From the frontlines of the war in Ukraine comes this compelling collection of 200+ images from world-class photographers that captures the humanity, perseverance, and determination of the nation's fight for freedom and independence against all odds. "What happened to Ukraine after Moscow's invasion? Look no further. The photographs in this book are by some of the world's best photographers, and provide an unflinching look at the hell wrought by Russia. This is extraordinary and vital work." - Pulitzer Prize-winning journalist David Hume Kennerly. Portfolios from some of the most respected photojournalists of our time: Carol Guzy, four-time Pulitzer Prize-winning photojournalist. Lynsey Addario, Pulitzer Prize-winning photojournalist and New York Times bestselling author. Paula Bronstein, award-winning photojournalist and Pulitzer Prize finalist. Justyna Mielnikiewicz, award-winning photojournalist. Svet Jacqueline, award-winning photojournalist. Moving essays, published in both English and Ukrainian, by: Foreword by the Ukrainian ambassador to the United States, Oksana Markarova. Markarova provides an overview of how this war has shaken her country and what democracy and freedom mean to her people. Award-winning Ukrainian author Andrey Kurkov. Ukraine's most famous living writer, Kurkov provides an emotional, heartfelt reflection on what's happening to his country in relation to the pictures displayed in the book. Pulitzer Prize winner and personal photographer to President Gerald Ford, David Hume Kennerly. Kennerly speaks to the emotional and physical risk photojournalists take in covering war alongside their mission to show truth. As Ukrainian President Vladimir Zelensky said in his address to U.S. Congress, Russia "went on a brutal offensive against our values, basic human values. It threw tanks and planes against our freedom, against our right to live freely in our own country, choosing our own future, against our desire for happiness, against our national dreams, just like the same dreams you have, you Americans." Relentless Courage delivers a gripping, visual portfolio of images that remind us of our shared humanity, what is right, and what's at stake when independence and freedom come under attack.

This third volume sees Hitler experiencing problems reminiscent of a previous invader of Russia, Napoleon Bonaparte: extreme winter conditions that first drenched then froze the vast Nazi war machine, immobilizing tanks, guns, support vehicles and grounding the Luftwaffe. Unlike Napoleon, Hitler failed to capture Moscow. In North Africa, the British were sent reeling back towards Egypt when Rommel launched an attack at the end of January. Much to the amazement of all and the disappointment of Churchill - the Axis troops took Tobruk in a single day. Churchill dismissed the commander and appointed Montgomery, who made a stand at El Alamein. Great Britain's stand-alone postion ended abruptly on when Tojo launched a surprise attack on Pearl Harbor. Both Hitler and Mussolini declared war on the United States and the war became global. With the attack on Pearl Harbor the Japanese flooded through the South Pacific, the Philippines, Dutch East Indies, Malaya, Burma all fell to the Japanese. Once more Great Britain was humiliated when Singapore surrendered and thousands of Allied troops went into captivity. An attempt by the Japanese to deliver a knock-out blow to the Americans by an attack on Midway failed catastrophically and the Americans scored a momentous victory in the Pacific. Air Marshal Sir Arthur Harris became leader of the RAF and the thousand bomber raids and carpet bombing of German cities began. The third year of the war ended with the disastrous Dieppe Raid, carried out by Canadians, in August 1942.

From the towering pines of Shasta Trinity National Forest, to the chaparral scrub of San Diego's Mexican border, to Yosemite and the Western Sierras, trained wildland firefighter and photojournalist Stuart Palley documents California's raging wildfires and the forces behind them during the state's worst fire season in modern history. The dramatic images, a half decade in the making, capture the simultaneous beauty and destruction that wildfires bring as fire seasons get longer and more deadly, expensive, and destructive. In the wake of California's record-breaking series of wildfires in 2017, the images encompass five fire seasons and 45 fires. They are presented chronologically and culminate with the wine country fire siege that devastated Sonoma and Napa Counties in October 2017 and the Thomas Fire in Southern California, the largest in recorded state history. This timely book defines the state's drought and urban sprawl challenges, drawing a broader picture of global warming and its acute effects worldwide.

