Anup Shah and Fiona Rogers have spent much of the last decade in the company of the world-famous chimpanzees of Tanzania's Gombe National Park, getting to know their characters and learning about the intricacies of their lives. Tales from Gombe provides an unparalled insight into their world. Through endearing stories and stunningly intimate photography, it tells the story of their lives, an epic saga full of convoluted plots, family alliances, intrigue, love, passion, suffering, ambition, politics, puzzles, surprises and controversies. The chimpanzees of Tanzania's Gombe National Park are probably the most famous group of wild animals in history, having been observed and chronicled for more than 50 years. Through studies initiated by the palaeontologist and anthropologist Louis Leakey and carried out by the primatologist Dr Jane Goodall, people worldwide know some of their names and stories. In Tales from Gombe Anup Shah and Fiona Rogers introduce us to all the different characters in this unique family, from the bold and mischievous Google and the powerful Titan to the enigmatic Freud.They tell the dramatic story of this unusual society, describing all that has happened since they started studying them, while beautifully capturing the daily interactions of the various characters. The combination of breathtaking photography and rich social history provides the reader with a thought-provoking experience and evokes a strong sense of empathy and respect for chimpanzees. Highly captivating and often deeply moving, Tales from Gombe will inspire all those who read it to learn more about our closest cousins.

When the use of Bill Haley's "Rock Around the Clock" turned 1955's Blackboard Jungle into a teen sensation and a box-office smash, it proved the opening shot in a cinematic and cultural revolution. Starting with Elvis Presley and the teensploitation films of the '50s and '60s, in Rock on Film award-winning author and former Rolling Stone editor Fred Goodman takes readers on a wide-ranging journey through film and pop history. Along the way, he measures the transformative impact of the mid-'60s landmarks A Hard Day's Night and Dont Look Back and how they seeded an almost unbelievably broad genre of films made by increasingly ambitious musicians and filmmakers across the past seven decades. From the carefree to the complex, the mindless to the mind-bending, rock films have staked out their own turf by simultaneously celebrating innocence and challenging artistic and social conventions. With an insightful round-up of fifty must-see rock films spanning crowd-pleasers, art-house favorites, underground gems, and undisputed classics, Rock on Film surveys the nearly seventy-year canon of a genre like no other. A series of original interviews with Cameron Crowe, Jim Jarmusch, Penelope Spheeris, Taylor Hackford, and John Waters illuminates how rock has influenced the work of some of the most divergent and thoughtful directors in movie history. Illustrated throughout by more than 150 full-color and black-and-white images, Rock on Film brings the history of music in the movies to vivid life.

Chris Bonington Mountaineer is a photographic autobiography, documenting over sixty years of climbing the world's most beautiful and challenging mountains. Few climbers can match Bonington's climbing achievements. He is one of the most accomplished and respected climbers in the world. In this 2016 revised edition, which features over 500 photographs, we are given a frank perspective into the surreal, majestic and occasionally tragic corners of his incredible mountaineering career. Whether in the Arctic, the jungle or on an 8,000-metre peak, Bonington's stunning photography and engaging conversational prose take us through the detail of daily life on expedition, the action of the climbing and the grandeur of the mountains. From his foundations - climbing in Snowdonia, the English Lake District, and the Highlands of Scotland - Bonington takes us to the Alps and on his expedition apprenticeship in 1960s Nepal. This quickly leads to trips to Patagonia, the Karakoram, the Amazon, Baffin Island and the River Nile, before the meat of his career on the big walls and 8,000-metre peaks of the Himalaya - with his leadership of the expeditions that made the first ascents of the south face of Annapurna in 1970 and the south-west face of Everest in 1975, and culminating in his own ascent of Everest in 1985. The greatest challenge and survival story of all is his first ascent and epic descent of The Ogre in Pakistan with Doug Scott. Bonington's undying hunger for adventure leads to later exploratory trips to Greenland, India and Morocco, and a return to the scene of one of his defining first ascents, the Old Man of Hoy, with world-class adventure climber Leo Houlding. The result is a penetrating insight into the motivations and fears of a driven climber who set out year after year from a life of comfort and success to test himself amongst the world's most savage mountains. Chris Bonington Mountaineer is a must for anyone with a passion for exploration, mountains or climbing.

