A collection of photographs which depict the vanished Arabia of the 1970s, a world of artisans, fishermen, soldiers, and tribesmen, of ordinary lives against the backdrop of a majestic land. They hint at the enormous changes that oil money will bring to these traditional societies.

Originally published in 1991. "A photojournalist is a mixture of a cool, detached professional and a sensitive, involved citizen. The taking of pictures is much more than F-stops and shutter speeds. The printing of pictures is much more than chemical temperatures and contrast grades. The publishing of pictures is much more than cropping and size decisions. A photojournalist must always be aware that the technical aspects of the photographic process are not the primary concerns." This book addresses ethics in photojournalism in depth, with sections on the philosophy in the discipline, on pictures of victims or disaster scenes, on privacy rights and on altering images. As important and interesting today as when it was first in print.

Great moments in history captured in 100 photographs! From the opening of King Tut's tomb to the Wright Brothers' first flight, from the mushroom cloud made by the atomic bomb in Nagasaki to the first moon landing, these 100 pictures record some of history's most iconic moments. They remind us that photography not only chronicles major events around the world, but also serves as a means of raising awareness and changing public opinion. This expertly collated book, which includes detailed commentary on each image, is truly unmissable.

96 countries | 91 types of business | 100 ways to live your life The Other Hundred Entrepreneurs is a unique photo-book showcasing the stories of everyday entrepreneurs whose achievements deserve to be celebrated, part of a unique global initiative to provide a counterpoint to the mainstream media consensus about some of today's most important issues. Instead of conventional success stories about tech billionaires and elite MBAs, the book contains 100 stories of everyday people who have started businesses, big and small, and taken control of their lives. These entrepreneurs run their own businesses without ever hiring an investment bank, planning an exit strategy, dreaming of an IPO or even receiving a loan. Together, these portraits from all over the world present a more representative picture of entrepreneurship than the one we get from the covers of Forbes, Fortune or SUCCESS Magazine. The first book in The Other Hundred initiative celebrated a richly diverse selection of ordinary people living extraordinary lives all over the world.

For generations, the women of the South African Ndebele tribe have produced a rich, living art. They continue to do so today, conjuring up on the walls of their houses a world of spontaneous forms with intricate beadwork and wall painting. Their dynamic compositions and blazing colors show a bold graphic quality that makes them appear stunningly fresh and modern.

Margaret Courtney-Clarke spent five years visiting the Ndebele and recording their art. Her work on this book began long before the political upheavals following the end of apartheid and the coming to power of the black majority in South Africa. The Ndebele from the southern Transvaal, whose art is documented here, were violently displaced and forcibly resettled in the newly created KwaNdebele homeland. During her later visits Courtney-Clarke discovered that more and more of her favorite paintings had decayed or disappeared after the family had either moved away or been forcibly resettled. The result in several cases is that her photographs are the only surviving documents of some of the most impressive of Ndebele artworks.

These photographs bear witness to a people who, despite unspeakable suffering, have continued to decorate their surroundings with breathtaking brilliance and passion.

'When you are suspended by a rope you can recover, but every time I see a rope I remember. If the light goes out unexpectedly in a room, I am back in my cell.' Binyam Mohamed, Prisoner #1458. For eight years the American naval base at Guantanamo Bay on Cuba has been home to hundreds of men, all Muslim, all detained in the aftermath of the 9/11 attacks on suspicion of varying degrees of complicity or intent to carry out acts of terror against American interests. Labelled 'the worst of the worst', most of these men were guilty of nothing more than being in the wrong place at the wrong time. Many fell prey to a US military policy of paying bounty money for anyone the Pakistani secret service, border guards or village leaders on both sides of the blurred Afghan-Pakistan border considered a possible or potential 'suspect', thereby becoming currency in the newly defined 'War on Terror'. Held in legal limbo for years and repeatedly interrogated, almost all have been released without charge and only a very few have been tried in the special military commissions set up for the purpose. Guantanamo: If the light goes out illustrates three experiences of home: at Guantanamo naval base, home to the American community; in the camp complex where the detainees have been held; and in the homes where former detainees, never charged with any crime, find themselves trying to rebuild lives. These notions of home are brought together in an unsettling narrative, which evokes the process of disorientation central to the Guantanamo interrogation and incarceration techniques. It also explores the legacy of disturbance such experiences have in the minds and memories of these men.

