This book contains a careful selection of photographs from the set of nearly 900 images of Javier Campano that the Archivo Lafuente preserves, which could be seen in the next exhibition dedicated to him at PHotoESPANA festival in Madrid. The photographic selection is divided around three axes: * A series of images from the first stage of Javier Campano's artistic career, which stands out for its strong documentary character. Time when he was a member of a group that promoted a fairer urbanism and claimed the needs of Madrid's neighborhoods. * A section focusing on his photographic production throughout his travels within Spain and to countries such as Egypt, Italy, France or the United States. * A final sequence dedicated to the black and white photographs that were exhibited in his first exhibitions together with a selection of Polaroids.

In the globe-spanning chronicle of an unprecedented historic event, journalists and photographers share an extraordinary collection of stories of the COVID pandemic: from the isolation and devastation of quarantine to the joy of reunion. As COVID-19 continued to evolve and impact communities around the globe, the National Geographic Society launched a Global Emergency Fund for Journalists to cover this extraordinary crisis within their own communities. The fund put a particular emphasis on delivering news to under served populations, particularly where there is a dearth of evidence-based information getting to those who need it. This pandemic has made evident the vulnerability, inequity, and the many environmental injustices in our society, but it has also shown us the incredible resilience of many communities. Selections from this powerful body of work will be featured in a global travelling exhibition entitled "Inside the Curve: Stories from the Pandemic." The book, which will extend and amplify the exhibition, will illuminate some of the themes of the crisis that have impacted all of us, as well as unique stories of heroism and survival.

How do photojournalists get the pictures that bring us the action from the world's most dangerous places? How do picture editors decide which photos to scrap and which to feature on the front page? Find out in Get the Picture, a personal history of fifty years of photojournalism by one of the top journalists of the twentieth century. John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world. "His best stories from the field are not tagging along with Capa and Hemingway...or having drinks at the Ritz in Parts with Marlene Dietrich; they are his less flashy but moving descriptions of the Japanese internment camps in California." - Leslie Cockburn, Los Angeles Times Book Review

The current decline of print journalism, the rise of the Internet and the advent of digital photography provides the perfect point in time from which to reflect on the ubiquity of the news picture. Powerful and controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these in a broader context by defining the news picture itself in all its forms.For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best thinking on this fascinating topic, this book considers the news picture through history, from its early form in the eighteenth-century broadside, through the press heyday in daily and weekly newspapers, to the rise of broadcast news and the current day. It examines the news picture in all its forms, depicting sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film, video and YouTube-based smart phone journalism. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in our rich visual culture.

This book is part of the Images of England series, which uses old photographs and archived images to show the history of various local areas in England, through their streets, shops, pubs, and people.

Traveler and photographer Filip Kulisev, MQEP (Master Qualified European Photographer) and FBIPP (Fellow of the British Institute of Professional Photography) has reworked his photographs of nature scenes over the past decade to make them among the world's best. Through his photographs, Filip Kulisev seeks to present the diversity and charm of Earth's four basic climatic zones at different times of the year. These zones also symbolize the four basic elements shaping the nature of our planet since its very beginning. More than 400 photographs taken by Kulisev during his travels highlights the geographical realities about the places he has visited. If you view them with open eyes and an open mind, you will see the symphony of the four elements of our planet, whether standing in front of the blood red, sun-burning fire of Uluru in Australia, before the glacial walls of Svalbard, on the last bit of solid ground before the North Pole, or taking in the rich palette of colors from Indian summer in Maine.

The photographer and reporter from the journal tyzden. Andrej Ban is presenting 82 black-and-white documentary photographs from 25 countries, that he has visited in the last 25 years. Original snap-shots are completed by interesting stories about life in regions affected by wars, exoduses, ethnical and religious conflicts and natural disasters. Although pictures from disaster regions dominate the publication, the book is not only about horrors, but mainly about the hope and the ability of ordinary people to survive and cope with their destiny. The author of the book Andrej Ban comes back to Kosovo, Bosna and Hercegovina, Georgia, Pakistan, Afganistan, and other countries regularly.

I am not a war photographer; I am interested in humanistic ethos in particular. I record the impact of difficult life situations on common people and their admirable ability to endure, get up and carry on with their lives. My testimony also represents an accusation of some leaders, Serbian and Albanian. Thousands of people died because of their nationalistic fanaticism and inability to achieve an agreement. Better than with this personal statement this book and its content cannot be described.