Lynne Buchanan began photographing Florida's inland waters to create artistic records of her connection with those waters and to learn lessons from being in the present moment and aligning with the flow of life. The more time she spent photographing waterways in her native Florida, the more she noticed what was being damaged and lost due to human impact. She resolved to draw attention to the situation through her photography and to work with water-quality and environmental advocates, from members of the Water-keeper Alliance to Native American citizens fighting to preserve the integrity of their ancestral lands and drinking water. The result is Changing Waters, which not only showcases the beauty, diversity, and complexity of Florida's waters, but also documents the negative effects of agricultural and industrial pollution, a growing population with its urban growth and land development, and climate change on Florida's inland and coastal waters and springs. Though her work is place specific, the book reveals the interconnected and global nature of environmental problems. Indeed, Florida's fragile springs, wetlands, rivers, and coastal waters can be considered a tragic and powerful example of what is happening to aquatic systems else-where in the nation and world as a result of unchecked human action. Buchanan's photographs invite viewers to consider their personal relationship to water and en-courage better stewardship of this vital--and finite--resource. They are also a call to action to find more effective ways to preserve these waterways for both their natural beauty and essential role in our survival.

A fresh, comprehensive, and critical look at the California gold rush through the lens of the daguerreotype camera The California gold rush was the first major event in American history to be documented in depth by photography. This fascinating volume offers a fresh, comprehensive, and critical look at the people, places, and culture of that historical episode as seen through daguerreotypes and ambrotypes of the era. After gold was discovered at Sutter's Mill in 1848, thousands made the journey to California, including daguerreotypists who established studios in cities and towns and ventured into the gold fields in specially outfitted photographic wagons. Their images, including portraits, views of cities and gold towns, and miners at work in the field, provide an extraordinary glimpse into the evolution of mining culture and technology, the variety of nationalities and races involved in the mining industry, and the growth of cities such as San Francisco and Sacramento. Including numerous images published here for the first time, this book provides an extraordinary glimpse into the transformation of the American West. Distributed for The Hall Family Foundation in association with The Nelson-Atkins Museum of Art Exhibition Schedule: The Nelson-Atkins Museum of Art, Kansas City (September 6, 2019-January 26, 2020) Peabody Essex Museum, Salem (April 4, 2020-July 12, 2020) Yale University Art Gallery (August 28-November 29, 2020)

Over the past few decades, the long tradition of street photography has been wholly transformed by the proliferation of digital cameras, the Internet, and smartphones. A new generation of photographers have embraced this modern technology to capture the world around us in a way that is unstaged, of the moment, and real. Exploring this rich seam of emergent and exciting street photography, the 100 photographs featured in this book-the majority of which are previously unpublished and taken in the last few years-are presented on double-page spreads along with commentary about the work and its creator. Curated by David Gibson, a street photographer and expert in the genre, this stunning book offers a truly global collection of images. Gibson's insightful introduction gives an insider's overview of street photography, illuminating its historic importance and its renaissance in the digital age.

A photography project charting 100 weeks in the life of Scotland, and the people who live there. The photos are of all aspects of Scottish culture – politics, art, social issues, sport, energy and anything else that catches the eye. It is an interesting time to be living in Scotland and McCredie was keen to record and document this vibrant and exciting period to show the country, and those who live there, in a positive light by examining the many varied aspects that make up a modern country.

This book is about life in a small turn-of-the-century Wisconsin town. Lesy has collected and arranged photographs taken between 1890 and 1910. Against these are juxtaposed excerpts from the Badger State Banner, from the Mendota State (asylum) Record Book, and occasionally quotations from the writings of Hamlin Garland and Glenway Wescott.

