawrence once described as "a curious cross between industrialism and the old agricultural England of Shakespeare and Milton". Chris Steele-Perkins has memorably recorded this with visual wit, and a constant eye for the extraordinary. Nor is he at all sentimental: the harsh realities of blood-stained slaughter-houses and the vandalism of fly-tipping in the open countryside aren't excluded. His photographs, he says, "serve as both eulogy and elegy".

For 45 years I've chronicled the Royal Family for the Sun newspaper with my camera. I've witnessed their triumphs and disasters, their laughter and tears, when they've found love and when their relationships splinter. I'm there when they emerge from the maternity wing as wailing newborns and I'm there again when they marry before a joyous nation. And when they're laid to rest on those solemn occasions that this country marks so well, I'm on hand to capture history being made. Arthur Edwards has been the Sun's Royal Photographer for over 45 years; the longest-serving of any newspaper. Originally from the East End of London, he is the man behind the most iconic photographs of the most famous family in the world. With commensurate skill and unprecedented access, he has captured the candid moments when protocol is put aside, revealing the true personalities behind the Crown. This beautiful book is a treasure trove of glorious photography, along with Arthur's own warm recollections of the stories behind his iconic shots. It is the perfect glimpse behind the scenes of the last 50 years of the British monarchy, from a truly unique perspective.

Open your eyes to a new world view with 100 women and nonbinary photojournalists' stories from behind the lens. 85% of photojournalists are men. That means almost everything that is reported in the world is seen through men's eyes. Similarly, spaces and communities men don't have access to are left undocumented and forgotten. With the camera limited to the hands of one gender, photographic 'truth' is more subjective than it seems. To answer this serious ethical problem, Women Photograph flips that bias on its head to show what and how women and nonbinary photojournalists see. From documenting major events such as 9/11 to capturing unseen and misrepresented communities, this book presents a revisionist contemporary history: pore over 50 years of women's dispatches in 100 photographs. Each image is accompanied by 200 words from the photographer about the experience and the subject, offering fresh insights and a much-needed perspective. Until we have balanced, representative reporting, the camera cannot offer a mirror to our global society. To get the full picture, we need a diverse range of people behind the lens. This book offers a first step. Relearn how to see with this evergreen catalogue that elevates the voices of women and nonbinary visual storytellers.

?????? One of Britain's leading contemporary photographers, Nick Waplington is known for photographing British social scenery and his life and close circle of friends and family in East London, where he lives and works. ?????? Double Dactyl accompanies his solo exhibition of the same name at The Whitechapel Gallery, London. ?????? Waplington first came to public notice with Living Room (1991), a photographic portrait based on the everyday lives of two close-knit families in Nottingham, England. ?????? Since then he has often worked in book form. Double Dactyl expands on previous work, now referencing the grand traditions of history painting, classical mythology and landscape photography. ?????? This new work also explores notions of photographic "reality," by working with constructed and manipulated images taken from his own large format photographs. ?????? Double Dactyl features 56 colour reproductions of this new body of work, its surreal and often subtle use of manipulation confirming Waplington's idiosynchratic approach to contemporary photographic practice. Nick Waplington has exhibited internationally including at Deitch Projects, New York, The Philadelphia Mudeum of Modern Art and the 2001 Venice Biennale. He lives and works in London. Also Published by Trolley You Love Life (2005) Learn How To Die The Easy Way (2001)

