For generations, the women of the South African Ndebele tribe have produced a rich, living art. They continue to do so today, conjuring up on the walls of their houses a world of spontaneous forms with intricate beadwork and wall painting. Their dynamic compositions and blazing colors show a bold graphic quality that makes them appear stunningly fresh and modern.

Margaret Courtney-Clarke spent five years visiting the Ndebele and recording their art. Her work on this book began long before the political upheavals following the end of apartheid and the coming to power of the black majority in South Africa. The Ndebele from the southern Transvaal, whose art is documented here, were violently displaced and forcibly resettled in the newly created KwaNdebele homeland. During her later visits Courtney-Clarke discovered that more and more of her favorite paintings had decayed or disappeared after the family had either moved away or been forcibly resettled. The result in several cases is that her photographs are the only surviving documents of some of the most impressive of Ndebele artworks.

These photographs bear witness to a people who, despite unspeakable suffering, have continued to decorate their surroundings with breathtaking brilliance and passion.

Young people around the world have been following the example of Greta Thunberg and demonstrating for climate protection as part of 'Fridays for Future'. Week after week since 2018, they have called emphatically for political ramifications in order to finally stop the dangerous effects of global climate change. The photographer Andrea Baumgartl (*1965) has accompanied these demonstrations from the very beginning. At close proximity and with great empathy, she shows the determination with which young people are fighting self-confidently for their future. Her new book is a highly topical, moving, and rousing contemporary document. Text in English and German.

In today's image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy. Given this tension between the genre's ostensible goals and its effects, what is the purpose behind taking and showing images of war and crisis? Conversations on Conflict Photography invites readers to think through these issues via conversations with award-winning photographers, as well as leading photo editors and key representatives of the major human rights and humanitarian organizations. Framed by critical-historical essays, these dialogues explore the complexities and ethical dilemmas of this line of work. The practitioners relate the struggles of their craft, from brushes with death on the frontlines to the battles for space, resources, and attention in our media-driven culture. Despite these obstacles, they remain true to a purpose, one that is palpable as they celebrate remarkable success stories: from changing the life of a single individual to raising broad awareness about human rights issues. Opening with an insightful foreword by the renowned Sebastian Junger and richly illustrated with challenging, painful, and sometimes beautiful images, Conversations offers a uniquely rounded examination of the value of conflict photography in today's world.

Anup Shah and Fiona Rogers have spent much of the last decade in the company of the world-famous chimpanzees of Tanzania's Gombe National Park, getting to know their characters and learning about the intricacies of their lives. Tales from Gombe provides an unparalled insight into their world. Through endearing stories and stunningly intimate photography, it tells the story of their lives, an epic saga full of convoluted plots, family alliances, intrigue, love, passion, suffering, ambition, politics, puzzles, surprises and controversies. The chimpanzees of Tanzania's Gombe National Park are probably the most famous group of wild animals in history, having been observed and chronicled for more than 50 years. Through studies initiated by the palaeontologist and anthropologist Louis Leakey and carried out by the primatologist Dr Jane Goodall, people worldwide know some of their names and stories. In Tales from Gombe Anup Shah and Fiona Rogers introduce us to all the different characters in this unique family, from the bold and mischievous Google and the powerful Titan to the enigmatic Freud.They tell the dramatic story of this unusual society, describing all that has happened since they started studying them, while beautifully capturing the daily interactions of the various characters. The combination of breathtaking photography and rich social history provides the reader with a thought-provoking experience and evokes a strong sense of empathy and respect for chimpanzees. Highly captivating and often deeply moving, Tales from Gombe will inspire all those who read it to learn more about our closest cousins.

Since its founding in 1947, the legendary Magnum Photos agency has been telling its own story about photographers who were witnesses to history and artists on the hunt for decisive moments. Based on unprecedented archival research, The Decisive Network unravels Magnum's mythologies to offer a new history of what it meant to shoot, edit, and sell news images after World War II. Nadya Bair shows that between the 1940s and 1960s, Magnum expanded the human-interest story to global dimensions while bringing the aesthetic of news pictures into new markets. Working with a vast range of editorial and corporate clients, Magnum made photojournalism integral to postwar visual culture. But its photographers could not have done this alone. By unpacking the collaborative nature of photojournalism, this book shows how picture editors, sales agents, spouses, and publishers helped Magnum photographers succeed in their assignments and achieve fame. Bair concludes in the late 1960s and early 1970s, when changing market conditions led Magnum to consolidate its brand. In that moment, Magnum's photojournalists became artists and their assignments oeuvres. Bridging art history, media studies, cultural history, and the history of communication, The Decisive Network transforms our understanding of the photographic profession and the global circulation of images in the predigital world.