Photojournalism Disrupted addresses the unprecedented disruptions in photojournalism over the last decade, with a particular focus on the Australian news media context. Using a mixed methods approach, the book assesses the situation facing press photographers and their employers in the supply of professional imagery for news storytelling. Detailed qualitative case studies looking at special events and crisis reporting complement a longitudinal study of sourcing practices around everyday events. Additionally, interviews with industry professionals offer insights into how news organizations are managing significant structural change. Ultimately, the book argues that photojournalism is being reshaped in line with wider industrial disruptions that have led to the emergence of a highly casualized workforce. As a comprehensive study of contemporary photojournalism practices, Photojournalism Disrupted is ideal for scholars and students internationally, as well as (photo)journalists and media professionals.

In June 2016, a French policeman was stabbed to death in a Paris suburb. His assailant gained access to the victim's flat, where he murdered the policeman's partner in front of their three-year-old son. While negotiating with members of the special forces, the murderer posted live footage of himself and his victims on Facebook. Acting in the name of the so-called Islamic State, the perpetrator, who would later be shot and killed, single-handedly applied one of the fundamental tenets of modern terrorism: it is not the act of violence itself that counts, but the images of it that are brought into circulation. Once released, nothing and no one can eradicate these images and the visual battle that ensues knows no winners or ceasefire. With the expert eye of an art historian, Charlotte Klonk documents the visual machinery of terrorism from the late nineteenth century to the present day. She shows that the propaganda videos form the IS are nothing new. On the contrary, perpetrators of terror acts have always made use of images to spread their cause through the media - as have their enemy, the state. This is an indispensable book for understanding the background and dynamic of terror today. -- .

Named One of the "Best Art Books of 2018" by the New York Times Fifty years after Martin Luther King Jr.'s death-and at a time when race relations and social justice are again at the forefront of our country's consciousness-this book expands on a Frist Art Museum exhibition to present a selection of approximately one hundred photographs that document an important period in Nashville's struggle for racial equality. The images were taken between 1957, the year that desegregation in public schools began, and 1968, when the National Guard was called in to surround the state capitol in the wake of the civil rights leader's assassination in Memphis. Of central significance are photographs of lunch counter sit-ins in early 1960, led by a group of students, including John Lewis (who contributed the book's foreword) and Diane Nash, from local historically black colleges and universities. The demonstrations were so successful that King stated just a few weeks later at Fisk University: "I did not come to Nashville to bring inspiration but to gain inspiration from the great movement that has taken place in this community." The role that Nashville played in the national civil rights movement as a hub for training students in nonviolent protest and as the first Southern city to integrate places of business is a story that warrants reexamination. The book also provides an opportunity to consider the role of images and the media in shaping public opinion, a relevant subject in today's news-saturated climate. Photographs from the archives of both daily newspapers are included: the Tennessean, which was the more liberal publication, and the Nashville Banner, a conservative paper whose leadership seemed less interested in covering events related to racial issues. Some of the photographs in the exhibition had been selected to be published in the papers, but many were not, and their disclosure reveals insight into the editorial process. In several images, other photojournalists and news crews are visible, serving as a reminder of the almost constant presence of the camera during these historic times. Essays by Linda Wynn of Fisk University and the Tennessee Historical Commission and Susan H. Edwards, executive director of the Frist Art Museum, offer historical context on Nashville during the civil rights era and on photojournalism, respectively. Congressman John Lewis's foreword recounts memories of his time in Nashville and reminds us that there is still work to be done to build King's Beloved Community.

Delving into the complexities of contemporary reportage, this book draws from moral philosophy and histories of photojournalism to understand the emergence of this distinct practice and discuss its evolution in a digital era. In arguing that the digitization of photography obliges us to radically challenge some of the traditional conceptions of press photography, this book addresses the historic opposition between artistic and journalistic photographs, showing and challenging how this has subtly inspired support for a forensic approach to photojournalism ethics. The book situates this debate within questions of relativism over what is 'moral', and normative debates over what is 'journalistic', alongside technical debates as to what is 'possible', to underpin a discussion of photojournalism as an ethical, moral, and societally important journalistic practice. Including detailed comparative analyses of codes of ethics, examination of controversial cases, and a study of photojournalism ethics as applied in different newsrooms, the book examines how ethical principles are applied by the global news media and explores the potential for constructive dialogue between different voices interested in pursuing the best version of photojournalism. A targeted, comprehensive and engaging book, this is a valuable resource for academics, researchers and students of photojournalism, as well as philosophy, communications and media studies more broadly.

