Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography's relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.

Emotionally resonant photographs of everyday life in the Jewish Lodz Ghetto taken during WWII From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910-91) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. This compelling volume, originally published in 2015 and now available in paperback, presents a selection of Ross's images along with original prints and other archival material including curfew notices and newspapers. The photographs offer a startling and moving representation of one of humanity's greatest tragedies. Striking for both their historical content and artistic quality, his photographs have a raw intimacy and emotional power that remain undiminished. Distributed for the Art Gallery of Ontario

Exploring some of the world's eeriest places, Abandoned Islands features American civil war forts, Europe's last leper colony and South Atlantic whaling stations, along with once grand mansions and colonial settlements and churches, and much more. Arranged geographically, the book takes us from New York's East River to islands off Alaska, from a French Napoleonic-era fort off the coast of Normandy to deserted villages on remote Scottish isles, from Venetian sanatoria to Croatian penal colonies, Japanese mining colonies to Sudanese deserted ports and abandoned atolls in the Indian Ocean. Leafing through these pages, the reasons for abandonment are revealed: climate change sealing off fresh water or river channels, shifting economic forces making life too hard, religious conflict, or wars disrupting daily life - or the absence of war rendering a military settlement unnecessary. With more than 180 outstanding colour photographs and fascinating captions, Abandoned Islands is a brilliant pictorial exploration of lost worlds.

The Golden Valley is an exploration and a celebration of a small south Wales valley. The site of ancient tombs and settlements, its rural life was for just over a century taken over by the brutal occupation of coal mining before abandonment once more to nature. In well-chosen words and stunning photographs this is the story of one place, and many.

Foreword by Amartya Sen (Nobel Prize for Economics, 1998) Afterword by Kailash Satyarthi (Nobel Peace Prize, 2014) In 2005, Nick Danziger began to create an archive of photographs documenting the lives of women and children in eight of the world's poorest countries. He returned five years later, and again in 2015. Had the United Nation's millennium development goals made a difference to their lives? The stories he tells - in pictures and words - are unforgettable and have created a unique document, one that reveals the uncomfortable truths of a globalised planet. It is full of hope, sadness, pain, anger and beauty. Some of the women and children Nick followed died through sickness and poverty. One has become the most successful entrepreneur her African border town has ever known. Another - who once dreamed of becoming a banker - is now a gang member in the world's murder capital. Yet another has confronted conformists and successfully changed his gender. The book will stand as a permanent record of their courage and humanity, but also as a reminder that much work still needs to be done if these goals are ever to be met. Too many people in India, Cambodia, Zambia, Uganda, Niger, Honduras, Bolivia and Armenia are still living in extreme poverty, without access to the health and education the goals were supposed to deliver.

Syrians fleeing their homes to escape civil war retain one crucial line of communication with those left behind. For these refugees, the mundane act of texting is transformed into an exchange of precious communiques that confirm the survival or death of their loved ones.In Texting Syria, Toronto-based photographer Liam Maloney examines mobile phone technology as a conduit for the struggles and strength of Syrians exiled in Lebanon. His photographic portraits, audio recordings and reproductions of refugees' real text messages combine in testimony to the private dramas of wartime, exposing intimate parallel narratives beyond those that are represented in conventional documentary photography.His innovative and multi-sensory approach to documenting Syrian refugees' experiences has led Maloney to become a recipient of the Prix Dazibao, as well as being nominated for Picture Story of the Year by the News Photographers Association of Canada. Texting Syria has been exhibited in Canada, the US, Turkey, Norway and Switzerland

