Two acclaimed South African artists offer a cross-generational dialogue on history, memory, and the power of self-narration Three decades after the dismantling of apartheid began, South Africa’s so-called “born free” generation has reached adulthood and its artists have used their work to navigate their difficult inheritance. At the same time, the historical distance between their experience and that of an older generation grows. This book brings together two of South Africa’s most acclaimed contemporary artists to reflect upon this moment. In their respective practices, Sue Williamson (b. 1941) and Lebohang Kganye (b. 1990) incorporate oral histories into film, photographs, installations, and textiles to consider how, just as formal statements determine collective histories, so the stories our elders tell us shape family narratives and personal identities. Exploring the complexities involved in the passing down of memories, their works implicitly and explicitly address racial violence, social injustice, and intergenerational trauma. This richly illustrated catalogue features essays that consider themes of voice, testimony, ancestry, and care, and a dialogue between Kganye and Williamson that explores how art can mobilize the healing powers of conversation. Distributed for the Barnes Foundation Exhibition Schedule: The Barnes Foundation, Philadelphia (March 5–May 21, 2023)

Take a photographic journey of American Bald Eagles during nesting season. Through 160 breathtaking images captured in eagles' natural habitats, this factual account offers a rare glimpse into the behaviors and activities of America's national symbol as it prepares a nest, mates, lays eggs, and raises its young. Travel with adult eagles as they gather nest materials, forage for prey, and ward off intruders into their territory. Inside the nest, observe how eaglets grow from hatchlings into fledglings, and experience first flight. Included are tips for observing eagles and a glossary of terms. This is a perfect book for eagle enthusiasts and eagle nest cam viewers, nature and wildlife lovers, bird watchers, conservationists, scientists, teachers, children, and photographers. The one-of-a-kind photographs and comprehensive descriptions make this a must-have treasure to be enjoyed by all ages. It is sure to become the go-to reference on bald eagles.

Built in 1883, the Hotel Chelsea, on 23rd Street in New York City, quickly became the most famous and notorious hotel in the world. From day one, it has been a center of artistic and bohemian activity, with notable residents like actor Ethan Hawke, painter Phillip Taaffe, magazine editor Sally Singer, filmmaker Milos Forman, poet and painter Rene Ricard, beat poet Herbert Huncke, and novelist Joseph O'Neill. This photographic collage of 76 images and vignettes was gathered by a longtime hotel resident prior to the hotel's restoration under new ownership. It unpacks suitcases of memories with atmospheric photographs of residents and guests from the past 20 years. As the author notes, "Life at the Chelsea Hotel arrived in fragments, signs, things heard, and things felt, rather than chronologically charted."

JIMI is the ultimate tribute to the greatest guitar player in rock and roll history, celebrating what would have been Jimi Hendrix's 80th birthday on November 27, 2022. This comprehensive visual celebration is an official collaboration with Jimi's sister, Janie Hendrix, and John McDermott of Experience Hendrix L.L.C. JIMI significantly expands on the authors' previously published titles, including An Illustrated Experience, and features a new introduction by Janie, extensive biographical texts, and a trove of lesser known and never-before-published photographs, personal memorabilia, lyrics, and more. Additionally, JIMI includes quotations by legendary musicians, such as Paul McCartney, Ron Wood, Jeff Beck, Lenny Kravitz, Drake, Dave Grohl, and others who have spoken about Hendrix's lasting influence. In the four years before his untimely death at age 27, Jimi Hendrix created a groundbreaking musical legacy, one that includes revered classics such as "Purple Haze" and "Voodoo Child." His signature guitar playing, provocative songwriting, and charismatic performances have continued to inspire legions of musicians and fans alike.

Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.

From his humble beginnings in London's East End, Ted Blackbrow went on to become one of the UK's greatest press photographers. Thrown out of a good grammar school at 15, Ted embarked on a career that would see him photograph members of the Royal Family, Enoch Powell, The Beatles, Sean Connery, Elton John and Mick Jagger, to name just a few! Long before social media, his images were being shared all over the globe. His pictures of the Vietnamese refugees on the Sibonga were a widely-syndicated world exclusive, and what started as an ordinary day at Newmarket Racecourse resulted in an award-winning photograph that was syndicated across the world. A believer in the idea that no matter how good your equipment, you have to be in the right place at the right time to get the picture (or, as was often the case, the wrong place at the right time!), the author reveals how a mixture of cheek, boldness, and a large slice of luck enabled him to get some incredible images. What a Life! features some of the best of Ted's photos, along with the entertaining, engaging and enlightening stories behind them.