Named One of the "Best Art Books of 2018" by the New York Times Fifty years after Martin Luther King Jr.'s death-and at a time when race relations and social justice are again at the forefront of our country's consciousness-this book expands on a Frist Art Museum exhibition to present a selection of approximately one hundred photographs that document an important period in Nashville's struggle for racial equality. The images were taken between 1957, the year that desegregation in public schools began, and 1968, when the National Guard was called in to surround the state capitol in the wake of the civil rights leader's assassination in Memphis. Of central significance are photographs of lunch counter sit-ins in early 1960, led by a group of students, including John Lewis (who contributed the book's foreword) and Diane Nash, from local historically black colleges and universities. The demonstrations were so successful that King stated just a few weeks later at Fisk University: "I did not come to Nashville to bring inspiration but to gain inspiration from the great movement that has taken place in this community." The role that Nashville played in the national civil rights movement as a hub for training students in nonviolent protest and as the first Southern city to integrate places of business is a story that warrants reexamination. The book also provides an opportunity to consider the role of images and the media in shaping public opinion, a relevant subject in today's news-saturated climate. Photographs from the archives of both daily newspapers are included: the Tennessean, which was the more liberal publication, and the Nashville Banner, a conservative paper whose leadership seemed less interested in covering events related to racial issues. Some of the photographs in the exhibition had been selected to be published in the papers, but many were not, and their disclosure reveals insight into the editorial process. In several images, other photojournalists and news crews are visible, serving as a reminder of the almost constant presence of the camera during these historic times. Essays by Linda Wynn of Fisk University and the Tennessee Historical Commission and Susan H. Edwards, executive director of the Frist Art Museum, offer historical context on Nashville during the civil rights era and on photojournalism, respectively. Congressman John Lewis's foreword recounts memories of his time in Nashville and reminds us that there is still work to be done to build King's Beloved Community.

Kicking Sawdust is a series of photos taken from 1988-1992 while on the road with the circus, carnival, sideshows. It is a personal documentation of friends and people Clayton Anderson encountered in his daily life while working and traveling in his family's food business. Shot on black and white film and developed by author while on the road, after hours.

Award-winning journalist Wolfgang Bauer and photographer Stanislav Krupar were the first undercover reporters to document the journey of Syrian refugees from Egypt to Europe. Posing as English teachers in 2014, they were direct witnesses to the brutality of smuggler gangs, the processes of detainment and deportation, the dangers of sea-crossing on rickety boats, and the final furtive journey through Europe. Combining their own travels with other eyewitness accounts in the first book of reportage of its kind, Crossing the Sea brings to life both the systemic problems and the individual faces behind the crisis, and is a passionate appeal for more humanitarian refugee policies.

This powerful collection-which captures the energy, humour and humanity of the ground-breaking protests that surrounded the Stonewall Riots-celebrates the diversity of the LGBT rights movement, both in the subjects of the photos and by presenting Kay Tobin Lahusen and Diana Davies' distinctive work and perspectives in conversation with each other. A preface, captions and part introductions from curator Jason Baumann provide illuminating historical context. And an introduction from best-selling author Roxane Gay speaks to the continued importance of these iconic photos of resistance.

'You capture so much in one frozen moment of time, and the fact that this tiny moment will now last forever makes it so much more profound...' Immortalised through the BBC's 'Peaky Blinders', and now in the throes of HS2 development, Birmingham's up and coming creative quarter is in the spotlight as Nigel Parker documents the unique people and places of Digbeth.

These photographs are taken from three unpublished albums featuring the German invasion of Poland in 1939. One set was taken by an SS officer, another by a regular officer and a third by a soldier attached to a medical unit. Included are German units on the move, tanks, artillery and aircraft. There are several shots of recently knocked out Polish vehicles, captured Polish troops and civilians. The shots reflect the rapid pace of the German advance through Poland, some of the cities, towns and villages show signs of heavy fighting, whilst others appear to be untouched. One of the sets show a German unit mounted in fast open cars, heavily armed, speeding through the Polish countryside. Another features armored vehicles and engineers, while another shows the ambulance teams moving up to the front through devastation and chaos. There are also numerous opportunities throughout the book to see uniforms in their various guises and how they were actually worn in practice. There are shots of earlier German armor, antique Polish armor, and photographs of German troops at rest and preparing to move forward again.