The first book by astronaut Tim Peake - a mesmerising collection of over 150 of Tim's stunning photographs taken on board the International Space Station, many of which have never been seen before. Including a personal commentary from Tim, this is an awe-inspiring glimpse into life outside of Planet Earth... 'Inspiring for everyone' -- ***** Reader review 'WOW!! Fantastic images' -- ***** Reader review 'Literally out of this world' -- ***** Reader review 'Photos to die for, totally fantastic' -- ***** Reader review 'This book is truly amazing!' -- ***** Reader review ______________________________ THE OUT-OF-THIS-WORLD NUMBER ONE SUNDAY TIMES BESTSELLER and WINNER OF THE NON-FICTION BOOK OF THE YEAR AT THE BRITISH BOOK AWARDS 'It's impossible to look down on Earth from space and not be mesmerised by the fragile beauty of our planet. I may have been 400km up, but I have never felt closer to Earth than when I was on board the International Space Station. I'm delighted to share with you this collection of photographs with some of my thoughts from my mission. Although I briefly left the sanctuary of our planet, I rediscovered the wonder of the place we call home.' Hello, is this planet Earth? takes readers on a mesmerizing tour of Tim's historic and inspirational six-month Principia mission. Based on over 150 of Tim's stunning photographs that he took on board the international space station, many of which have not been seen before, this lavish collection showcases the beauty of earth from above, and is the perfect visual time capsule of Tim's remarkable trip, which captured the imaginations of millions of children and adults across the world. Including breath-taking aerial photos of cities illuminated at night, the northern lights and unforgettable vistas of oceans, mountains and deserts, the book can be enjoyed by readers of all ages, and comes with a personal commentary from Tim, full of his characteristic warmth and charm. The title of the book is inspired by Tim's famous 'wrong number' dialled from space, when he accidentally misdialled a woman from the space station and inquired, 'Hello, is this planet Earth?'

Standing on the Edmund Pettus Bridge in Selma, Alabama, in 2017, photographer William Abranowicz was struck by the weight of historical memory at this hallowed site of one of the civil rights movement's defining episodes: 1965's "Bloody Sunday," when Alabama police officers attacked peaceful marchers. To Abranowicz's eye, Selma seemed relatively unchanged from its apperance in the photographs Walker Evans made there in the 1930s. That, coupled with an awareness of renewed voter suppression efforts at state and federal levels, inspired Abranowicz to explore the living legacy of the civil and voting rights movement through photographing locations, landscapes, and individuals associated with the struggle, from Rosa Parks and Harry Belafonte to the barn where Emmett Till was murdered. The result is This Far and No Further, a collection of photographs from Abranowicz's journey through the American South. Through symbolism, metaphor, and history, he unearths extraordinary stories of brutality, heroism, sacrifice, and redemption hidden within ordinary American landscapes, underscoring the crucial necessity of defending-and exercising-our right to vote at this tenuous moment for American democracy.

Censored by the U.S. Army, Dorothea Lange's unseen photographs are the extraordinary photographic record of the Japanese American internment saga. This indelible work of visual and social history confirms Dorothea Lange's stature as one of the twentieth century's greatest American photographers. Presenting 119 images originally censored by the U.S. Army—the majority of which have never been published—Impounded evokes the horror of a community uprooted in the early 1940s and the stark reality of the internment camps. With poignancy and sage insight, nationally known historians Linda Gordon and Gary Okihiro illuminate the saga of Japanese American internment: from life before Executive Order 9066 to the abrupt roundups and the marginal existence in the bleak, sandswept camps. In the tradition of Roman Vishniac's A Vanished World, Impounded, with the immediacy of its photographs, tells the story of the thousands of lives unalterably shattered by racial hatred brought on by the passions of war. A San Francisco Chronicle Best Book of 2006.

For well over a century, humanitarians and their organizations have used photographic imagery and the latest media technologies to raise public awareness and funds to alleviate human suffering. This volume examines the historical evolution of what we today call 'humanitarian photography' - the mobilization of photography in the service of humanitarian initiatives across state boundaries - and asks how we can account for the shift from the fitful and debated use of photography for humanitarian purposes in the late nineteenth century to our current situation in which photographers market themselves as 'humanitarian photographers'. This book investigates how humanitarian photography emerged and how it operated in diverse political, institutional, and social contexts, bringing together more than a dozen scholars working on the history of humanitarianism, international organizations and nongovernmental organizations, and visual culture in Africa, Asia, the Middle East, Europe, and the United States.

