'That evening in the bars in Buckingham and adjacent towns there was only one topic of conversation - the Grand Prix .... motor-racing had 'arrived' in England.' - Motor Sport, 13 May 1950. The British Grand Prix is the oldest race on the Formula 1 calendar, having entertained race fans for over seventy years - and from Kent to Liverpool, the Mirrorpix photographers have been there every step of the way. The F1 World Championship at the British Grand Prix is a race through the highest and lowest moments of a sport that has given us Stirling Moss, Michael Schumacher and Lewis Hamilton.

Ireland's premier photographers, The Lensmen, captured the essence of life in Ireland during the 1950s in their stunning and thought provoking images. A beautiful and evocative collection of photographs, capturing a simpler decade in our country's history. Customs, fashions, sporting events, family life and working lives, high days and holy days. An enchanting look at the Ireland of yesteryear.

Photography -- Southern Studies -- Travel

There is no place in America like New Orleans's famed French Quarter.

With photographs and history, "The French Quarter of New Orleans" explores the unique evolution of this district. The author and photographer team to reveal how war, fire, floods, politics, cultural conflict, and architectural innovation shaped the Quarter.

In West Freeman's 160 color photographs the present-day romance of the Vieux Carre is here to savor. But "The French Quarter of New Orleans" moves beyond the Old World facades and into the heart and history of the many peoples-Spanish, French, Creole, Native American, African American, and Italians-who have lived here.

From humble, wooden French cottages to stately, brick Spanish Colonial mansions, from Madame John's Legacy to the St. Louis Cathedral, the Quarter's architecture enthralls, and Jim Fraiser's text creates an anecdotal walking tour of memorable and storied sites.

Studying buildings, Fraiser points out the struggle between native Creoles and newcomers in the replacement of Creole townhouses and cottages with "shotgun houses" and American Greek Revival homes. Freeman's photographs and Fraiser's text detail the historical significance and architectural styles of over one hundred structures.

The history of the Quarter teems with vagabonds and saints, warriors and playwrights, musicians, and politicians. Fraiser animates the fascinating story with such evocative figures as the pirate Jean Lafitte, the conquering general Andrew Jackson, and the voodoo queen Marie Laveau. Riverboat gamblers, ladies of the night, duelists, opera aficionados, plague victims, jazz musicians, charlatans, and Mardi Gras revelers populate the streets and edifices Fraiser describes.

For those who have visited the Quarter, this book will be a treasured memento of the district's unparalleled romance and flavor.

Jim Fraiser is the author of "Mississippi River Country Tales" (2001) and, with West Freeman, "The Majesty of the Mississippi Delta" (2002). He lives in Jackson, Mississippi.

West Freeman is a native of New Orleans. His photographic work has been featured in "Architectural Digest" and is in the permanent collection of the New Orleans Museum of Art.

In February 2016, Rachel Swarms, Darcy Eveleigh, Damien Cave, and Dana Canedy discovered dozens of photographs--and explored the history behind them--and chronicled them in the popular blog series Unpublished Black History. The month-long series was overwhelmingly well-received and garnered 1.7 million views and thousands of comments from readers. This book dives even deeper in the Times photo archives--known as the Morgue--to showcase 120 more photographs and their untold stories. The never-before-published photographs include a 27-year-old Jesse Jackson leading a rally of 4,000 people in Chicago, Rosa Parks arriving at a Montgomery Courthouse, and a candid behind-the-scenes shot of Aretha Franklin backstage at the Apollo Theater. Were the photos--or the people in them--not deemed newsworthy enough? Did the images not arrive in time for publication? Were they pushed aside by words at an institution long known as the Gray Lady? Swarms, Eveleigh, Cave, and Canedy explore all these questions and more in this one-of-a-kind book.

Volume 2 of this two-volume history of Operation "Market-Garden" continues the story as XXX Corps links up with the 82nd Airborne at Nijmegen which leads to the dramatic and spectacular capture of the vital bridges there over the Waal river. But at Arnhem the tide of battle has already turned. The main force of lst Airborne is thrown back to the Oosterbeek perimeter, leaving John Frost's isolated force at the road bridge to fight it out till the end. As the Polish Brigade is dropped south of the Rhine, and the ground army desperately tries to relieve the beleaguered British paras, down in the south the Germans launch repeated attacks on the narrow corridor in an attempt to cut the Allied supply artery. As savage battles rage for possession of "Hell's Highway", the airborne battle is lost and on September 26 the survivors of lst Airborne are evacuated back across the Rhine.