Meloni's original aim was to connect the history of troubled countries with their current events to explore new ways of capturing uprisings against totalitarianism and the after-effects of colonial ventures. 'My intent was to try, within the limits of visual language, to understand and rationalise a conflict- its roots and evolution-and thus position it within its historical context. The Islamic State's emergence was a logical development, and I can potentially understand why many young men in Iraq, Syria and Libya decided to join. I asked myself many times: if I had been born Iraqi and my family was killed by US soldiers, what might I have done?'

The best photo assignments from the Monocle archive, published to mark the magazine's fifteenth anniversary. Back in 2007 the first issues of Monocle magazine hit newsstands and kiosks around the globe. At its core was a pledge to commission all original photography - capturing the world on film, on the ground and in the moment. The cover of that first issue featured a Japanese helicopter pilot from the country's defence force - taken as part of a 10-day reportage assignment for both photographer and writer. In the years since, Monocle has continued in its pursuit of documenting the world through its unique lens - from embassies and residences to world leaders and cultural stars. Each issue has featured a dedicated photographic Expo section celebrating lesser-known locales, obscure events and curious characters through truly outstanding photography. Alpine wrestlers, Syrian outposts, French legionnaires, noodle-makers, game show hosts and private member's clubs have all graced the pages. The Monocle Book of Photography draws on the best of these photographic stories from an archive a decade and a half in the making. A handsome linen bound edition with the highest quality gloss paper and printing, the book also features supporting text about the photo assignments and the stories behind them, including first hand accounts from the photographers involved.

The histories of these communities have formed the backbone of Cuba, and yet they are rarely depicted in photographic representations of the country. Sharum began researching Campesino communities in late 2015 and his resulting black and white photographs depict the intertwined relationship of people and the land they depend on.

On April 17, 1906, San Francisco was a dense city bustling with people, and thriving businesses. On April 18, it was in ruins, the victim of a terrifying earthquake and dreadful fire. Over 170 vintage, photographs, some never published before delve into the first earthquake ever photographed. Images include photographs of various buildings and neighborhoods in the city before the earthquake and the fire, photographs of the fire as it burns through Front and Market Streets, the ruins and those left to cope with them in the aftermath and the efforts to rebuild the city. The text inside the book explores the tragic decisions made by the city's leaders that contributed to the horrifying devestation. Historians, collectors of vintage photographs, and anyone interested in California history will surely want this book.

In 2007 TASCHEN released The New Erotic Photography, followed in 2012 by The New Erotic Photography 2. Each book featured hundreds of fresh and provocative images from the world's most intriguing erotic talents. Now the best of both books is available in The New Erotic Photography, featuring 62 photographers from 10 countries, exploring the global variations of erotic photography, as well as the evolution of photographic media over the last decade. We see film give way to digital, while those who persist with film are as likely to use Polaroids and primitive cameras like the Lomo and Holga as traditional SLRs. The featured photographers include new names Gregory Bojorquez, Jo Schwab, Tomohide Ikeya, Frederic Fontenoy, Andrew Pashis, and Jan Hronsky, as well as established artists Guido Argentini, Bruno Bisang, Eric Kroll, and the late Bob Carlos Clarke. Several outstanding women are also featured in this edition, including erotic film star Kimberly Kane, digital pioneer Natacha Merritt, heavy metal skateboarder Magdalena Wosinska, self-portraitist Jody Frost, and cover artist April-lea Hutchinson. It all adds up to an awful lot of nudes for a tantalizingly low price. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

The editors of Life Magazine, a mass-produced picture magazine, composed picture narratives that entertained, informed, and influenced mid-twentieth-century American society. Photo-Essays about Asian American Women in Life Magazine 1936 to 1965: Hidden Narratives and Breaking Stereotypes is a rhetorical analysis of how Life Magazine's photo-essays represented and shaped white American middle-class attitudes toward Asian American women. In the time period studied, 1936 to1965, most white Americans were exposed to Asian woman primarily through film or in illustrated drawings. Hollywood in particular created caricatures depicting Asian women as evil dragon ladies or sex slaves, both of which implied prostitution, which affected their legal and social standing in early and mid-twentieth-century America. The book illustrates the ways in which the Life editors utilized the photo-essay as a narrative art form to counter stereotypical and racist Hollywood depictions of Asian women as prostitutes and to envision them as part of the American middle class, thereby promoting a sense of national identity that included Asians as Americans. This book will be of interest to scholars in the fields of women's studies, cultural studies, visual culture, Asian American studies, and history.