Largely isolated from the world for more than four decades, Myanmar has made a remarkable return to the global stage following a political transformation that represents a watershed moment in the country's history. Now, for the first time ever, the rich culture, stunning landscapes and diverse peoples of the country are presented in a unique visual time capsule. Here is the new Myanmar as seen over a single week by a team of thirty famous photographers from eleven different countries. Their mission? To capture the life and spirit of Myanmar from every angle in every corner of the country.

Over the course of 10 years, photographer Rocco Rorandelli, travelled to India, China, Indonesia, USA, Germany, Bulgaria, Nigeria, Slovenia and Italy to document the impact of the tobacco industry on health, the economy and the environment. In Bitter Leaves, the resulting photographs are presented alongside texts by scientist Dr Judith MacKay, collectively examining the complexity of this global industry and the influence of corporate mechanisms and power

This concise and fascinating narrative traces the story of Islam from its birth in the seventh century to its remarkable growth. Its customs, traditions and arts are illustrated in photos and line drawings.

In "No Caption Needed," Robert Hariman and John Louis Lucaites provide the definitive study of the iconic photograph as a dynamic form of public art. Their critical analyses of nine individual icons explore the photographs themselves and their subsequent circulation through an astonishing array of media, including stamps, posters, billboards, editorial cartoons, TV shows, Web pages, tattoos, and more. Iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and a crucial resource for critical reflection.
Arguing against the conventional belief that visual images short-circuit rational deliberation and radical critique, Hariman and Lucaites make a bold case for the value of visual imagery in a liberal-democratic society. "No Caption Needed" is a compelling demonstration of photojournalism's vital contribution to public life.

For 45 years I've chronicled the Royal Family for the Sun newspaper with my camera. I've witnessed their triumphs and disasters, their laughter and tears, when they've found love and when their relationships splinter. I'm there when they emerge from the maternity wing as wailing newborns and I'm there again when they marry before a joyous nation. And when they're laid to rest on those solemn occasions that this country marks so well, I'm on hand to capture history being made. Arthur Edwards has been the Sun's Royal Photographer for over 45 years; the longest-serving of any newspaper. Originally from the East End of London, he is the man behind the most iconic photographs of the most famous family in the world. With commensurate skill and unprecedented access, he has captured the candid moments when protocol is put aside, revealing the true personalities behind the Crown. This beautiful book is a treasure trove of glorious photography, along with Arthur's own warm recollections of the stories behind his iconic shots. It is the perfect glimpse behind the scenes of the last 50 years of the British monarchy, from a truly unique perspective.

This engaging and unprecedented work captures the compelling story of John F. Kennedy's role in advancing the United States' space program, set against the Cold War with the Soviet Union. The stunning collection of history and photographs crafted by authors John Bisney and J. L. Pickering illustrates Kennedy's close association with the race to space during his legendary time in office. In addition to the exhaustive research and rare photographs, the authors have also included excerpts from Kennedy's speeches, news conferences, and once-secret White House recordings to provide the reader with more context through the president's own words. While Kennedy did not live to see the fruition of many of the endeavors he supported, his legacy lives on in many ways--many of which are captured in this important work.

Danish photographer Jacob Holdt is internationally revered for his vision of America, as portrayed in classic volumes like "American Pictures" and "United States 1970-1975." It is a vision which has inspired many, both in its extremity (the director Lars von Trier is reputedly a fan) and in its tenacity. Holdt arrived in the U.S. in the early 70s with almost no money, and hitchhiked all over the U.S., earning a living by selling blood, and proceeded to build an amazing portrait of the margins of America over the course of his 100,000-mile journey. This monograph continues Holdt's fascination with American society, with a portfolio of photographs from the 70s to the present. Holdt's photographs document the social realities of the people he travels with, spanning the demographic from poor families to millionaires, junkies and even members of the Ku Klux Klan.