Covering 25 years, Burmese Shadows is an unprecedented body of work which highlights, with stunning photographs, the reality of living and fighting for survival for ordinary people in Burma. These harsh realities, however, are juxtaposed against the vibrant and rich traditions and cultures which combine to make the enigmatic country that is Burma. Few other illustrated titles can provide such a deep and broad picture of Burmese life and politics. Highlights include his photographs of Aung Sang Su Kyi, the ethnic armies and tribal warlords, interviews with the legendary opium baron Khun Sa and his unparalleled access to the Free Burma Rangers, a force of humanitarian commandos living in the Black Zones, where the Burmese army operate a shoot-on-sight policy. The author has spent one month with the Rangers every year since 1999. No other journalist has had such access. The publication is timely due to the recent elections in Burma after almost fifty years of control by the country's junta and the release of the democracy icon Aung Sang Su Kyi and her subsequent election to the lower house of the Burmese parliament.

When the use of Bill Haley's "Rock Around the Clock" turned 1955's Blackboard Jungle into a teen sensation and a box-office smash, it proved the opening shot in a cinematic and cultural revolution. Starting with Elvis Presley and the teensploitation films of the '50s and '60s, in Rock on Film award-winning author and former Rolling Stone editor Fred Goodman takes readers on a wide-ranging journey through film and pop history. Along the way, he measures the transformative impact of the mid-'60s landmarks A Hard Day's Night and Dont Look Back and how they seeded an almost unbelievably broad genre of films made by increasingly ambitious musicians and filmmakers across the past seven decades. From the carefree to the complex, the mindless to the mind-bending, rock films have staked out their own turf by simultaneously celebrating innocence and challenging artistic and social conventions. With an insightful round-up of fifty must-see rock films spanning crowd-pleasers, art-house favorites, underground gems, and undisputed classics, Rock on Film surveys the nearly seventy-year canon of a genre like no other. A series of original interviews with Cameron Crowe, Jim Jarmusch, Penelope Spheeris, Taylor Hackford, and John Waters illuminates how rock has influenced the work of some of the most divergent and thoughtful directors in movie history. Illustrated throughout by more than 150 full-color and black-and-white images, Rock on Film brings the history of music in the movies to vivid life.

With the American-supported South Vietnamese government verging on collapse in early 1965, American President Lyndon Johnson decided to commit American conventional ground forces in the form of a United States Marine Corps (USMC) brigade of approximately 3,000 men on March 8, 1965. So began a massive and costly 10-year commitment. At its height in 1968, the USMC had 86,000 men in South Vietnam. Almost 500,000 Marines would eventually rotate in out of South Vietnam during their typical one-year tours of duty. In the end, the fighting during such well-known battles at Con Tien, Chu Lai, Hue, Khe Sanh and Dong Ha and thousands of now forgotten smaller-scale engagements would cost the USMC 13,070 killed in action and 88,630 wounded, more casualties than they suffered during the Second World War. In this book, well-known military historian Michael Green using hundreds of dramatic images tells the dramatic and gallant story of the Marines' contribution to an unwinnable war; the battles, their equipment, from rifles to helicopters and jets, and the strategy adopted by the Corps.

Photojournalism Disrupted addresses the unprecedented disruptions in photojournalism over the last decade, with a particular focus on the Australian news media context. Using a mixed methods approach, the book assesses the situation facing press photographers and their employers in the supply of professional imagery for news storytelling. Detailed qualitative case studies looking at special events and crisis reporting complement a longitudinal study of sourcing practices around everyday events. Additionally, interviews with industry professionals offer insights into how news organizations are managing significant structural change. Ultimately, the book argues that photojournalism is being reshaped in line with wider industrial disruptions that have led to the emergence of a highly casualized workforce. As a comprehensive study of contemporary photojournalism practices, Photojournalism Disrupted is ideal for scholars and students internationally, as well as (photo)journalists and media professionals.

The devoted journalists at the Chicago Tribune have been reporting the city's news for 170 years. As a result, the paper has amassed an inimitable, as-it-happened history of its hometown, a city first incorporated in 1837 that rapidly grew to become the third-largest city in the United States. Since 2011, the Chicago Tribune has been mining its vast archive of photos and stories for its weekly feature Chicago Flashback, which deals with the significant people and events that have shaped the city's history and culture from the paper's founding in 1847 to the present day. Now the editors of the Tribune have carefully collected the best, most interesting Chicago Flashback features into a single coffee-table volume. Each story is accompanied by at least one black-and-white image from the paper's fabled photo vault located deep below Michigan Avenue's famed Tribune Tower. Chicago Flashback offers readers a unique perspective on the city's long and colorful history.

