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Books > Arts & Architecture > Photography & photographs > Photographic collections > Photographic reportage
From the frontlines of the war in Ukraine comes this compelling
collection of 200+ images from world-class photographers that
captures the humanity, perseverance, and determination of the
nation's fight for freedom and independence against all odds. "What
happened to Ukraine after Moscow's invasion? Look no further. The
photographs in this book are by some of the world's best
photographers, and provide an unflinching look at the hell wrought
by Russia. This is extraordinary and vital work." - Pulitzer
Prize-winning journalist David Hume Kennerly. Portfolios from some
of the most respected photojournalists of our time: Carol Guzy,
four-time Pulitzer Prize-winning photojournalist. Lynsey Addario,
Pulitzer Prize-winning photojournalist and New York Times
bestselling author. Paula Bronstein, award-winning photojournalist
and Pulitzer Prize finalist. Justyna Mielnikiewicz, award-winning
photojournalist. Svet Jacqueline, award-winning photojournalist.
Moving essays, published in both English and Ukrainian, by:
Foreword by the Ukrainian ambassador to the United States, Oksana
Markarova. Markarova provides an overview of how this war has
shaken her country and what democracy and freedom mean to her
people. Award-winning Ukrainian author Andrey Kurkov. Ukraine's
most famous living writer, Kurkov provides an emotional, heartfelt
reflection on what's happening to his country in relation to the
pictures displayed in the book. Pulitzer Prize winner and personal
photographer to President Gerald Ford, David Hume Kennerly.
Kennerly speaks to the emotional and physical risk photojournalists
take in covering war alongside their mission to show truth. As
Ukrainian President Vladimir Zelensky said in his address to U.S.
Congress, Russia "went on a brutal offensive against our values,
basic human values. It threw tanks and planes against our freedom,
against our right to live freely in our own country, choosing our
own future, against our desire for happiness, against our national
dreams, just like the same dreams you have, you Americans."
Relentless Courage delivers a gripping, visual portfolio of images
that remind us of our shared humanity, what is right, and what's at
stake when independence and freedom come under attack.
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Jeff Wall
(Hardcover)
Jeff Wall; Edited by Emily Wei Rales, Nora Severson Cafritz, Fanna Gebreyesus, Yuri Stone; Text written by …
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Sassy Food
(Paperback)
Ja-Ne De Abreu; Designed by Cipriano Mauricio
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In June 1964, Neshoba County, Mississippi, provided the setting for
one of the most notorious crimes of the civil rights era: the
Klan-orchestrated murder of three young voting-rights workers,
James Chaney, Michael Schwerner, and Andrew Goodman. Captured on
the road between the towns of Philadelphia and Meridian, the three
were driven to a remote country crossroads, shot, and buried in an
earthen dam, from which their bodies were recovered after a
forty-four-day search. The crime transfixed the nation. As federal
investigators and an aroused national press corps descended on
Neshoba County, white Mississippians closed ranks, dismissing the
men's disappearance as a ""hoax"" perpetrated by civil rights
activists to pave the way for a federal ""invasion"" of the state.
In this climate of furious conformity, only a handful of white
Mississippians spoke out. Few did so more openly or courageously
than Florence Mars. A fourth-generation Neshoban, Mars braved
social ostracism and threats of violence to denounce the murders
and decry the climate of fear and intimidation that had overtaken
her community. She later recounted her experiences in Witness in
Philadelphia, one of the classic memoirs of the civil rights era.
Though few remember today, Mars was also a photographer. Shocked by
the ferocity of white Mississippians' reaction to the Supreme
Court's 1954 ruling against racial segregation, she bought a
camera, built a homemade darkroom, and began to take pictures,
determined to document a racial order she knew was dying.
Mississippi Witness features over one hundred of these photographs,
most taken in the decade between 1954 and 1964, almost all
published here for the first time. While a few depict public
events-Mars photographed the 1955 trial of the murderers of Emmett
Till-most feature private moments, illuminating the separate and
unequal worlds of black and white Mississippians in the final days
of Jim Crow. Powerful and evocative, the photographs in Mississippi
Witness testify to the abiding dignity of human life even in
conditions of cruelty and deprivation, as well as to the singular
vision of one of Mississippi's-and the nation's-most extraordinary
photographers.
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