Emotionally resonant photographs of everyday life in the Jewish Lodz Ghetto taken during WWII From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910-91) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. This compelling volume, originally published in 2015 and now available in paperback, presents a selection of Ross's images along with original prints and other archival material including curfew notices and newspapers. The photographs offer a startling and moving representation of one of humanity's greatest tragedies. Striking for both their historical content and artistic quality, his photographs have a raw intimacy and emotional power that remain undiminished. Distributed for the Art Gallery of Ontario

FEATURED IN THE NEW YORKER: The Faces of Americans Living in Debt Finalist for the Dorothea Lange/Paul Taylor Prize in Documentary. Featured on Politico, in the Washington Post, the Daily Mail, and the Huffington Post, USA Today, Business Insider, Refinery29, and Fast Company. Based on the popular online photo series and now published in print for the first time, The Debt Project collects 99 portraits of debt across the United States, featuring people of all different backgrounds and stories, to recontextualize an often stigmatized experience. In 2013, Brittany Powell made the difficult decision to file for bankruptcy for her photography business. In the years following the 2008 economic collapse, she found herself in a significant amount of debt, a position many Americans across the country still share, a common yet isolating and private experience often steeped in shame. Her personal experience, bolstered by the We Are the 99% slogan that came out of the Occupy movement, brought her to start The Debt Project, an exploration of the role debt and finance plays in our personal identity and social structure. This book presents an intimate look into 99 different lives: each shares an arrestingly honest portrait in the person’s home, surrounded by all their belongings, accompanied by a handwritten note of the amount of debt that person is in and the story behind the numbers. The Debt Project, with a foreword by writer and filmmaker Astra Taylor plus resources at the back of the book to support people in debt, examines the social and personal hold financial debt has on us and invites others into a private world, while at the same empowering people to share their stories and overcome the shame they may feel.

Don Pedro is a serial photographer and since 2000 he has amassed a photographic collection of public expressions of protest in the form of subvertised billboards, posters, stickers and graffiti which give voice to various forms of protest. Most of the images were captured in Bristol, as Don Pedro moved around by foot or by bike documenting images of protest whether or not they match his view of the world. Includes 2017 general election, Brexit, Trump, and much more. These expressions of protest were all placed in public view without permission - a political act in itself.

As a recording device, photography plays a unique role in how we remember places and events that happened there. This includes recording events as they happen, or recording places where something occurred before the photograph was taken, commonly referred to as aftermath photography. This book presents a theoretical and historical analysis of German photography of place after 1945. It analyses how major historical ruptures in twentieth-century Germany and associated places of trauma, memory and history affected the visual field and the circumstances of looking. These ruptures are used to generate a new reading of postwar German photography of place. The analysis includes original research on world-renowned German photographers such as Thomas Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas Ruff as well as photographers largely unknown in the Anglophone world.

An epic visual story of wildlife photography's pioneers and world firsts. From some of the very first pictures of wild lions and tigers on record and the first-ever underwater colour photograph, right up to the spectacular images from the wildest corners of the earth that modern-day technology allows, Into the Wild is an extraordinary collection of over 250 images and 150 years of our efforts to document the natural world. Now, more than ever, these are the photographs and stories that matter. "Gemma Padley takes us on a fascinating journey through 150 years of the wildlife photography that has informed and delighted us. The text tells us not only about the images themselves, but describes how cameras gradually got faster shutter speeds, longer lenses, greater resolution and are now mostly digital. But it is the patience and endurance of the photographer who waits for hours or even days in tropical heat or arctic freeze to capture these special shots: taken at just the right moment in just the right light and from just the right angle. Into the Wild is a must-have coffee table book." Dr. Jane Goodall, DBE Founder of the Jane Goodall Institute & U.N. Messenger of Peace