A fresh, comprehensive, and critical look at the California gold rush through the lens of the daguerreotype camera The California gold rush was the first major event in American history to be documented in depth by photography. This fascinating volume offers a fresh, comprehensive, and critical look at the people, places, and culture of that historical episode as seen through daguerreotypes and ambrotypes of the era. After gold was discovered at Sutter's Mill in 1848, thousands made the journey to California, including daguerreotypists who established studios in cities and towns and ventured into the gold fields in specially outfitted photographic wagons. Their images, including portraits, views of cities and gold towns, and miners at work in the field, provide an extraordinary glimpse into the evolution of mining culture and technology, the variety of nationalities and races involved in the mining industry, and the growth of cities such as San Francisco and Sacramento. Including numerous images published here for the first time, this book provides an extraordinary glimpse into the transformation of the American West. Distributed for The Hall Family Foundation in association with The Nelson-Atkins Museum of Art Exhibition Schedule: The Nelson-Atkins Museum of Art, Kansas City (September 6, 2019-January 26, 2020) Peabody Essex Museum, Salem (April 4, 2020-July 12, 2020) Yale University Art Gallery (August 28-November 29, 2020)

A photography project charting 100 weeks in the life of Scotland, and the people who live there. The photos are of all aspects of Scottish culture – politics, art, social issues, sport, energy and anything else that catches the eye. It is an interesting time to be living in Scotland and McCredie was keen to record and document this vibrant and exciting period to show the country, and those who live there, in a positive light by examining the many varied aspects that make up a modern country.

Delving into the complexities of contemporary reportage, this book draws from moral philosophy and histories of photojournalism to understand the emergence of this distinct practice and discuss its evolution in a digital era. In arguing that the digitization of photography obliges us to radically challenge some of the traditional conceptions of press photography, this book addresses the historic opposition between artistic and journalistic photographs, showing and challenging how this has subtly inspired support for a forensic approach to photojournalism ethics. The book situates this debate within questions of relativism over what is 'moral', and normative debates over what is 'journalistic', alongside technical debates as to what is 'possible', to underpin a discussion of photojournalism as an ethical, moral, and societally important journalistic practice. Including detailed comparative analyses of codes of ethics, examination of controversial cases, and a study of photojournalism ethics as applied in different newsrooms, the book examines how ethical principles are applied by the global news media and explores the potential for constructive dialogue between different voices interested in pursuing the best version of photojournalism. A targeted, comprehensive and engaging book, this is a valuable resource for academics, researchers and students of photojournalism, as well as philosophy, communications and media studies more broadly.

The First World War tore apart the early twentieth century. Both terrible and terrifying, it banished misplaced optimism that war on such an unconscionable scale could never occur. A century after the guns fell silent on the Western Front, its scars continue to shape our modern idea of remembrance. As the national museum of arms and armour, the Royal Armouries brings a unique perspective to studies of the Great War. Stumbling Towards Victory contains photographs – many previously unpublished – from the museum archives, all of which were taken in the final twelve months of the war. Amidst the haunting emptiness of broken ground and shattered trees, these images convey the horror, and hope, of that final cataclysmic year. Published to coincide with the First World War centenary commemorations, Stumbling Towards Victory illustrates the final months of a global conflagration that was nothing less than an armageddon for the ages.

In June 2016, a French policeman was stabbed to death in a Paris suburb. His assailant gained access to the victim's flat, where he murdered the policeman's partner in front of their three-year-old son. While negotiating with members of the special forces, the murderer posted live footage of himself and his victims on Facebook. Acting in the name of the so-called Islamic State, the perpetrator, who would later be shot and killed, single-handedly applied one of the fundamental tenets of modern terrorism: it is not the act of violence itself that counts, but the images of it that are brought into circulation. Once released, nothing and no one can eradicate these images and the visual battle that ensues knows no winners or ceasefire. With the expert eye of an art historian, Charlotte Klonk documents the visual machinery of terrorism from the late nineteenth century to the present day. She shows that the propaganda videos form the IS are nothing new. On the contrary, perpetrators of terror acts have always made use of images to spread their cause through the media - as have their enemy, the state. This is an indispensable book for understanding the background and dynamic of terror today. -- .