In the 12 years that the National Socialist Party was in power in Germany, upwards of 15,000 concentration and labour camps were established in the Greater Reich and the occupied countries to incarcerate all who were deemed enemies of the state. Contents includes: GERMANY Dachau, Oranienburg, Sachsenhausen, Buchenwald, Ohrdruf, Flossenburg, Neuengamme, Ravensbruck, Niederhagen/Wewelsburg, Bergen-Belsen, Mittelbau-Dora-Nordhausen, Arbeitsdorf. AUSTRIA Mauthausen. BELGIUM Breendonk, Mechelen: Caserne Dossin. CZECHOSLOVAKIA Theresienstadt. ESTONIA Vaivara/Klooga. FRANCE French Transit Camps, Natzweiler-Struthof, Wiesengrund/Vaihingen. HOLLAND Westerbork, Amersfoort, Herzogenbusch/Vught. ITALY Fossoli, Bolzano, Risiera di San Sabba. LATVIA Riga-Kaiserwald. LITHUANIA Kauen. NORWAY Falstad, Grini. UNITED KINGDOM Alderney, Channel Islands. BERLIN Wannsee Conference and Operation Reinhard'. POLAND The Warsaw Ghetto, Majdanek-Lublin, Belzec, Sobibor, Treblinka, Chelmno, Gross-Rosen, Stutthof-Danzig, Krakow-Plaszow, Auschwitz , Birkenau, War Crimes Trials.

Ballard explores the theme of death in a way no photographer has done before, by following the small but dedicated international cryonics community. From the laboratories of America to the warehouses of Moscow, these sinister portraits of those stored in liquid nitrogen are a unique exploration of life and death.

There is always a sense of adventure when going on a railway journey. Whether it is aboard the Orient Express from London to Istanbul, or travelling the Transcontinental railroad through the Canadian Rockies to the Pacific coast, or riding the Serra Verde Express through the Brazilian rainforest, Rail Journeys takes the reader on a journey through some of the most unusual, romantic and remarkable landscapes in the world. Find out about the Coast Starlight, which carries passengers from Los Angeles along the Pacific coast to Seattle and all points in between; or the 7,000 kilometre Trans-Siberian, crossing the entirety of Mongolia and Russia from Beijing to Moscow; or 'El Chepe', the Mexican Copper Canyon railway, a line which took 90 years to build and negotiates 87 tunnels, 36 bridges and sweeping hairpin bends as it climbs from sea level to the rim-top views it offers at 2,400m; or enjoy the engineering excellence of the Konkan Railway in India, connecting Mumbai with the port of Mangalore via some 2,000 bridges and 90 tunnels; or experience the Shinkansen 'Bullet Train' as it races at speeds of more than 300 km/h between Tokyo and Kyoto, passing the iconic Mount Fuji on the way. With 210 outstanding colour photographs, Rail Journeys takes the reader to some of the most historic, spectacular and remotest locations in the world, places where trains still offer romantic and astounding experiences of rail travel at its best.

Deluxe, limited edition of 100 copies. It is a must-have luxury, collector's item. It is presented in a bespoke clamshell box. It includes a limited edition, numbered silver gelatin photograph, signed by Baron Wolman, exclusive to this edition. It includes a full set of original, unused tickets for the Friday, Saturday and Sunday of the festival. The book is numbered and signed by all contributors: Baron Wolman, Dagon James, Carlos Santana and Michael Lang. Baron Wolman's stunning black and white photographs of Woodstock are published here for the first time. The majority of images are completely unseen. With accompanying text featuring an interview with Wolman and Woodstock creator, Michael Lang, and a foreword by musician Carlos Santana. Wolman captured the experience and atmosphere of Woodstock like no other photographer. More interested in the crowd than the performers, his photographs are hugely evocative and offer an insight into this legendary event that is rarely seen.

A Scotsman Best Photography Book of 2017 Texts by Filippo Grandi, UN High Comissioner for Refugees, UNHCR, and Robert Del Naja, Massive Attack In October 2015, Giles Duley was commissioned by the UNHCR to document the refugee crisis. Over the next seven months, he was to criss-cross Europe and the Middle East attempting to put a human face to one of the biggest humanitarian emergencies of our time. Duley visited fourteen countries to tell the stories of individuals and families forced to flee their homes. He chronicled the turmoil of Lebanon, the camps of Jordan and Iraq, hellish scenes on the beaches of Lesvos and the refugees arrival in Germany. Bringing together over 150 original photographs, this book captures how even in the midst of such horror and tragedy there is humour, the unexpected and, above all, humanity.