The First World War tore apart the early twentieth century. Both terrible and terrifying, it banished misplaced optimism that war on such an unconscionable scale could never occur. A century after the guns fell silent on the Western Front, its scars continue to shape our modern idea of remembrance. As the national museum of arms and armour, the Royal Armouries brings a unique perspective to studies of the Great War. Stumbling Towards Victory contains photographs – many previously unpublished – from the museum archives, all of which were taken in the final twelve months of the war. Amidst the haunting emptiness of broken ground and shattered trees, these images convey the horror, and hope, of that final cataclysmic year. Published to coincide with the First World War centenary commemorations, Stumbling Towards Victory illustrates the final months of a global conflagration that was nothing less than an armageddon for the ages.

The author presents an account of the Battle of France: the forty-five traumatic days from May 10 to June 24, 1940 that resulted in one of the most remarkable military victories of modern times. During those six weeks, six nations found themselves at war, fighting across four countries. From the polders of the Netherlands in the north to the mountains of the Alps in the south, and from the Rhine valley to the Atlantic coast, Jean Paul Pallud explores every corner of the battlefield, the camera recording the scenes today where 50 years ago Dutch, Belgian, German, French, British and Italian soldiers were locked in mortal combat. Battles great and small are described and illustrated to colour the canvas of both the broad strategy and the individual firefight in Hitler's victorious campaign of Blitzkrieg in the West.

Since its founding in 1947, the legendary Magnum Photos agency has been telling its own story about photographers who were witnesses to history and artists on the hunt for decisive moments. Based on unprecedented archival research, The Decisive Network unravels Magnum's mythologies to offer a new history of what it meant to shoot, edit, and sell news images after World War II. Nadya Bair shows that between the 1940s and 1960s, Magnum expanded the human-interest story to global dimensions while bringing the aesthetic of news pictures into new markets. Working with a vast range of editorial and corporate clients, Magnum made photojournalism integral to postwar visual culture. But its photographers could not have done this alone. By unpacking the collaborative nature of photojournalism, this book shows how picture editors, sales agents, spouses, and publishers helped Magnum photographers succeed in their assignments and achieve fame. Bair concludes in the late 1960s and early 1970s, when changing market conditions led Magnum to consolidate its brand. In that moment, Magnum's photojournalists became artists and their assignments oeuvres. Bridging art history, media studies, cultural history, and the history of communication, The Decisive Network transforms our understanding of the photographic profession and the global circulation of images in the predigital world.

Paparazzi photography has emerged as a key element in today s media landscape. This book charts the historical and cultural significance of the industry, profiles its protagonists and discusses how its imagery of celebrity have become a major part of media consumption. Kim McNamara examines the various ways in which the controversial paparazzi industry is structured, including its workforce practices, development of image markets, and how it has been reconfigured during the transition from analogue paper-based photography to digital platforms. It adds to the literature on celebrity studies, unraveling the importance of the paparazzi to celebrities, and the integral nature of images - both spontaneous and staged to public relations and marketing content. Based on interviews worldwide with key industry players, including agency managers, photo editors and photographers, from Los Angeles to London, the book argues that the paparazzi should be given central importance in any analysis of media culture.

An unflinching photographic record of the epic effects of a violent climate, from the earliest extinction events to the present. Violent geologic events have ravaged the Earth since time began, spanning the vast eons of our planet's existence. These seismic phenomena have scored their marks in rock strata and been reflected in fossil records for future humanity to excavate and ponder. For most of the preceeding 78,000 years Homo sapiens simply observed natural climate upheaval. One hundred years ago, however, industrialization stunningly changed the rules, so that now most climate change is driven by us. Fire, Storm and Flood is an unflinching photographic record of the epic effects of a violent climate, from the earliest extinction events to the present, in which we witness climate chaos forced by unnatural global warming. It uses often emotional and moving imagery to drive home the enormity of climatic events, offering a sweeping acknowledgment of our crowded planet's heartbreaking vulnerability and show-stopping beauty.