The Chicago Blackhawks, one of the NHL’s “Original Six,” have been building their storied legacy for decades. Since their founding in 1926, the Hawks have won six Stanley Cup championships and produced dozens of standout stars, from Hall of Fame goaltender Mike Karakas in the ’30s to Bobby “The Golden Jet” Hull in the ’60s to current team captain Jonathan Toews. And the Chicago Tribune, the team’s hometown newspaper, has been covering it all from the very beginning. Published to coincide with the start of the 2017–18 season, The Chicago Tribune Book of the Chicago Blackhawks is a decade-by-decade look at the city’s 21st-century sports dynasty. Curated by the Chicago Tribune sports department, this book documents every era in the team’s history, from the 1920s to the present day, through the newspaper’s original reporting, in-depth analysis, comprehensive timelines, and archival photos. Each chapter includes profiles on key coaches and players, highlighting the top players from each decade as well as every Stanley Cup championship. Bonus “overtime” material—stats and facts on championships, Hall of Famers, memorable trades, and more—provides a blow-by-blow look at all 90 years of the franchise’s history.

A Scotsman Best Photography Book of 2017 Texts by Filippo Grandi, UN High Comissioner for Refugees, UNHCR, and Robert Del Naja, Massive Attack In October 2015, Giles Duley was commissioned by the UNHCR to document the refugee crisis. Over the next seven months, he was to criss-cross Europe and the Middle East attempting to put a human face to one of the biggest humanitarian emergencies of our time. Duley visited fourteen countries to tell the stories of individuals and families forced to flee their homes. He chronicled the turmoil of Lebanon, the camps of Jordan and Iraq, hellish scenes on the beaches of Lesvos and the refugees arrival in Germany. Bringing together over 150 original photographs, this book captures how even in the midst of such horror and tragedy there is humour, the unexpected and, above all, humanity.

Censored by the U.S. Army, Dorothea Lange's unseen photographs are the extraordinary photographic record of the Japanese American internment saga. This indelible work of visual and social history confirms Dorothea Lange's stature as one of the twentieth century's greatest American photographers. Presenting 119 images originally censored by the U.S. Army—the majority of which have never been published—Impounded evokes the horror of a community uprooted in the early 1940s and the stark reality of the internment camps. With poignancy and sage insight, nationally known historians Linda Gordon and Gary Okihiro illuminate the saga of Japanese American internment: from life before Executive Order 9066 to the abrupt roundups and the marginal existence in the bleak, sandswept camps. In the tradition of Roman Vishniac's A Vanished World, Impounded, with the immediacy of its photographs, tells the story of the thousands of lives unalterably shattered by racial hatred brought on by the passions of war. A San Francisco Chronicle Best Book of 2006.

Paparazzi photography has emerged as a key element in today s media landscape. This book charts the historical and cultural significance of the industry, profiles its protagonists and discusses how its imagery of celebrity have become a major part of media consumption. Kim McNamara examines the various ways in which the controversial paparazzi industry is structured, including its workforce practices, development of image markets, and how it has been reconfigured during the transition from analogue paper-based photography to digital platforms. It adds to the literature on celebrity studies, unraveling the importance of the paparazzi to celebrities, and the integral nature of images - both spontaneous and staged to public relations and marketing content. Based on interviews worldwide with key industry players, including agency managers, photo editors and photographers, from Los Angeles to London, the book argues that the paparazzi should be given central importance in any analysis of media culture.

Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-a-vis display culture. The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results.

Many of Magnum's most renowned photographers - beginning with Robert Capa and Henri Cartier-Bresson on assignment in the 1930s - have been captivated by China. They've returned time and again, their fascination growing in line with China's burgeoning accessibility and international influence. - both an outstanding photobook and a fascinating social history - illustrates the agency's evolving relationship with this increasingly influential nation to give a visually rich, informed photographic account of the country, its people and the changes witnessed over the last nine decades. Chronologically organized to present key periods in the development of the modern state and its associated territories, Magnum China presents in-depth portfolios by individual photographers, accompanied by introductory commentaries on the featured projects and group selections illustrating the diversity of Magnum's interaction with the region. Supplemented with introductory essays by Jonathan Fenby, historical timelines, lists of photographers' travels and a fold-out map of China, Magnum China offers detailed and perceptive socio-political, geographical and historical context to complement the outstanding photography of some of the world's finest photographers.