Foreword by Amartya Sen (Nobel Prize for Economics, 1998) Afterword by Kailash Satyarthi (Nobel Peace Prize, 2014) In 2005, Nick Danziger began to create an archive of photographs documenting the lives of women and children in eight of the world's poorest countries. He returned five years later, and again in 2015. Had the United Nation's millennium development goals made a difference to their lives? The stories he tells - in pictures and words - are unforgettable and have created a unique document, one that reveals the uncomfortable truths of a globalised planet. It is full of hope, sadness, pain, anger and beauty. Some of the women and children Nick followed died through sickness and poverty. One has become the most successful entrepreneur her African border town has ever known. Another - who once dreamed of becoming a banker - is now a gang member in the world's murder capital. Yet another has confronted conformists and successfully changed his gender. The book will stand as a permanent record of their courage and humanity, but also as a reminder that much work still needs to be done if these goals are ever to be met. Too many people in India, Cambodia, Zambia, Uganda, Niger, Honduras, Bolivia and Armenia are still living in extreme poverty, without access to the health and education the goals were supposed to deliver.

The approach is based on "In Movement: Art for Social Change", an NGO which uses dance, theatre, music, the fine arts, creative writing and the circus arts to create a life space of personal reaffirmation and social integration for Ugandan youths. There they can practice and display their art and receive applause from an audience, the best reaffirmation therapy possible.

These photographs are more than simply a journalistic record of conflict and turmoil. They are the product of a very personal journey in a place full of shattered dreams brought about by an endless conflict which crosses the boundaries of culture and time. It's a place where the young are robbed of their youth and the elderly stripped of their dignity. The people who live here glorify their past, curse the present, and have difficulty imagining a future. Publishing this book for the 60th anniversary serves as a way of explaining the profound sense of frustration and loss felt on both sides of the Israel/ Palestine divide.

Shirley Baker started to photograph the streets of Manchester and Salford in the early 1960s when homes were being demolished and communities were being uprooted. 'Whole streets were disappearing and I hoped to capture some trace of everyday life of the people who lived there. I was particularly interested in the more mundane, even trivial, aspects of life that were not being recorded by anyone else.' Shirley's powerful images, sparked by her curiosity, recorded people and communities involved in fundamental change. People's homes were demolished as part of a huge 'slum' clearance programme, however Shirley was able to capture some of the street life as it had been for generations before the change. The areas have been redeveloped to form a new and totally different environment. As Shirley once said, 'I hope by bridging time through the magic of photography, a connection has been made with a past that should not be forgotten'.

The past has never looked so alive as presented on the jaw-droppingly handsome pages of Retrographic, a ground-breaking book hailed in the media as a revolutionary new way to access the past. By gathering an exclusive collection of 120 of the world's most important images from photographic grandmasters such as Dorothea Lange and Alfred Eisenstaedt, as-well-as Pulitzer Prize winners Malcolm Brown and Nick Ut - this is a book which truly celebrates our shared visual heritage. Through accepting Retrographic into its prestigious research collection, London's Victoria and Albert Museum (V&A) has recognised the book's importance. Alongside rarer images, Retrographic transforms these world-famous classics from the black and white of the past, and allows these visual time-capsules to explode into the living colour of the 21st century. The skilfully colourised photographs provided by Retrographic's talented team of international contributors are displayed alongside a fact-packed narrative from digital journalist Michael D. Carroll.

In his previous book City Gorged with Dreams (2002), Ian Walker challenged established ideas about Surrealist photography by emphasising the key role played by documentary photographs in Parisian Surrealism. Now Walker turns his attention to the arrival of Surrealism in England in 1936. Examining for the first time the surprising relationship between Surrealism and English documentary photography and film, the book shows that some of the most interesting work of the period was made in the ambiguous spaces between them. One of the key themes in this book is the relationship between the 'homely' and the 'exotic', in the innovative mix of poetry and ethnography in Mass-Observation for example, or the shadowed England constructed in the work of Bill Brandt. Based on extensive archival research, interviews and visits to sites where the photographs were made, this book is rich in detailed analysis yet written in an accessible and often witty style. -- .

Reinhard Heydrich along with Heinrich Himmler, whose deputy he was, will always be regarded as one of the most ruthless of the Nazi elite. Even Hitler described him as a man with an iron heart'. He established his fearsome reputation in the 1930s, as head of the Sicherheitsdienst (SD), the intelligence organisation which neutralised opposition to the Nazi Party by murder and deportation. He organised Kristalnacht and played a leading role in the Holocaust, chairing the 1942 Wannsee Conference which formalised plans for the Final Solution'. In addition, as head of the Einsatzgruppen murder squads in Eastern Europe he was responsible for countless murders. Appointed Deputy Reich-Protector of Bohemia and Moravia, he died of wounds inflicted by British trained SOE operatives in Prague in May 1942. The reprisals that followed his assassination were extreme by even the terrible standards of Nazi ruthlessness. Heydrich's shocking and leading role in the Nazi regime is graphically portrayed in this Images of War book.