When photographer Anthony Dawton realised how dramatically homelessness had increased in London, he took to the streets with his cam-era. For years he had taken photographs in areas of need worldwide, but after spending some time in his home city, he noticed how many people were living on its streets. He embarked on a new project to raise awareness for a city he no longer recognised: NOTLondon. Anthony Dawton photographs his subjects with a beauty and dignity that many of them are often denied. His portraits capture the strength and power of humanity as well as its vulnerability. By accompanying the image with the person's name and their story, Anthony gives voice to the voiceless and attempts to offer the homeless a place, a home on the page. Governmental institutions turn a blind eye to the homeless, leaving the work up to charities. Homeless shelters are rife with substance abuse, making them a dangerous place for those trying to overcome addiction. Homelessness becomes a vicious cycle and many find it difficult to break free. Since the start of the pandemic, over 70,000 households in the UK have been made homeless. Dawton's photographs are mesmerising, and as we stare into the eyes of their subjects, we're faced with reality: this is a problem that's getting worse and needs urgent attention. NOTLondon is a provoking campaign to help the city's most vulnerable and to address the fact that, despite its wealth, the city is not providing for those most in need. NOTLondon includes an introduction by Leilani Fahra, former UN special Rapporteur on the Right to Housing and the Global Director of The Shift. Having dedicated her life's work to changing attitudes to homelessness and attacking the governmental systems and structures which perpetrate homelessness, she shares her thoughts in NOTLondon, highlighting the importance of Dawton's project.

This book represents photographic research on some of the last living African ethnic groups. Driven by a socio-anthropological-ethnic-aesthetic interest, the photographer travelled the African Continent for years, visiting remote lands in search of discovering the authenticity of these diverse cultures. Viviana Vammalle has captured the splendour that is found in these countries and among its people in their natural habitat, during their daily life and rituals. Ana Maria de la Bruyere and Viviana Vammalle have been appointed by the United Nations as Honorary Ambassadors, for having documented the way of life of ethnic groups in danger of disappearing. Text in English and Spanish.

The best photo assignments from the Monocle archive, published to mark the magazine's fifteenth anniversary. Back in 2007 the first issues of Monocle magazine hit newsstands and kiosks around the globe. At its core was a pledge to commission all original photography - capturing the world on film, on the ground and in the moment. The cover of that first issue featured a Japanese helicopter pilot from the country's defence force - taken as part of a 10-day reportage assignment for both photographer and writer. In the years since, Monocle has continued in its pursuit of documenting the world through its unique lens - from embassies and residences to world leaders and cultural stars. Each issue has featured a dedicated photographic Expo section celebrating lesser-known locales, obscure events and curious characters through truly outstanding photography. Alpine wrestlers, Syrian outposts, French legionnaires, noodle-makers, game show hosts and private member's clubs have all graced the pages. The Monocle Book of Photography draws on the best of these photographic stories from an archive a decade and a half in the making. A handsome linen bound edition with the highest quality gloss paper and printing, the book also features supporting text about the photo assignments and the stories behind them, including first hand accounts from the photographers involved.

Illustrated with 200 outstanding photographs, Dangerous Animals presents an in-depth look at the natural world's most deadly creatures, from poisonous spiders and sea snakes to aggressive lions and man-eating sharks. The selection spans a broad spectrum of wildlife, from large carnivores such as the grizzly bear and great white shark to smaller but equally deadly predators such as the black widow spider and puff adder. Each world habitat is covered, with examples carefully drawn from every region of the planet - from the majestic lion of the African plains and the polar bear of the arctic wastes, to the Komodo dragon of South-east Asia, whose saliva carries poisonous bacteria that can kill a person in hours. Featuring around 100 species, each photographic entry is supported with a fascinating caption, explaining how the animal manages to be so deadly. Beautifully presented, this accessible book is a wonderful introduction to some of the planet's fiercest - or just most poisonous - creatures.