The tension between social reform photography and photojournalism is examined through this study of the life and work of German emigre Hansel Mieth (1909-1998), who made an unlikely journey from migrant farm worker to Life photographer. She was the second woman in that role, after Margaret Bourke-White. Unlike her colleagues, Mieth was a working-class reformer with a deep disdain for Life's conservatism and commercialism. In fact, her work often subverted Life's typical representations of women, workers, and minorities. Some of her most compelling photo essays used skillful visual storytelling to offer fresh views on controversial topics: birth control, vivisection, labor unions, and Japanese American internment during the Second World War. Her dual role as reformer and photojournalist made her a desirable commodity at Life in the late 1930s and early 40s, but this role became untenable in Cold War America, when her career was cut short. Today Mieth's life and photographs stand as compelling reminders of the vital yet overlooked role of immigrant women in twentieth-century photojournalism. Women, Workers, and Race in LIFE Magazine draws upon a rich array of primary sources, including Mieth's unpublished memoir, oral histories, and labor archives. The book seeks to unravel and understand the multi-layered, often contested stories of the photographer's life and work. It will be of interest to scholars of photography history, women's studies, visual culture, and media history.

In 2011, adhering to his mentor Henri Cartier-Bresson's mantra to 'photograph the truth', animation filmmaker Ishu Patel embarks on a photographic journey in southeast Asia. Abandoning moving images to secure a series of still images that capture a uniquely human gesture or powerful thought-provoking story, he prowls both urban and rural areas armed only with a Leica M9 with 35 and 50mm fast lenses. The result is a collection of elusive still images - photographs, mainly in black and white, that tell a story, seize a moment in life or are a witness to joy, struggle or human dignity. Never political or judgmental, the collection comprises Patel's homage to the unsung lives of ordinary Asians, many of whom are increasingly overlooked in today's fast- changing world. Patel also contributes thoughtful essays on the various countries and peoples he has so powerfully photographed.

This is a lavish pictorial record produced in collaboration with the Royal Geographical Society (with IBG). It features 200 unique photographs taken by Isabella Bird that transport the reader to the China of the late 19th century. It includes supporting text by travel photography expert Debbie Ireland. Ammonite Press is proud to collaborate with the Royal Geographical Society (with IBG) in celebrating the achievements of Isabella Bird in this lavish pictorial record of her last great journey through China, in the closing years of the 19th century, with supporting text by travel photography expert Debbie Ireland. Bird was in her mid-sixties when she undertook her travels, to a land that was largely unknown and largely misunderstood in the West, where a woman travelling alone was greeted with incredulity and, occasionally, hostility. The highlight of her visit was journeying by boat and sedan chair to make a major tour of the valley of the Yangtze River and much beyond, right up to the border with Tibet.

The tension between social reform photography and photojournalism is examined through this study of the life and work of German emigre Hansel Mieth (1909-1998), who made an unlikely journey from migrant farm worker to Life photographer. She was the second woman in that role, after Margaret Bourke-White. Unlike her colleagues, Mieth was a working-class reformer with a deep disdain for Life's conservatism and commercialism. In fact, her work often subverted Life's typical representations of women, workers, and minorities. Some of her most compelling photo essays used skillful visual storytelling to offer fresh views on controversial topics: birth control, vivisection, labor unions, and Japanese American internment during the Second World War. Her dual role as reformer and photojournalist made her a desirable commodity at Life in the late 1930s and early 40s, but this role became untenable in Cold War America, when her career was cut short. Today Mieth's life and photographs stand as compelling reminders of the vital yet overlooked role of immigrant women in twentieth-century photojournalism. Women, Workers, and Race in LIFE Magazine draws upon a rich array of primary sources, including Mieth's unpublished memoir, oral histories, and labor archives. The book seeks to unravel and understand the multi-layered, often contested stories of the photographer's life and work. It will be of interest to scholars of photography history, women's studies, visual culture, and media history.

As a recording device, photography plays a unique role in how we remember places and events that happened there. This includes recording events as they happen, or recording places where something occurred before the photograph was taken, commonly referred to as aftermath photography. This book presents a theoretical and historical analysis of German photography of place after 1945. It analyses how major historical ruptures in twentieth-century Germany and associated places of trauma, memory and history affected the visual field and the circumstances of looking. These ruptures are used to generate a new reading of postwar German photography of place. The analysis includes original research on world-renowned German photographers such as Thomas Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas Ruff as well as photographers largely unknown in the Anglophone world.