In today's image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy. Given this tension between the genre's ostensible goals and its effects, what is the purpose behind taking and showing images of war and crisis? Conversations on Conflict Photography invites readers to think through these issues via conversations with award-winning photographers, as well as leading photo editors and key representatives of the major human rights and humanitarian organizations. Framed by critical-historical essays, these dialogues explore the complexities and ethical dilemmas of this line of work. The practitioners relate the struggles of their craft, from brushes with death on the frontlines to the battles for space, resources, and attention in our media-driven culture. Despite these obstacles, they remain true to a purpose, one that is palpable as they celebrate remarkable success stories: from changing the life of a single individual to raising broad awareness about human rights issues. Opening with an insightful foreword by the renowned Sebastian Junger and richly illustrated with challenging, painful, and sometimes beautiful images, Conversations offers a uniquely rounded examination of the value of conflict photography in today's world.

Ericson was motivated to begin photographing the Roma community during a visit to the southern part of Czech Republic where he witnessed vast discrimination. He has documented the lives of Roma people across multiple countries including Czech Republic, France, Sweden, Kosovo, Hungary, Serbia, Romania, Switzerland, Spain and Slovakia bearing witness to a group of people deprived of political, economical, cultural and social rights.

This incredible visual record of life and death along the Eastern Front features more than 250 images from the the PIXPAST Archive, a collection of more than 32,000 original colour photographs taken between 1936 and 1946\. Collated into three parts and organised thematically, the book begins with images of the ground war, including Hitler's invasion of the Soviet Union and the tanks, vehicles, weaponry and infantry on both sides. Moving into the war in the skies, the images depict aircraft in flight and on the ground, the bombers, fighters, Luftwaffe personnel and the destruction wrought from battle. And finally, the images take us behind the lines, to the prisoners of war, partisans, medics, the daily lives and leisure activities of soldiers and civilians along the front and the impact of the harsh Russian winter. Accompanied by text by renowned author and commentator Anthony Tucker-Jones, these images offer a rare, often surprising insight into the realities of the Second World War and people caught up in it, in vivid colour detail.

Beginning in 1962, the World Press Photo Foundation has had an annual book published, featuring all prize-winning entries. 2020's Yearbook will prove to be another must-have edition, bringing together the very best press photographs from 2019, carefully selected from thousands of powerful, moving and sometimes disturbing images.

This concise and fascinating narrative traces the story of Islam from its birth in the seventh century to its remarkable growth. Its customs, traditions and arts are illustrated in photos and line drawings.

Many of Magnum's most renowned photographers - beginning with Robert Capa and Henri Cartier-Bresson on assignment in the 1930s - have been captivated by China. They've returned time and again, their fascination growing in line with China's burgeoning accessibility and international influence. - both an outstanding photobook and a fascinating social history - illustrates the agency's evolving relationship with this increasingly influential nation to give a visually rich, informed photographic account of the country, its people and the changes witnessed over the last nine decades. Chronologically organized to present key periods in the development of the modern state and its associated territories, Magnum China presents in-depth portfolios by individual photographers, accompanied by introductory commentaries on the featured projects and group selections illustrating the diversity of Magnum's interaction with the region. Supplemented with introductory essays by Jonathan Fenby, historical timelines, lists of photographers' travels and a fold-out map of China, Magnum China offers detailed and perceptive socio-political, geographical and historical context to complement the outstanding photography of some of the world's finest photographers.

The establishment of the Islamic Republic of Iran in 1979 meant women were forced to wear the hijab and photographs of them uncovered were forbidden. As a result, many photographers' studios were burnt to the ground, while remaining archives of invaluable glass-plate negatives were left to moulder in attics. Parisa Damandan spent over ten years accumulating an impressive collection of pioneering photographs from the early twentieth century, in her hometown of Isfahan. Recently emancipated women posing in various state of dress, Polish war refugees on their tortuous journey home after fleeing the Nazis, men in fashionable hats or in traditional turbans and cloaks - these portraits offer a remarkable window on the changing face of Iranian society during a period of transition from a traditional to a modern culture. Alongside these stunning images are essays on the development of portraiture in Isfahan, the social dimensions of portrait photography in Iran, and the power of the gaze.