Pairing epic sports photography with articles from The Times archive, this volume brings together 100 of the most iconic moments from World Cup history. With striking, full-colour photography, rarely seen archival images and sensational reporting on the action, The Times Rugby World Cup Moments tells the story of one of the world's largest single sporting events as it unfolded on - and off - the pitch. Featuring the most memorable tries, historic drop goals, legendary players and unforgettable controversies, these split-second moments have changed the course of Rugby World Cup history and generated a global sensation along the way.

This major work presents a remarkable sequence of photo-stories from pioneering photo agency VII, documenting world history as we have experienced it since the end of the Cold War. The 11 extraordinarily talented photographers who make up this agency work at the cutting edge of digital photojournalism, committed to recording social and cultural change as it happens around the world.
"Questions Without Answers" is an ambitious book featuring a strikingly broad selection of photo stories. Photos documenting Barack Obama giving a speech on Afghanistan to American troops sit alongside a collection of portraits featuring famous cultural figures such as David Bowie and Bernardo Bertolucci. We move from an exploration of the spread and impact of AIDS in Asia to dispatches from the current economic crisis and its effect on those working in finance. The crucial work done by VII in documenting conflict - environmental, social and political, both violent and non-violent - is also represented, including stories from the war in Iraq, the crisis in Darfur and the terrible events of 9/11.
With an introduction by the eminent David Friend, "Vanity Fair"'s editor of creative development and the former director of photography of "Life" magazine, this book is an important, moving and compelling record of the world we live in.

Ruined cities overgrown by jungle. Towns buried beneath the ground. Statues lying half- hidden in the sand. Why do civilisations collapse? Why are towns abandoned? And how do once mighty cities come to be forgotten about? From the pyramids of Egypt to the ruins at Angkor in Cambodia and on to the mysteries of the Easter Island moai statues, Abandoned Civilisations is a brilliant pictorial work examining lost worlds. What emerges is a picture of how vast societies can rise, thrive and then collapse. We admire how whole cities develop, but equally fascinating is what happens when their moment has passed. From the 9th century temples at Khajuraho in India which were lost in the date palm trees until stumbled across by European engineers in the 19th century to Mayan pyramids in the Guatemalan jungle to Roman cities semi-buried - but consequently preserved - in the North African desert, the book explores why societies fall and what, once abandoned, they leave behind to history. With 150 striking colour photographs exploring 100 worlds, Abandoned Civilisations is a fascinating visual history of the mysteries of lost societies.

Paolo Pellegrin (Magnum Photos) and journalist Scott Anderson were in Lebanon during the conflict, on assignment for The New York Times. Pellegrin's photographs intimately capture the fear and powerlessness of the Lebanese population in the face of the ceaseless Israeli air strikes, revealing the terror and despair of families and friends witnessing the deaths of their loved ones, whilst around them their homes were destroyed. In particular, Pellegrin also documented the aftermath of the attack on the village of Qana in southern Lebanon; many of the victims children, his photographs reveal the immense suffering of the civilians involved. Alongside his work exposing the consequences of indiscriminate attacks on a civilian population is a 3000-word account by Scott Anderson, who accompanied Pellegrin in Lebanon. Pellegrin and Anderson were both wounded in a missile attack by an Israeli drone, which fired on their vehicle as they traveled through the city of Tyre.

For well over a century, humanitarians and their organizations have used photographic imagery and the latest media technologies to raise public awareness and funds to alleviate human suffering. This volume examines the historical evolution of what we today call 'humanitarian photography' - the mobilization of photography in the service of humanitarian initiatives across state boundaries - and asks how we can account for the shift from the fitful and debated use of photography for humanitarian purposes in the late nineteenth century to our current situation in which photographers market themselves as 'humanitarian photographers'. This book investigates how humanitarian photography emerged and how it operated in diverse political, institutional, and social contexts, bringing together more than a dozen scholars working on the history of humanitarianism, international organizations and nongovernmental organizations, and visual culture in Africa, Asia, the Middle East, Europe, and the United States.