John Davies began photographing both the rural and urban landscape in the 1970s and this book brings together his early images alongside new contemporary works evisiting the same landscapes - mapping both equilibrium and change. These pairs of images are made from the same vantage point, and tell of the alterations made by human activity and bear witness to cultural and social changes over nearly four decades.

Auschwitz and Birkenau were separate from each other,by about a 45 minute walk. Auschwitz was adapted to hold political prisoners in 1940 and evolved into a killing machine in 1941. Later that year a new site called Birkenau was found to extend the Auschwitz complex. Here a vast complex of buildings were constructed to hold initially Russian POWs and later Jews as a labour pool for the surrounding industries including IG Farben. Following the January 1943 Wannsee Conference, Birkenau evolved into a murder factory using makeshift houses which were adapted to kill Jews and Russian POWs. Later due to sheer volume Birkenau evolved into a mass killing machine using gas chambers and crematoria, while Auschwitz, which still held prisoners, became the administrative centre. The images show first Auschwitz main camp and then Birkenau and are carefully chosen to illustrate specific areas, like the Women's Camp, Gypsy Camp, SS quarters, Commandant's House, railway disembarkation, the 'sauna', disinfection area and the Crematoria. Maps covering Auschwitz and Birkenau explain the layout. This book is shocking proof of the scale of the Holocaust.

Two acclaimed South African artists offer a cross-generational dialogue on history, memory, and the power of self-narration Three decades after the dismantling of apartheid began, South Africa’s so-called “born free” generation has reached adulthood and its artists have used their work to navigate their difficult inheritance. At the same time, the historical distance between their experience and that of an older generation grows. This book brings together two of South Africa’s most acclaimed contemporary artists to reflect upon this moment. In their respective practices, Sue Williamson (b. 1941) and Lebohang Kganye (b. 1990) incorporate oral histories into film, photographs, installations, and textiles to consider how, just as formal statements determine collective histories, so the stories our elders tell us shape family narratives and personal identities. Exploring the complexities involved in the passing down of memories, their works implicitly and explicitly address racial violence, social injustice, and intergenerational trauma. This richly illustrated catalogue features essays that consider themes of voice, testimony, ancestry, and care, and a dialogue between Kganye and Williamson that explores how art can mobilize the healing powers of conversation. Distributed for the Barnes Foundation Exhibition Schedule: The Barnes Foundation, Philadelphia (March 5–May 21, 2023)

In the 12 years that the National Socialist Party was in power in Germany, upwards of 15,000 concentration and labour camps were established in the Greater Reich and the occupied countries to incarcerate all who were deemed enemies of the state. Contents includes: GERMANY Dachau, Oranienburg, Sachsenhausen, Buchenwald, Ohrdruf, Flossenburg, Neuengamme, Ravensbruck, Niederhagen/Wewelsburg, Bergen-Belsen, Mittelbau-Dora-Nordhausen, Arbeitsdorf. AUSTRIA Mauthausen. BELGIUM Breendonk, Mechelen: Caserne Dossin. CZECHOSLOVAKIA Theresienstadt. ESTONIA Vaivara/Klooga. FRANCE French Transit Camps, Natzweiler-Struthof, Wiesengrund/Vaihingen. HOLLAND Westerbork, Amersfoort, Herzogenbusch/Vught. ITALY Fossoli, Bolzano, Risiera di San Sabba. LATVIA Riga-Kaiserwald. LITHUANIA Kauen. NORWAY Falstad, Grini. UNITED KINGDOM Alderney, Channel Islands. BERLIN Wannsee Conference and Operation Reinhard'. POLAND The Warsaw Ghetto, Majdanek-Lublin, Belzec, Sobibor, Treblinka, Chelmno, Gross-Rosen, Stutthof-Danzig, Krakow-Plaszow, Auschwitz , Birkenau, War Crimes Trials.