The first book by astronaut Tim Peake - a mesmerising collection of over 150 of Tim's stunning photographs taken on board the International Space Station, many of which have never been seen before. Including a personal commentary from Tim, this is an awe-inspiring glimpse into life outside of Planet Earth... 'Inspiring for everyone' -- ***** Reader review 'WOW!! Fantastic images' -- ***** Reader review 'Literally out of this world' -- ***** Reader review 'Photos to die for, totally fantastic' -- ***** Reader review 'This book is truly amazing!' -- ***** Reader review ______________________________ THE OUT-OF-THIS-WORLD NUMBER ONE SUNDAY TIMES BESTSELLER and WINNER OF THE NON-FICTION BOOK OF THE YEAR AT THE BRITISH BOOK AWARDS 'It's impossible to look down on Earth from space and not be mesmerised by the fragile beauty of our planet. I may have been 400km up, but I have never felt closer to Earth than when I was on board the International Space Station. I'm delighted to share with you this collection of photographs with some of my thoughts from my mission. Although I briefly left the sanctuary of our planet, I rediscovered the wonder of the place we call home.' Hello, is this planet Earth? takes readers on a mesmerizing tour of Tim's historic and inspirational six-month Principia mission. Based on over 150 of Tim's stunning photographs that he took on board the international space station, many of which have not been seen before, this lavish collection showcases the beauty of earth from above, and is the perfect visual time capsule of Tim's remarkable trip, which captured the imaginations of millions of children and adults across the world. Including breath-taking aerial photos of cities illuminated at night, the northern lights and unforgettable vistas of oceans, mountains and deserts, the book can be enjoyed by readers of all ages, and comes with a personal commentary from Tim, full of his characteristic warmth and charm. The title of the book is inspired by Tim's famous 'wrong number' dialled from space, when he accidentally misdialled a woman from the space station and inquired, 'Hello, is this planet Earth?'

Disorder celebrates the large-scale color photographs of Brazilian artist Caio Reisewitz (born 1967), which explore the results of economic development in both the city and the countryside in his home country. His images reference Brazil's colonial and modernist architecture.

Through a series of photographs, Ahmed Mater charts the city's origins to its more recent history over the last 5 years. It is a study of the site's recent transformation - Makkah, until recently, embodied a unique urban tapestry, layered with histories that are stitched together by an abundance of organically rooted communities and cultures. It is a place that accommodated not only sacred structures and sites but also huge fluctuations in population during Ramadan (up to 3 million visitors a year travel to Makkah for Eid and Hajj). More recently, these sites and communities have been eradicated and are being replaced with five-star-studded high rise developments, transforming it from an active metropolis to the world's most exclusive, yet most visited religious tourist destination, reflective of an unprecedented experimentation with architecture and its possible impact on social stratification. This photographic essay is a celebration of Makkah's real and projected or imaginary states. It provides singular access to this site and its associated social and religious rituals, along with its architectural urban planned and proposed development.

In "The Cruel Radiance", Susie Linfield challenges the idea that photographs of political violence exploit their subjects and pander to the voyeuristic tendencies of their viewers. Instead she argues passionately that looking at such images - and learning to see the people in them - is an ethically and politically necessary act that connects us to our modern history of violence and probes the human capacity for cruelty. Grappling with critics from Walter Benjamin and Bertolt Brecht to Susan Sontag and the postmoderns - and analyzing photographs from such events as the Holocaust, China's Cultural Revolution, and recent terrorist acts - Linfield explores the complex connection between photojournalism and the rise of human rights ideals. In the book's concluding section, she examines the indispensable work of Robert Capa, James Nachtwey, and Gilles Peress and asks how photography should respond to the increasingly nihilistic trajectory of modern warfare. A bracing and unsettling book, "The Cruel Radiance" convincingly demonstrates that if we hope to alleviate political violence, we must first truly understand it - and to do that, we must begin to look.

