In "No Caption Needed," Robert Hariman and John Louis Lucaites provide the definitive study of the iconic photograph as a dynamic form of public art. Their critical analyses of nine individual icons explore the photographs themselves and their subsequent circulation through an astonishing array of media, including stamps, posters, billboards, editorial cartoons, TV shows, Web pages, tattoos, and more. Iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and a crucial resource for critical reflection.
Arguing against the conventional belief that visual images short-circuit rational deliberation and radical critique, Hariman and Lucaites make a bold case for the value of visual imagery in a liberal-democratic society. "No Caption Needed" is a compelling demonstration of photojournalism's vital contribution to public life.

With previously unpublished photographs by an incredibly diverse group of the world's top news photographers, Photojournalists on War presents a groundbreaking new visual and oral history of America's nine-year conflict in the Middle East. Michael Kamber interviewed photojournalists from many leading news organizations, including Agence France-Presse, the Associated Press, the Guardian, the Los Angeles Times, Magnum, Newsweek, the New York Times, Paris Match, Reuters, Time, the Times of London, VII Photo Agency, and the Washington Post, to create the most comprehensive collection of eyewitness accounts of the Iraq War yet published. These in-depth interviews offer first-person, frontline reports of the war as it unfolded, including key moments such as the battle for Fallujah, the toppling of Saddam's statue, and the Haditha massacre. The photographers also vividly describe the often shocking and sometimes heroic actions that journalists undertook in trying to cover the war, as they discuss the role of the media and issues of censorship. These hard-hitting accounts and photographs, rare in the annals of any war, reveal the inside and untold stories behind the headlines in Iraq.

Of one-and-a-half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in "Spite of All" reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance. Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman's relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman's eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world.

Manchester was originally a small market town bounded by rivers on three sides, but when the borough was created in 1838 the town broke free of these constraints, and began to spread to the north, south and east of the original settlement. Throughout the first half of the nineteenth century, as a population of Manchester rose, those who could afford to move into the surrounding districts, creating what were to become the suburbs of modern Manchester. It is these districts, many of which were taken over or absorbed by Manchester between 1885 and 1909, that predominate in this third selection of photographs of the city, chosen by well-known local historian and lecturer Chris Makepeace. "Manchester: A Third Selection" does not only include the suburban areas: there are also chapters dealing with the city centre and people at work and play. The book contains over 200 nostalgic images, which are sure to evoke memories in all who ever knew or still live in this city.

We hurtle together into the future at ever-increasing speed - or so it seems to the collective psyche. Every day and every hour, human civilization expands, evolves and mutates. While we frequently lapse into celebrating the individual at the expense of the group, in science and art, at work and at play, at home and in transit, we increasingly live the collective life. Civilization shows how contemporary photography, notably art photography, is fascinated by, and attempts to decode and communicate, the way we live today. This landmark publication is accompanied by an internationally touring exhibition produced by the Foundation for the Exhibition of Photography - a global cultural event for a global subject. Civilization is presented through eight thematic chapters, each led by breathtaking imagery and accompanied by essays, quotes, commentaries and captions to provide a deeper understanding of its theme. Visually epic and ambitiously popular in approach, it will reach out beyond the boundaries of the photography world to connect with audiences worldwide.

Concorde - named for the English and French word for 'unity' - was like no other aircraft. It is perhaps the most iconic airliner of all time, its name a byword for speed, comfort and extravagance. It captured the public's imagination and hearts, instilling them with a fervent passion. Concorde: An Icon in the News is a look at both the plane and its people. Using photos from Mirrorpix, one of the world's largest picture libraries, it tracks the airliner from the Anglo-French drawing board to the final flight, through the eyes of the people who loved it most.

Understanding photography is more than a matter of assessing photographs, writes Ariella Azoulay. The photograph is merely one event in a sequence that constitutes photography and which always involves an actual or potential spectator in the relationship between the photographer and the individual portrayed. The shift in focus from product to practice, outlined in Civil Imagination, brings to light the way images can both reinforce and resist the oppressive reality foisted upon the people depicted. Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the "civil" must be distinguished from the "political" as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in the world they create and transform. Azoulay's book sketches out a new horizon of civil living for citizens as well as subjects denied citizenship-inevitable partners in a reality they are invited to imagine anew and to reconstruct. Beautifully produced with many illustrations, Civil Imagination is a provocative argument for photography as a civic practice capable of reclaiming civil power.

Alexander Gardner is best known for his innovative photographic history of the Civil War. What is less known is the extent to which he was involved in the international workers’ rights movement. Tying Gardner’s photographic storytelling to his transatlantic reform activities, this book expands our understanding of Gardner’s career and the work of his studio in Washington, DC, by situating his photographic production within the era’s discourse on social and political reform. Drawing on previously unknown primary sources and original close readings, Makeda Best reveals how Gardner’s activism in Scotland and photography in the United States shared an ideological foundation. She reads his Photographic Sketch Book of the War as a politically motivated project, rooted in Gardner’s Chartist and Owenite beliefs, and illuminates how its treatment of slavery is primarily concerned with the harm that the institution posed to the United States’ reputation as a model democracy. Best shows how, in his portraiture, Gardner celebrated Northern labor communities and elevated white immigrant workers, despite the industrialization that degraded them. She concludes with a discussion of Gardner’s promotion of an American national infrastructure in which photographers and photography played an integral role. Original and compelling, this reconsideration of Gardner’s work expands the contribution of Civil War photography beyond the immediate narrative of the war to comprehend its relation to the vigorous international debates about democracy, industrialization, and the rights of citizens. Scholars working at the intersection of photography, cultural history, and social reform in the nineteenth century on both sides of the Atlantic will find Best’s work invaluable to their own research.