Travelling from the edge of our Solar System, through the Milky Way and to the outer edges of the observable universe, Deep Space is a spectacular photographic guide to galaxies, nebulae, supernova, clusters, black holes and quasars. Learn about the birth of stars in our own galaxy, planets beyond our own solar system, when they were first discovered and how we have managed to photograph these places. Ranging from the Magellanic Clouds within the Milky Way to stellar life cycles, from other spiral galaxies such as the Andromeda Galaxy, to the Sombrero Galaxy, and from nebulae such as the Pillars of Creation to black and white dwarfs, this is accessibly written for the general reader to grasp the science and magnitude of deep space. Featuring 200 outstanding colour photographs and expert captions, Deep Space is most certainly out of this world.

For five consecutive years Dublin-based photojournalists Tomasz Bereska and Tomasz Szustek have travelled to Croagh Patrick on Reek Sunday to take photographic portraits of some of the 20,000+ pilgrims who climb the 'Holy Mountain', focusing on the incredible diversity and different backgrounds of the participants. In Atlantic Tabor they present 60 stunning colour portraits of the pilgrims, plus an additional 60 atmospheric B&W photos that add to the story. To complement the beautiful images, the photographers invited Dr Patrick Claffey, Adjunct Assistant Professor at the Department for Study of Religions and Theology at Trinity College Dublin to contribute to the project. Dr Claffey provides a brilliant analysis of pilgrimage phenomena in general terms worldwide, as well as more detailed exploration of Croagh Patrick in particular. He explains how pilgrimages were once primarily sacred but increasingly have become secular; he lists many of the holy mountains of the world and their associated pilgrimages; he describes the myths, prehistory and early history associated with Croagh Patrick; he defines the role 'the Reek' has played over the centuries in Connaught Catholicism; and he shows in detail the various paths one can take to climb Croagh Patrick and what to expect at the summit.

FEATURED IN THE NEW YORKER: The Faces of Americans Living in Debt Finalist for the Dorothea Lange/Paul Taylor Prize in Documentary. Featured on Politico, in the Washington Post, the Daily Mail, and the Huffington Post, USA Today, Business Insider, Refinery29, and Fast Company. Based on the popular online photo series and now published in print for the first time, The Debt Project collects 99 portraits of debt across the United States, featuring people of all different backgrounds and stories, to recontextualize an often stigmatized experience. In 2013, Brittany Powell made the difficult decision to file for bankruptcy for her photography business. In the years following the 2008 economic collapse, she found herself in a significant amount of debt, a position many Americans across the country still share, a common yet isolating and private experience often steeped in shame. Her personal experience, bolstered by the We Are the 99% slogan that came out of the Occupy movement, brought her to start The Debt Project, an exploration of the role debt and finance plays in our personal identity and social structure. This book presents an intimate look into 99 different lives: each shares an arrestingly honest portrait in the person’s home, surrounded by all their belongings, accompanied by a handwritten note of the amount of debt that person is in and the story behind the numbers. The Debt Project, with a foreword by writer and filmmaker Astra Taylor plus resources at the back of the book to support people in debt, examines the social and personal hold financial debt has on us and invites others into a private world, while at the same empowering people to share their stories and overcome the shame they may feel.

In 2011, adhering to his mentor Henri Cartier-Bresson's mantra to 'photograph the truth', animation filmmaker Ishu Patel embarks on a photographic journey in southeast Asia. Abandoning moving images to secure a series of still images that capture a uniquely human gesture or powerful thought-provoking story, he prowls both urban and rural areas armed only with a Leica M9 with 35 and 50mm fast lenses. The result is a collection of elusive still images - photographs, mainly in black and white, that tell a story, seize a moment in life or are a witness to joy, struggle or human dignity. Never political or judgmental, the collection comprises Patel's homage to the unsung lives of ordinary Asians, many of whom are increasingly overlooked in today's fast- changing world. Patel also contributes thoughtful essays on the various countries and peoples he has so powerfully photographed.