In the mountains of California or on the rooftops of New York, the feeling of utter remoteness can be triggered everywhere in the United States. Not only does the vastness of the country account for it, but also the absence of people. Days can pass without seeing a single human being. Signposts and mailboxes, however, indicate that these far-off regions are inhabited. Similarly, one can get lost in the concrete jungle and on the tarmac of cramped cities. Louise Amelie and Aljaz Fuis have explored these peripheries - in the literal sense of the word - with their camera, the fringes and outermost areas of both the American countryside and metropolises. The photos in their book Off Worlds portray more than a mere geographic separation from society. They capture a systemic or perceived isolation which is frequently transformed into a statement of independence, pride, and liberty. Text in English and German.

The Olympic Games produce an untold number of breathtaking images: athletes at work and rest, events from ski-jumping and bobsleighing, sporting facilities, venues from rugged mountains to indoor ice-rinks, and unique moments that allow the viewer to share the passion of the Olympic Games. This fourth volume in a series celebrating the Olympic Games presents stunning photographs from the Winter Games in PyeongChang 2018. Photographers John Huet, David Burnett, Jason Evans and Mine Kasapoglu Puhrer were granted access to the training zones and accompanied the athletes as they prepared for their events before the arrival of the crowds. These unconventional images show the intensity of training and the mental state of the Olympians. The photos are accompanied by detailed commentaries by the photographers, describing the thought and planning behind the images, and the exact moment when the images were captured. Bilingual edition (English and French).

The photographs in this volume are evocations made visible through reflection, observation, exploration, and expression ... the embodiment of memory, renderings of personal emotional truth ... recollections of the photographer's life during the 1970s, spanning the decade he underwent basic art training and developed as a professional image-maker. Few frames from this collection were printed at the time, and the negatives resided untouched for decades in an old cardboard box that inhabited the basements and attics of his transitory world. In 2017, 40 years later, he opened that box, and discovered history anew, awakening long dormant feelings and perceptions. Through the prism of time, reminiscence sometimes brings clarity, but just as often, the residue of the past can be complex and blurry. The metaphors in these contemporaneous visual musings are both non-verbal and evocative, as well as testament to the veracity and longevity of ocular fragments, the reverberations of a long process.

The current decline of print journalism, the rise of the Internet and the advent of digital photography provides the perfect point in time from which to reflect on the ubiquity of the news picture. Powerful and controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these in a broader context by defining the news picture itself in all its forms.For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best thinking on this fascinating topic, this book considers the news picture through history, from its early form in the eighteenth-century broadside, through the press heyday in daily and weekly newspapers, to the rise of broadcast news and the current day. It examines the news picture in all its forms, depicting sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film, video and YouTube-based smart phone journalism. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in our rich visual culture.

Rob Hornstra and Arnold van Bruggen have been working together since 2007 to tell the story of Sochi, Russia, site of the 2014 Winter Olympic Games. They returned repeatedly to this region as committed practitioners of "slow journalism," establishing a solid foundation of research on and engagement with this small yet incredibly complicated place before it found itself in the glare of international media attention. As Van Bruggen writes, "Never before have the Olympic Games been held in a region that contrasts more strongly with the glamour of the event than Sochi. Just twenty kilometers away is the conflict zone Abkhazia. To the east the Caucasus Mountains stretch into obscure and impoverished republics such as North Ossetia and Chechnya. On the coast, old Soviet-era sanatoria stand shoulder to shoulder with the most expensive hotels and clubs of the Russian Riviera. By 2014 the area around Sochi will have been changed beyond recognition." Hornstra's photographic approach combines the best of documentary storytelling with contemporary portraiture, found photographs, and other visual elements collected over the course of their travels. The Sochi Project was released via installments in book form and online, each focusing on a particular facet of the story, the geography, the people, and their history. The highlights and key elements of this extensive effort were brought together for the first time in this volume, first released in 2013 and designed by Kummer & Herrman, who have been integral to the collaboration from the outset. Now, Aperture is pleased to issue this in-demand book in a more affordably priced edition, in a slightly smaller trim size. The Sochi Project: An Atlas of War and Tourism in the Caucasus offers alternative perspectives and in-depth reporting on this remarkable region, the site of the most expensive Olympic Games ever, and one that sits at the combustible crossroads of war, tourism, and history.