It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of photographs continued to circulate relentlessly. This book investigates the psychological impact of those photographs on a stunned American audience. Drawing on trauma theory, this book asks whether the prolonged exposure of audience to photographs was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis.

Now, for the first time, the private Afrikakorps photograph collection of Rommel's second in command, Generalleutnant Fritz Bayerlein, is presented in this landmark publication. Over 200 photographs, showing personalities, battle scenes, behind the front line rest periods, and non-battle scenery such as a tour of ancient ruins with Rommel are featured. Brought to life here are the famous Afrikakorps personalities such as Rommel, Nehring, Cruwell, and von Thoma. The Afrikakorps commanders, their fighting men, the awards for bravery, the graves, and even mundane military life in the heat of the Libyan desert, Bayerlein's array of photographs depict the war in the Western Desert as he saw it. From his arrival in the Western Desert in October 1941, through his final, and bitter departure in May 1943, Bayerlein took hundreds of photographs. This gallery of images unfolds Bayerlein's rise in rank, from an Oberstleutnant under General Cruwell to Generalleutnant under his friend and mentor, Erwin Rommel. Fritz Dittmar-Bayerlein, the General's nephew and co-author, has generously opened his uncle's photograph collection which had been in storage for over thirty years. Retrace Bayerlein's steps and the campaigns across the desert sands - an undiscovered perspective on the legacy of the vaunted Afrikakorps.

What does it take to become a road racing legend and compete in the toughest sport in the world? Go behind the scenes with the teams and riders at all the major tours and classics through the lens of world-class pro-cycling photographer, Kristof Ramon.

The Art of Suffering is about the human story of road racing, what it takes to go deep and be the best, and the awe-inspiring feats of endurance that make road cycling one of the most challenging, most legendary, most inspirational sports in the world.

From battling the elements and the terrain to epic climbs, crashes, injuries and recovery; personal sacrifices, pushing the body to the limit, training, winning, losing and long seasons on the road; featuring the domestiques, the star riders, the new talent and the legends - this book captures all the reasons why cycling fans passionately love their sport, taking them closer to the action and their favorite riders than any other book.

Carefully curated, thoughtfully designed and beautifully produced - The Art of Suffering is the ultimate gift for cycling fans and features a foreword by Wout van Aert, the subject of Ramon's cover photograph.

Thatcher’s Children was born out of a series first made in 1992 focusing on two parents and six children living in a hostel for homeless families in Blackpool, England. The project was made in response to a speech by Peter Lilley, then Secretary of State for Social Security, in which he announced his determination to ‘close down the something-for-nothing society.’ French newspaper Libération dispatched a journalist to northern England to find out what this society looked like, and Easton was commissioned to take the accompanying photographs. His resulting monochrome images of the overcrowded two-bedroom council flat in Blackpool sparked a reaction by both the public and the press. His images attached human faces and nuanced realities to a group of people casually maligned by politicians and media as an ‘underclass of scroungers.’

Beautiful, haunting photographs of abandoned places around the world. Once thriving buildings now ravaged by nature and time are the subject of this fascinating book. The vestiges of Abkhazia, a country that does not exist, an abandoned power plant turned into a set for Hollywood movies, the Buffer Zone in Cyprus, the ghost city of the Chernobyl disaster, an Art Nouveau theatre in Brussels, a unique 18th-century Italian fortification, the city of Tskaltubo with its waters of immortality, one of the oldest baths in Romania… Roman Robroek is an urban-obsessed and award-winning photographer, born and raised in the enchanting south of the Netherlands. He takes unique photos of forgotten and abandoned places all over the world. What is the story behind those buildings? Who used to live there? What purpose did these objects serve, and why were they abandoned? This curiosity has created a close bond between him and Urban Photography, and Oblivion is the result of the last 10 years, which he spent exploring incredible ghostly locations, trying to answer these endless questions.