Illustrated throughout with 200 outstanding colour photographs, Endangered Animals presents an in-depth look at around 100 species of animal from around the world, all of which are currently endangered or threatened according to the annual list drawn up by the World Conservation Union (IUCN). The selection spans a broad spectrum of wildlife, from large, charismatic mammals such as the Bengal tiger to lesser-known species such as New Zealand's kakapo, the world's only flightless parrot, which was once presumed to be extinct. Each continent is covered, with examples carefully drawn from every habitat - from the mysterious aye-aye of Madagascar's shrinking rainforest, to the shy spectacled bear of the high Andes. Arranged geographically, each photographic entry is supported by a fascinating caption, which explains the animal's current plight and whether it is critically endangered or classified as vulnerable. From the Ethiopian wolf to the Bengal tiger to monk seal and dugong, Endangered Animals is a fascinating introduction to some of the most threatened species on the planet.

It has been almost a generation since Sebastiao Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first "boat people" of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother's breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones. At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado's own words, to temper our behaviors in a "new regimen of coexistence."

The Year That Changed Our World is the definitive, visual history of the Covid-19 Pandemic. With more than 400 photographs, this ambitious publication traces the arc of the Pandemic from China in early 2020 through to the vaccine breakthroughs of Spring 2021. Behind the relentless nature of the daily news since the events on Wuhan in early 2020 first broke, and the sense of fear and trepidation that the rapidly developing events provoked, what have we seen of the real stories of the world during the Pandemic? What can be told of how we lived through the pandemic and of the resilience, resourcefulness and sense of purpose with which we coped and adapted to the challenges we faced? How can we make sense of what we went through? The photographers of Agence France Presse are uniquely placed to be able to document the deeper, human stories of the Pandemic. Active in more than 150 countries, they have been able to capture all angles of the Covid-19 story. Organized into six chronological parts interleaved with thematic sections, including sport, animals and leisure, The Year That Changed Our World presents a comprehensive view, showing the extraordinary efforts to understand, control and cope with a previously unknown virus alongside the human stories of our lives at home: playing, caring, watching and sharing, both together and at a distance. Edited by Marielle Eudes, Director of Photography at Agence France Presse, and with an introduction by Eudes and further texts, quotes and insights from a range of contributors and public figures, The Year That Changed Our World is the definitive visual document of humankind's resilience in the face of the pandemic and the perfect way of understanding and showing to future generations the world during the time of Covid-19. With 500 illustrations in colour

Singapore: small tropical island and dynamic city, where some of Asia's Tallest buildings tower over modest quayside shophouses. Few landscapes, coastlines have been transformed as rapidly as those of Singapore. Seen from the air, the island revealed as a spectacular landscape of intricate patterns, rich textures and diverse colors. Stunning images show the true and unexpected variety of this city-state, providing a fresh perspective from which to view its landmarks and to explore the less-well-known sights of its industry, agriculture and outlying islands. In Over Singapore, award-winning Singaporean photographer Richard W. J. Koh showcases the dynamism of this ever-changing nation. His photographs are complemented by the insightful fext and captions of diplomat and international lawyer Professor Tommy Koh who prvides reavealing historical introduction to the book and an insider's guide to the north, south, east and west of the country.

Lighthouses may stand watchfully over serene waters one day and be bombarded by immense waves the next. They may look out on the most spectacular views, mark the entrance to a busy harbour or be placed in some of the world's most desolate locations. To seafarers they are guiding lights in dangerous waters, but, once decommissioned, they can acquire an air of mystery. They are the most strictly functional of all civilian buildings and yet they can be surprisingly beautiful and varied in design. Are they square, cylindrical or octagonal? Are they single structures or towers on top of other buildings? Are they made of wood, stone, brick, or concrete? Are they coloured with stripes or bands? From Lake Michigan to the Arctic Circle, from the British Isles to Brazil, Lighthouses celebrates more than 200 structures and the stunning vistas that surround them. Taking examples from all around the world, the book features an immense array of operating and disused lighthouses from the 18th century to the present day, from those marking ocean coastlines to structures besides lakes and on rivers, from lighthouses cloaked in ice to Art Deco classics to tilting structures abandoned in sand dunes. Presented in a handy pocket-sized format, Lighthouses is arranged geographically, with more than 200 colour photographs and captions explaining the construction, operation and history of each entry.