Open your eyes to a new world view with 100 women and nonbinary photojournalists' stories from behind the lens. 85% of photojournalists are men. That means almost everything that is reported in the world is seen through men's eyes. Similarly, spaces and communities men don't have access to are left undocumented and forgotten. With the camera limited to the hands of one gender, photographic 'truth' is more subjective than it seems. To answer this serious ethical problem, Women Photograph flips that bias on its head to show what and how women and nonbinary photojournalists see. From documenting major events such as 9/11 to capturing unseen and misrepresented communities, this book presents a revisionist contemporary history: pore over 50 years of women's dispatches in 100 photographs. Each image is accompanied by 200 words from the photographer about the experience and the subject, offering fresh insights and a much-needed perspective. Until we have balanced, representative reporting, the camera cannot offer a mirror to our global society. To get the full picture, we need a diverse range of people behind the lens. This book offers a first step. Relearn how to see with this evergreen catalogue that elevates the voices of women and nonbinary visual storytellers.

Ballard explores the theme of death in a way no photographer has done before, by following the small but dedicated international cryonics community. From the laboratories of America to the warehouses of Moscow, these sinister portraits of those stored in liquid nitrogen are a unique exploration of life and death.

Emotionally resonant photographs of everyday life in the Jewish Lodz Ghetto taken during WWII From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910-91) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. This compelling volume, originally published in 2015 and now available in paperback, presents a selection of Ross's images along with original prints and other archival material including curfew notices and newspapers. The photographs offer a startling and moving representation of one of humanity's greatest tragedies. Striking for both their historical content and artistic quality, his photographs have a raw intimacy and emotional power that remain undiminished. Distributed for the Art Gallery of Ontario

Pairing epic sports photography with articles from The Times archive, this volume brings together 100 of the most iconic moments from World Cup history. With striking, full-colour photography, rarely seen archival images and sensational reporting on the action, The Times Rugby World Cup Moments tells the story of one of the world's largest single sporting events as it unfolded on - and off - the pitch. Featuring the most memorable tries, historic drop goals, legendary players and unforgettable controversies, these split-second moments have changed the course of Rugby World Cup history and generated a global sensation along the way.

Deluxe, limited edition of 100 copies. It is a must-have luxury, collector's item. It is presented in a bespoke clamshell box. It includes a limited edition, numbered silver gelatin photograph, signed by Baron Wolman, exclusive to this edition. It includes a full set of original, unused tickets for the Friday, Saturday and Sunday of the festival. The book is numbered and signed by all contributors: Baron Wolman, Dagon James, Carlos Santana and Michael Lang. Baron Wolman's stunning black and white photographs of Woodstock are published here for the first time. The majority of images are completely unseen. With accompanying text featuring an interview with Wolman and Woodstock creator, Michael Lang, and a foreword by musician Carlos Santana. Wolman captured the experience and atmosphere of Woodstock like no other photographer. More interested in the crowd than the performers, his photographs are hugely evocative and offer an insight into this legendary event that is rarely seen.

In extraordinary, life-affirming photos taken around the world-from developing villages to urban centers-over the last 40 years, a photographer makes the bold case that what unites us is more powerful than the borders that divide us. A portion of the proceeds for The Bonds We Share will benefit Doctors Without Borders. Hailed as "photography's new conscience," photographer and psychiatrist Dr. Glenn Losack has spent a lifetime traveling the world, determined to extend healing, hope, and compassion. With a camera in hand, he goes places that tourists rarely visit, including slums, alleys, and dark streets. He's seen struggle, but he's also seen our shared humanity: families playing together, laborers working, the devout praying to their gods. Dr. Losack has found resilience, joy, passion, and celebration in communities the world over, even in places plagued with corrupt government, poor infrastructure, and disease. The 240 captivating photos in The Bonds We Share, taken in India, the Dominican Republic, Bangladesh, Cambodia, Morocco, Peru, Tunisia, Sri Lanka, Egypt, the United States, Eastern Europe, and elsewhere, serve as a remarkable retrospective of Dr. Losack's work and reveal an essential truth: we may come from very different cultures, far-ranging geographic corners, belief systems, and economic circumstances, but we all share the same desire to work hard, raise families, and lead fulfilling lives. In this spectacular volume, Dr. Losack interrogates timely notions of difference and portrays the commonality of people from different cultures around the globe.