Henry Brandt (1921-1998) was a legendary figure in Swiss postwar film-making, a photographer and a pioneer of the "nouveau cinema suisse." His second film Les Nomades du soleil, an ethnographic documentary shot in 1953-54 about a nomadic people in Niger, earned him international renown. At the 1964 Swiss national exhibition Expo 64 in Lausanne, Brandt left his mark on the memory of an entire generation: his five short films La Suisse s'interroge questioned the countries affluent Swiss society in a hitherto unknown form and were the initial spark for the sociologically incisive film-making in francophone Switzerland that later gave rise to masterpieces by Alain Tanner and Claude Goretta. This first monograph on Henry Brandt spans the entire oeuvre of this versatile cinematographer, which includes numerous documentaries, photo reportages, and TV productions. The essays investigate Brandt's works and provide insights into his efforts to combine the description of the local with the exploration of the distant. The book highlights that Henry Brandt's commissioned work as well as his own independent productions are critical testimonies to global inequality and thus more relevant today than ever. Text in French.

The Gurkhas are an elite fighting force from Nepal who have served the British Crown since 1815. They occupy a unique place in the public's imagination, and are renowned for their loyalty, professionalism and resolve. Through stunning photography, Arc of the Gurkha explores the span of the Gurkha career from recruitment through to training and deployment up to post-military employment and retirement. Alex Schlacher has accompanied the Gurkhas on operations in Afghanistan, on exercises in the Brunei jungle and Australia, and has visited all the units in the Brigade as well as retired and medically discharged Gurkhas. She has taken intimate portraits of hundreds of soldiers and heard their stories, many of which are recounted in this book. There have been other books on the Gurkhas, but none has portrayed the individual soldiers and focused about their backgrounds, lives and thoughts. This unique and insightful publication is the first to explore what it really means for a Gurkha to be a Gurkha.

Are newspapers dead? As resources for daily newspapers are reduced the roles of newspaper photographers and journalists are likewise under pressure. This second book on Photography of The Age by Kathleen Whelan looks at the impact of the digital age on professional photographers and provides an insight into how they bring to the readers what is important; socially, politically and historically. Photography of The Age also provides historical context of some of the most famous images published, why they are chosen as well as technical information from the photographers themselves on how they produced such memorable images.

"The Bronx has a terrible beauty, stark and harsh, like the desert. At first glance you imagine nothing can survive. Then you notice life going on all around. People adapt, survive, and even prosper in this urban moonscape of quick pleasures and false hopes. . . . Often I am terrified of the Bronx. Other times it feels like home. My images reflect the feral vitality and hope of these young men. The interplay between good and evil, violence and love, chaos and family, is the theme, but this is not documentation. There is no story line. There is only a feeling."--Stephen Shames

A 1977 assignment for Look magazine took Stephen Shames to the Bronx, where he began photographing a group of boys coming of age in what was at the time one of the toughest and most dangerous neighborhoods in the United States. The Bronx boys lived on streets ravaged by poverty, drugs, violence, and gangs in an adolescent "family" they created for protection and companionship. Shames's profound empathy for the boys earned their trust, and over the next two-plus decades, as the crack cocaine epidemic devastated the neighborhood, they allowed him extraordinary access into their lives on the street and in their homes and "crews."

Bronx Boys presents an extended photo essay that chronicles the lives of these kids growing up in the Bronx. Shames captures the brutality of the times--the fights, shootings, arrests, and drug deals--that eventually left many of the young men he photographed dead or in jail. But he also records the joy and humanity of the Bronx boys, who mature, fall in love, and have children of their own. One young man Shames mentored, Martin Dones, provides riveting details of living in the Bronx and getting caught up in violence and drugs before caring adults helped him turn his life around. Challenging our perceptions of a neighborhood that is too easily dismissed as irredeemable, Bronx Boys shows us that hope can survive on even the meanest streets.

Many of Magnum's most renowned photographers - beginning with Robert Capa and Henri Cartier-Bresson on assignment in the 1930s - have been captivated by China. They've returned time and again, their fascination growing in line with China's burgeoning accessibility and international influence. - both an outstanding photobook and a fascinating social history - illustrates the agency's evolving relationship with this increasingly influential nation to give a visually rich, informed photographic account of the country, its people and the changes witnessed over the last nine decades. Chronologically organized to present key periods in the development of the modern state and its associated territories, Magnum China presents in-depth portfolios by individual photographers, accompanied by introductory commentaries on the featured projects and group selections illustrating the diversity of Magnum's interaction with the region. Supplemented with introductory essays by Jonathan Fenby, historical timelines, lists of photographers' travels and a fold-out map of China, Magnum China offers detailed and perceptive socio-political, geographical and historical context to complement the outstanding photography of some of the world's finest photographers.