This set of essays offers new insights into the journalistic process and the pressures American front-line reporters experienced covering World War II. Transmitting stories through cable or couriers remained expensive and often required the cooperation of foreign governments and the American armed forces. Initially, reporters from a neutral America documented the early victories by Nazi Germany and the Soviet invasion of Finland. Not all journalists strove for objectivity. During her time reporting from Ireland, Helen Kirkpatrick remained a fierce critic of that country’s neutrality. Once the United States joined the fight after the Japanese attack on Pearl Harbor, American journalists supported the struggle against the Axis powers, but this volume will show that reporters, even when members of the army sponsored newspaper, Stars and Stripes were not mere ciphers of the official line. African American reporters Roi Ottley and Ollie Stewart worked to bolster the morale of Black GIs and undermined the institutional racism endemic to the American war effort. Women front-line reporters are given their due in this volume examining the struggles to overcome gender bias by describing triumphs of Thérèse Mabel Bonney, Iris Carpenter, Lee Carson, and Anne Stringer. The line between public relations and journalism could be a fine one as reflected by the U.S. Marine Corps’ creating its own network of Marine correspondents who reported on the Pacific island campaigns and had their work published by American media outlets. Despite the pressures of censorship, the best American reporters strove for accuracy in reporting the facts even when dependent on official communiqués issued by the military. Many wartime reporters, even when covering major turning points, sought to embrace a reporting style that recorded the experiences of average soldiers. Often associated with Ernie Pyle and Bill Mauldin, the embrace of the human-interest story served as one of the enduring legacies of the conflict. Despite the importance of American war reporting in shaping perceptions of the war on the home front as well as shaping the historical narrative of the conflict, this work underscores how there is more to learn. Readers will gain from this work a new appreciation of the contribution of American journalists in writing the first version of history of the global struggle against Nazi Germany, imperial Japan, and fascist Italy.

The devoted journalists at the Chicago Tribune have been reporting the city's news for 170 years. As a result, the paper has amassed an inimitable, as-it-happened history of its hometown, a city first incorporated in 1837 that rapidly grew to become the third-largest city in the United States. Since 2011, the Chicago Tribune has been mining its vast archive of photos and stories for its weekly feature Chicago Flashback, which deals with the significant people and events that have shaped the city's history and culture from the paper's founding in 1847 to the present day. Now the editors of the Tribune have carefully collected the best, most interesting Chicago Flashback features into a single coffee-table volume. Each story is accompanied by at least one black-and-white image from the paper's fabled photo vault located deep below Michigan Avenue's famed Tribune Tower. Chicago Flashback offers readers a unique perspective on the city's long and colorful history.

'Afghan Box Camera' documents a living form of photography in danger of disappearing forever. Known as the kamra-e-faoree ('instant camera'), Afghanistan is one of the last places on earth where it has continued to be used by photographers as a way of making a living. Hand-made out of wood, it is a camera and darkroom in one, and generations of Afghans have had their portraits taken with it, usually for identity documents. Under the Taliban, with the banning of photography, it was even outlawed, forcing photographers to hide or destroy their tools. Spanning decades, from peacetime to war, box camera photography in Afghanistan exists within a more sophisticated photographic history. The same photographers who ply their trade with the humble kamra-e-faoree may also make large format black and white portraits, which are then hand-coloured with exquisite artistry. With the help of dozens of Afghan photographers, 'Afghan Box Camera' illustrates the technique and artistry of a previously untold and visually enthralling photographic culture.

The collapse of Russian communism in 1991 resounded to the shudder of an empire. Soviet imperialism and empiricism was dead and lands, nations, and peoples would henceforth be free from the tyranny of the communist diktat. But it also sounded the death knell of a small, impoverished, and forgotten land-locked state in the Caucasus which had the misfortune to be of geopolitical importance. Stanley Greene's photographs in Open Wound are so powerful as to make Chechnya our responsibility. He is unashamed to use guilt, with his painter's eye, to relate the deeds of men in Chechnya to our own conduct.