As a recording device, photography plays a unique role in how we remember places and events that happened there. This includes recording events as they happen, or recording places where something occurred before the photograph was taken, commonly referred to as aftermath photography. This book presents a theoretical and historical analysis of German photography of place after 1945. It analyses how major historical ruptures in twentieth-century Germany and associated places of trauma, memory and history affected the visual field and the circumstances of looking. These ruptures are used to generate a new reading of postwar German photography of place. The analysis includes original research on world-renowned German photographers such as Thomas Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas Ruff as well as photographers largely unknown in the Anglophone world.

The tension between social reform photography and photojournalism is examined through this study of the life and work of German emigre Hansel Mieth (1909-1998), who made an unlikely journey from migrant farm worker to Life photographer. She was the second woman in that role, after Margaret Bourke-White. Unlike her colleagues, Mieth was a working-class reformer with a deep disdain for Life's conservatism and commercialism. In fact, her work often subverted Life's typical representations of women, workers, and minorities. Some of her most compelling photo essays used skillful visual storytelling to offer fresh views on controversial topics: birth control, vivisection, labor unions, and Japanese American internment during the Second World War. Her dual role as reformer and photojournalist made her a desirable commodity at Life in the late 1930s and early 40s, but this role became untenable in Cold War America, when her career was cut short. Today Mieth's life and photographs stand as compelling reminders of the vital yet overlooked role of immigrant women in twentieth-century photojournalism. Women, Workers, and Race in LIFE Magazine draws upon a rich array of primary sources, including Mieth's unpublished memoir, oral histories, and labor archives. The book seeks to unravel and understand the multi-layered, often contested stories of the photographer's life and work. It will be of interest to scholars of photography history, women's studies, visual culture, and media history.

Reeling from a brutal childhood, immersed in a world of go-go dancers and hustlers, dirty cops and gangsters, Stephanie Johnson was determined to become the fiercest thing the city had ever seen. And she succeeded. This is her story. The storytelling phenomenon Humans of New York has captivated a global audience of millions with personal narratives that illuminate the human condition. But one story stands apart from the rest . . . She is a woman as fabulous, unbowed, and irresistible as the city she lives in. Meet Tanqueray. Humans of New York featured a photo of a woman in an outrageous fur coat and hat she made herself. She instantly captured the attention of millions. Her name is Stephanie Johnson, but she's better known as 'Tanqueray,' a born performer who emerged from a troubled youth to become one of the best-known burlesque dancers in New York City. Real, raw, and unapologetically honest, this is the full story of Tanqueray as told by Brandon Stanton - a memoir filled with never-before-told stories of Tanqueray's struggles and triumphs through good times and bad, personal photos from her own collection, and glimpses of New York City from back in the day when the name 'Tanqueray' was on everyone's lips.

Founded in 1955, the Rough-Stuff Fellowship is the world's oldest off-road cycling club. Its archive contains thousands of stunning images, hand-drawn maps and documents - an unexpected treasure trove of incredible value and beauty that is now being brought to a wider public by Isola Press. The photos are evocative of a bygone age and a bygone style - a time when you might set off on a bike ride wearing a shirt and tie or a bobble hat, and no ride was complete without a stop to brew up some tea and smoke a pipe. They are also a record of intrepid adventures. RSF riders explored the Lake District, the Cairngorms, the Alps and further afield, and their exploits were beautifully documented by amateur and professional photographers. In their own very British way, these men and women were pioneers, pedalling and carrying their bikes where angels feared to tread. Mountain bikes, gravel bikes, adventure bikes all owe them a debt. This book celebrates their style and their spirit. It is a stunning visual resource of cycling heritage that will inspire new adventures.