Illustrated with 200 outstanding photographs, Dangerous Animals presents an in-depth look at the natural world's most deadly creatures, from poisonous spiders and sea snakes to aggressive lions and man-eating sharks. The selection spans a broad spectrum of wildlife, from large carnivores such as the grizzly bear and great white shark to smaller but equally deadly predators such as the black widow spider and puff adder. Each world habitat is covered, with examples carefully drawn from every region of the planet - from the majestic lion of the African plains and the polar bear of the arctic wastes, to the Komodo dragon of South-east Asia, whose saliva carries poisonous bacteria that can kill a person in hours. Featuring around 100 species, each photographic entry is supported with a fascinating caption, explaining how the animal manages to be so deadly. Beautifully presented, this accessible book is a wonderful introduction to some of the planet's fiercest - or just most poisonous - creatures.

Distant Shores is an impressive photographic record of Chris Burkard's search for wild, remote surfing destinations around the globe. Chris Burkard's photographs are punctuated by energized landscapes and moments of bliss. With the ocean as his main muse, Burkard has consistently captured this subject in timeless and expansive photographs. Burkard spent more than a decade on this quest. Explores how surfing is a bridge between the humble human figure and awe-inspiring, powerful natural landscapes Features adventure-seeking surfers and images of natural serenity Chris Burkard has established himself as a major photographer in the surf, outdoor, and adventure communities. Chronicling some of the most beautiful natural phenomena in the world, Distant Shores makes a great pick for lovers of surfing, nature, and photography. Perfect for surfers, photographers, adventurer seekers, and those who appreciate the beauty of our natural landscape Features extreme locations around the globe and awe-inspiring phenomena, like the aurora borealis alongside extreme surfers Gorgeous on display on the coffee table Add it to the shelf with books like Swell: A Year of Waves by Evan Slater, Leroy Grannis: Surf Photography of the 1960s and 1970s by Jim Heimann and Steve Barilotti, and The California Surf Project by Eric Soderquist and Chris Burkard

For well over a century, humanitarians and their organizations have used photographic imagery and the latest media technologies to raise public awareness and funds to alleviate human suffering. This volume examines the historical evolution of what we today call 'humanitarian photography' - the mobilization of photography in the service of humanitarian initiatives across state boundaries - and asks how we can account for the shift from the fitful and debated use of photography for humanitarian purposes in the late nineteenth century to our current situation in which photographers market themselves as 'humanitarian photographers'. This book investigates how humanitarian photography emerged and how it operated in diverse political, institutional, and social contexts, bringing together more than a dozen scholars working on the history of humanitarianism, international organizations and nongovernmental organizations, and visual culture in Africa, Asia, the Middle East, Europe, and the United States.

This major work presents a remarkable sequence of photo-stories from pioneering photo agency VII, documenting world history as we have experienced it since the end of the Cold War. The 11 extraordinarily talented photographers who make up this agency work at the cutting edge of digital photojournalism, committed to recording social and cultural change as it happens around the world.
"Questions Without Answers" is an ambitious book featuring a strikingly broad selection of photo stories. Photos documenting Barack Obama giving a speech on Afghanistan to American troops sit alongside a collection of portraits featuring famous cultural figures such as David Bowie and Bernardo Bertolucci. We move from an exploration of the spread and impact of AIDS in Asia to dispatches from the current economic crisis and its effect on those working in finance. The crucial work done by VII in documenting conflict - environmental, social and political, both violent and non-violent - is also represented, including stories from the war in Iraq, the crisis in Darfur and the terrible events of 9/11.
With an introduction by the eminent David Friend, "Vanity Fair"'s editor of creative development and the former director of photography of "Life" magazine, this book is an important, moving and compelling record of the world we live in.

In Toy Soldiers, Simon Brann Thorpe blurs the boundaries between document, landscape and concept-based photography to explore this conflict. He examines the impact and potential consequences of the stalemate. Through real soldiers - posed as toy soldiers - he reveals the current situation in Western Sahara, a nation in waiting trapped in an historic cycle of colonial conflict, displacement and endless non-resolution. The work is a unique collaboration between Thorpe, a military commander and the men under his command. Shot entirely on location in the isolated and hauntingly beautiful territory known as 'Liberated Western Sahara' it is influenced by the historic works of photographers such as Mathew Brady, Roger Fenton and Edward Curtis. Toy Soldiers provides a contemporary archive on the issue of non-resolution and the paradigm of post colonial cycles of violence within modern conflicts.