One of the most powerful painters of our age, Francis Bacon lived and worked for the last thirty years of his life in a modest building in London's South Kensington. After he died in 1992, access was granted to award-winning photographer Perry Ogden to work undisturbed for days on end to produce this riveting record of the house and its contents. In the studio itself, thirty years of inspired artistic endeavor had accumulated unchecked: the slashed and discarded canvases scattered across the floor; the brushes, rags, and tins encrusted with paint; the doors and walls used as impromptu palettes; the piles of photographs of friends and models; the crumpled and torn pages of magazines and books that served as a stimulus for Bacon's work; the notes, sketches, and ideas for paintings jotted down and then cast aside; the last unfinished self-portrait on the easel.

For some of those close to Bacon, the studio was a heroic statement, a work of art in its won right, secretly constructed over many years to distill and give form to his aesthetic intentions. Now in this astonishing book we are invited to take a privileged look around this private space, to become intimate witnesses to the amazing conditions in which Bacon lived and worked, to gain unrivaled insights into how, why, and what he painted.

Published on the occasion of what would have been his 70th birthday, this monograph on the work of the late Czech photographer Milon Novotny reveals him to be more than just a photo-journalist. A poet of everyday life whose medium was photography, Novotny possessed a remarkable ability to see deep human content in what appeared to be banal shots.

Rousseau and Dignity: Art Serving Humanity is a richly illustrated volume relating a series of events-a photography exhibit, lectures, commentary, and audience reactions by people ages seven to ninety-two-held in the name of Jean-Jacques Rousseau's tercentennial in 2012. Drawn together by the unexpected convergence of a lecture series and art exhibit held in South Bend, Indiana, and a documentary film that was shot simultaneously in Compiegne, France, the participants had several goals: to show why Rousseau's moral philosophy is important for our time; to argue for the importance of subjective art forms such as photography, video letters, and autobiography; to reproduce the stunning photojournalism commissioned by Amnesty International to document and dignify people who suffer human rights abuses, such as substandard housing, nationless-ness, and ethnic prejudice; and to inspire new kinds of intergenerational teaching. The book includes essays from world-renowned scholars on Jean-Jacques Rousseau; five chapters by photojournalists, which include fifty-four photographs from Egypt, India, Macedonia, Mexico, and Nigeria; and notes by youthful visitors to the exhibit. In the volume's unorthodox combination of art and text, creation and reflection, the authors hope to elicit readers' interest in, and commitment to, an engaged form of public humanities.

People magazine's top reason for Hope in America. Curated from a grassroots social movement, The Front Steps Project is an inspiring, uplifting portrait series capturing how people coped with living in isolation during the COVID-19 pandemic. The Front Steps Project™ demonstrates that even in the most challenging of circumstances, kindness, love, courage, and hope exist to build, bind, and connect communities around the globe. Created on March 18, 2020, The Front Steps Project™ began when friends Kristen Collins and Cara Soulia sought out to unite their neighbors through photographs of life in quarantine. In addition to incorporating work from other local photographers, the women traveled to neighborhoods around Needham, Massachusetts to photograph residents in front of their homes in exchange for donations to their local food pantry. Within days, #TheFrontStepsProject became a grassroots social mission, connecting thousands of people across the globe and raising over $3,250,000 for vital non-profit organizations and local businesses including food pantries, frontline workers, homeless and animal shelters, hospitals and so much more. Through their noble efforts, hundreds of thousands of images and stories of love, sacrifice, compassion, kindness, perseverance, and – ultimately hope – flooded social media. Featured on Good Morning America, The Today Show, People Magazine, The Wall Street Journal, The Boston Globe and more, The Front Steps Project brings communities together virtually, despite being – and maybe feeling – isolated. The Front Steps Project contains over 400 photographs and dozens of stories of families during the COVID-19 pandemic. This heartwarming keepsake commemorates a massive effort of courage, unity, and goodwill. As a tribute to the good work of The Front Steps Project, a portion of book sales will be donated to The United Way to help people impacted by the pandemic.