A decade of rapid change caught by two of Ireland's premier photographers, The Lensmen. Covers everything from the visits of President Kennedy and The Beatles, to lifestyle, fashion and sport as well as the start of unrest in Northern Ireland. Will evoke memories of a bygone age.

"You’ll be in awe of the work of the American rancher and wildlife alike." — Fox News "... Krantz delivers a true sense of not only the size and scope of Art and Catherine Nicholas’ Wagonhound Ranch, but also the deep sense of stewardship the Nicholas family and their crew bring to ranching every day." — Western Horseman "...Anouk’s photographs tell a visual story of the rancher and his relationship with the land." — The Eye of Photography "A stunning photographic collection that celebrates the reality of ranch life." — Big Sky Journal Wagonhound is a historic working ranch spanning over 300,000 acres in Wyoming, where the elevation ranges from 5,000 feet to 9,000 feet; where talented, strong, and steady quarter horses supplied by the ranch-owned remuda are required to help the cowboys manage the herds in a spectacularly rugged terrain. Catherine and Art Nicholas, who took the reins of the historic ranch in 1999, take the stewardship of the land very seriously — their vision has been to honour tradition, preserve the land, which is steeped in history, and return it to a pristine condition. In Ranchland: Wagonhound, Anouk Krantz’s beautiful photography reveals the daily and seasonal rhythms of the ranch and the daily lives of its men and women cowboys, whose long hard days — starting in the dark and finishing in the dark — involve everything from cattle driving to branding to training the best quarter horses in the country and more. Set in a stunning large-format book, these photographs and the stories offer an inspiring new perspective into today's cowboy/ranching culture and land stewardship of the American West. 

What does it take to become a road racing legend and compete in the toughest sport in the world? Go behind the scenes with the teams and riders at all the major tours and classics through the lens of world-class pro-cycling photographer, Kristof Ramon. The Art of Suffering is about the human story of road racing, about what it takes to go deep and be the best, and the awe-inspiring feats of endurance that make road cycling one of the most challenging, most legendary, most inspirational sports in the world. From battling the elements and the terrain to epic climbs, crashes, injuries and recovery; personal sacrifices, pushing the body to the limit, training, winning, losing and long seasons on the road; featuring the domestiques, the star riders, the new talent and the legends - this book captures all the reasons why cycling fans passionately love their sport, taking them closer to the action and their favourite riders than any other book. Carefully curated, thoughtfully designed and beautifully produced - The Art of Suffering is the ultimate gift for cycling fans.

An overgrown concrete bunker at Ypres; a rusting gun carriage in a field in Flanders; perfectly preserved trenchworks at Vimy, northern France; a rocky mountaintop observation post high in the Tyrolean mountains. More than 100 years after the end of World War I, the conflict's legacy can still be seen from Europe to the Pacific. Abandoned Places of World War I explores more than 120 bunkers, trench systems, tunnels, fortifications and gun emplacements from North America to East Africa. Included are defensive structures, such as Fort Douaumont at Verdun, the site of the Western Front's bloodiest battle; the elaborately constructed tunnels of the Wellington Quarry, near Arras, designed to provide a safe working hospital for wounded British soldiers; and crumbling concrete pill boxes in Anzac Cove, Turkey. From the preserved remains of the mighty Przemysl fortress to bunkers and observation points high in the Slovenian Dolomites, Abandoned Places of World War I features more than 180 striking photographs from around the world.

Easton's photographs, alongside texts by writer, poet and social researcher Abdul Aziz Hafiz, aim to confront stereotypes and question the dangerous over-simplification of the challenges facing such communities. They do so by presenting the contemporary experience of residents as an 'alternative history telling'. The black and white photographs in the book were all made in an area less than half a mile square in Blackburn during 2019 and 2020. Working with a large-format wooden field camera, Easton spent long days and weeks in the neighbourhood talking to residents and sometimes making pictures. The project melds image and text - Easton's portraiture and landscapes combined with poetry and an essay by Aziz Hafiz and with the testimonies of residents. This long-form collaboration acknowledges the issues and impacts of social deprivation, housing, unemployment, immigration and representation, as well as past and present foreign policy. The result is a collective and nuanced portrait of the town - a sensitive response to the oversimplistic representation of such communities in both the media and by government, which deny the right of Bank Top to tell its own story.

Featuring 100 of the best photographs ever captured on camera, Look At This If You Love Great Photography is a must read for anyone who appreciates the power of the image. In this beautiful guide to some of the most compelling photographs ever taken, photography journalist Gemma Padley offers concise, insightful summaries of just what it is that makes each one so special. Having written for some of the most important publications on modern photography, Gemma draws on her expert knowledge to reveal the fascinating stories behind these incredible pictures, focusing in on why each image chosen represents such a high point in photographic history. Uniquely curated to offer a fresh perspective on the medium, expect to see pictures from legends of the art form, including Ansel Adams and Martin Parr, alongside cutting-edge examples from the studios of the most creative photographers operating today. Whether it's gut-punching photojournalism that changed public opinion and made us question who we are, or images that rewrite the rules of photography and blur the lines between other art forms, this is a penetrating rundown of the pictures that really matter and you need to see them.

Thatcher’s Children was born out of a series first made in 1992 focusing on two parents and six children living in a hostel for homeless families in Blackpool, England. The project was made in response to a speech by Peter Lilley, then Secretary of State for Social Security, in which he announced his determination to ‘close down the something-for-nothing society.’ French newspaper Libération dispatched a journalist to northern England to find out what this society looked like, and Easton was commissioned to take the accompanying photographs. His resulting monochrome images of the overcrowded two-bedroom council flat in Blackpool sparked a reaction by both the public and the press. His images attached human faces and nuanced realities to a group of people casually maligned by politicians and media as an ‘underclass of scroungers.’

Dispersal considers the period of change in Stratford, East London prior to the 2012 Olympic Games. It is both a visual record of a place that has transformed beyond recognition and a commentary on the impact of these changes. Though often represented as a post-industrial 'wasteland', this part of East London was a melting pot of over 200 trades and industries. Photographers Marion Davies and Debra Rapp documented 60 of these small businesses - from belt-making, zinc- galavanising, kebab-making and salmon smoking - before they were forced to move from the area in 2007. These unique photographs reveal the atmosphere and processes of the workplace alongside a short account of the personal histories of each business. While the photographs provide an impression of the site at the cusp of change, they also suggest a landscape shaped over time. How this landscape or urban 'edgeland' developed and evolved from the mid-19th century is explored by urban planning and architectural historian Juliet Davis. A series of maps from 2007 to 2015 analyse the patterns of dispersal of these businesses. The three authors have charted the progress, successes and failures of these large and small firms, re-photographing a selection in 2015. They show how this major urban redevelopment project has had a permanent and dramatic impact on the Lea Valley's industrial areas; and at the same time they have created a lasting record of this previously diverse and often unappreciated working environment.