Brandon Stanton’s Humans is a book that connects readers as global citizens at a time when erecting more borders is the order of the day. It shows us the entire world, one story at a time…

Brandon Stanton’s Humans – his most moving and compelling book to date – shows us the world. After five years of traveling the globe, the creator of Humans of New York brings people from all parts of the world into a conversation with readers. He ignores borders, chronicles lives and shows us the faces of the world as he saw them. His travels took him from London, Paris and Rome to Iraq, Dubai, Ukraine, Pakistan, Jordan, Uganda, Vietnam, Israel and every other place in between. His interviews go deeper than before. His chronicling of peoples’ lives shows the experience of a writer who has traveled widely and thought deeply about the state of our world.

Including hundreds of photos and stories of the people he met and talked with in over forty countries, Humans is classic Brandon Stanton – a fully color illustrated book that includes many photos and stories never seen before. For the first time for a HONY title, Humans will contain several of the essays Brandon’s posted online which have been read, loved and enthusiastically shared by his followers.

A MOVEMENT IN WORDS AND IMAGES Award-winning photographer Devin Allen has devoted the last six years to documenting the protests of the Black Lives Matter movement, from its early days in Baltimore, Maryland, up to the present day. The riveting images in No Justice, No Peace provide a lens on the resistance that has empowered Black lives generation after generation. Allen's signature black-and-white photos bear witness to the profound history of African Americans and allies in the fight for social justice and portray the collective action over decades in stunning, timeless portraits. Allen's remarkable photos of today's Black Lives Matter protests, which have been featured in the New York Times, the Washington Post, and twice on the cover of Time magazine, were inspired by Gordon Parks of the Civil Rights Movement, and create a vision of the past and future of Black activism and leadership in America. With contributions from twenty-six bestselling and influential writers and activists of today such as Clint Smith, DeRay Mckesson, D. Watkins, Jacqueline Woodson, Emmanuel Acho, Keeanga-Yamahtta Taylor, and more, alongside the words of past writers and activists such as Martin Luther King Jr, Frederick Douglass, Malcolm X, Maya Angelou, and John Lewis, No Justice, No Peace is a reminder of the moral responsibility of Americans to break unjust laws and take direct action. In words and pictures, No Justice, No Peace honors the connection between activism today and that of the past. If indeed hindsight is 20/20, this artistic look back is a lens on history that enlarges our understanding of the lasting predicament of racism in the United States of America. At once deeply intimate and profoundly uplifting, No Justice, No Peace is a visual tribute to Black resistance and a stern missive on the tough, but necessary, road that lies ahead.

Ruined cities overgrown by jungle. Towns buried beneath the ground. Statues lying half- hidden in the sand. Why do civilisations collapse? Why are towns abandoned? And how do once mighty cities come to be forgotten about? From the pyramids of Egypt to the ruins at Angkor in Cambodia and on to the mysteries of the Easter Island moai statues, Abandoned Civilisations is a brilliant pictorial work examining lost worlds. What emerges is a picture of how vast societies can rise, thrive and then collapse. We admire how whole cities develop, but equally fascinating is what happens when their moment has passed. From the 9th century temples at Khajuraho in India which were lost in the date palm trees until stumbled across by European engineers in the 19th century to Mayan pyramids in the Guatemalan jungle to Roman cities semi-buried - but consequently preserved - in the North African desert, the book explores why societies fall and what, once abandoned, they leave behind to history. With 150 striking colour photographs exploring 100 worlds, Abandoned Civilisations is a fascinating visual history of the mysteries of lost societies.

See Scotland's remarkable islands from a new perspective in this beautiful guide curated by celebrated Scotland the Best author, Peter Irvine. Featuring images from acclaimed Scottish and international photographers accompanied by Pete's personal recommendations on where to sleep, eat and walk. The ultimate journey around the magnificent Islands of Scotland.

The collapse of Russian communism in 1991 resounded to the shudder of an empire. Soviet imperialism and empiricism was dead and lands, nations, and peoples would henceforth be free from the tyranny of the communist diktat. But it also sounded the death knell of a small, impoverished, and forgotten land-locked state in the Caucasus which had the misfortune to be of geopolitical importance. Stanley Greene's photographs in Open Wound are so powerful as to make Chechnya our responsibility. He is unashamed to use guilt, with his painter's eye, to relate the deeds of men in Chechnya to our own conduct.