Between 1908 and 1917, the American photographer and sociologist Lewis Hine (1874-1940) took some of the most memorable pictures of child workers ever made. Traveling around the United States while working for the National Child Labor Committee, he photographed children in textile mills, coal mines, and factories from Vermont and Massachusetts to Georgia, Tennessee, and Missouri. Using his camera as a tool of social activism, Hine had a major influence on the development of documentary photography. But many of his pictures transcend their original purpose. Concentrating on these photographs, Alexander Nemerov reveals the special eeriness of Hine's beautiful and disturbing work as never before. Richly illustrated, the book also includes arresting contemporary photographs by Jason Francisco of the places Hine documented. Soulmaker is a striking new meditation on Hine's photographs. It explores how Hine's children lived in time, even how they might continue to live for all time. Thinking about what the mill would be like after he was gone, after the children were gone, Hine intuited what lives and dies in the second a photograph is made. His photographs seek the beauty, fragility, and terror of moments on earth.

The Chicago Cubs of the mid-1920s through 1940 were one of the most talented and exciting ball clubs the city ever produced. The Northsiders enjoyed 14 consecutive winning seasons and claimed the National League pennant four times (1929, 1932, 1935, and 1938), but fell to a dominant American League club in each World Series appearance. Four legendary baseball names led these Cub teams during this amazing stretch. Three eventually landed in Cooperstown (McCarthy, Hornsby, Hartnett), and many believe the fourth (Grimm) should have joined them. This was also the era when Cubs Park was transformed into Wrigley Field, under the guidance of Bill Veeck Jr., with its trademark bricks and ivy, hand-operated scoreboard, and outfield bleachers.

The Night Climbers of Cambridge, published in 1937, documents the nocturnal climbing exploits of a group of Cambridge students along the university's roofs and walls. In this interpretation, Thomas Mailaender presents archival photographs the climbers took of themselves in action.

Volume 2 of this two-volume history of Operation "Market-Garden" continues the story as XXX Corps links up with the 82nd Airborne at Nijmegen which leads to the dramatic and spectacular capture of the vital bridges there over the Waal river. But at Arnhem the tide of battle has already turned. The main force of lst Airborne is thrown back to the Oosterbeek perimeter, leaving John Frost's isolated force at the road bridge to fight it out till the end. As the Polish Brigade is dropped south of the Rhine, and the ground army desperately tries to relieve the beleaguered British paras, down in the south the Germans launch repeated attacks on the narrow corridor in an attempt to cut the Allied supply artery. As savage battles rage for possession of "Hell's Highway", the airborne battle is lost and on September 26 the survivors of lst Airborne are evacuated back across the Rhine.

From "Midwest Book Review"This photographic history of Hiroshima and Nagasaki provides the first comprehensive photographic record of the bombings and their aftermath, presenting a history of the two cities before and after the bombs drop and also including photos of American and Japanese politicians and military men involved in the bombing. Anticipate a detailed, well-rounded title.

In Human Nature, 12 of today's most influential nature and conservation photographers address the biggest environmental concerns of our time. Joel Sartore Paul Nicklen Ami Vitale Brent Stirton Frans Lanting Brian Skerry Tim Laman Cristina Mittermeier J Henry Fair Richard John Seymour George Steinmetz Steve Winter Alongside their reflections, they present curated selections from their photographic careers. Stories and extraordinary images from around the world come together in a powerful call to awareness and action. The United Nations has declared that nature is in more trouble now than at any other time in human history. Extinction looms over one million species of plants and animals. Human Nature wrestles with challenging questions: What do we have? What do we stand to lose? This book offers inspiration to environmentalists, activists, photography fans, and anyone concerned about the future of our world. This illuminating book tackles our modern environmental future through the lens of preeminent photographers Great gift for photographers, nature enthusiasts, those who enjoy backpacking and camping, and anyone who cares about Earth's climate and future Add it to the shelf with books like National Geographic The Photo Ark Vanishing: The World's Most Vulnerable Animals by Joel Sartore, The Sixth Extinction: An Unnatural History by Elizabeth Kolbert, and Dire Predictions: The Visual Guide to the Findings of the IPCC by Michael E. Mann and Lee R. Kump

The term Panzergrenadier was introduced in 1942 and applied equally to the infantry component of Wehrmacht, Luftwaffe and later Waffen-SS Panzergrenadiere divisions. As this classic new Images of War book describes, these elite divisions fought as mechanized infantry and escort for and in close cooperation with panzers and other armoured fighting vehicles. Trained to fight both mounted and on foot, their priority was to maintain the fast momentum of armoured troops on the battlefield. Using a wealth of rare, often unpublished, photographs with detailed captions and text, the author charts the fighting record of the Wehrmacht and Luftwaffe Panzergrenadiertruppe units. This includes their initial successes on the Eastern Front. But as defeat approached, they were forced on the defensive on all fronts including the bitter fighting in Italy and the Western Front. As well as describing their many actions, the book details the vehicles and weapons used and main personalities.