This set of essays offers new insights into the journalistic process and the pressures American front-line reporters experienced covering World War II. Transmitting stories through cable or couriers remained expensive and often required the cooperation of foreign governments and the American armed forces. Initially, reporters from a neutral America documented the early victories by Nazi Germany and the Soviet invasion of Finland. Not all journalists strived for objectivity. During her time reporting from Ireland, Helen Kirkpatrick remained a fierce critic of this country's neutrality. Once the United States joined the fight after the Japanese attack on Pearl Harbor, American journalists supported the struggle against the Axis powers, but this volume will show that reporters, even when members of the army sponsored, Stars and Stripes were not mere ciphers of the official line. African American reporters Roi Ottley and Ollie Stewart worked to bolster the morale of Black GIs and they undermine the institutional racism endemic to the American war effort. Women front-line reporters are given their due in this volume examining the struggles to overcome gender bias by examining triumphs of Therese Mabel Bonney, Lee Carson, Iris Carpenter, and Anne Stringer. The line between public relations and journalism could be a fine one as reflected by the U.S. Marine Corps creating its own network of Marine correspondents who reported on the Pacific island campaigns and had their work published by American media outlets. Despite the pressures of censorship, the best American reporters strove for accuracy in reporting the facts even when dependent on official communiques issued by the military. Many war-time reporters, even when covering major turning points, sought to embrace a reporting style that recorded the experiences of average soldiers. Often associated with Ernie Pyle and Bill Mauldin, the embrace of the human-interest story served as one of the enduring legacies of the conflict. Despite the importance of American war reporting in shaping perceptions of the war on the home front as well as shaping the historical narrative of this conflict, this work underscores how there is more to learn. Readers will gain from this work and new appreciation of the contribution of American journalists in writing the first version of history as the global struggle against Nazi Germany, Imperial Japan, and Fascist Italy.

A stunning collection of photographs of the LGBTQ community in Thailand, from one of the world's most renowned photographers Steve McCurry is the artist behind some of the most iconic images in contemporary photography. His 1984 portrait of Sharbat Gula ("the Afghan girl") on the cover of National Geographic remains widely recognized to this day. Now McCurry turns his attention to Thailand as part of a series of photobooks on LGBTQ communities around the world. Thailand has long had the reputation as one of the most gay-friendly destinations in Asia, particularly Bangkok with its nightlife and its relative openness and safety. While this may be true for tourists and expats, the idea of Thailand as a haven for LGBTQ people and for same-sex couples, heavily promoted by the tourist industry, does not necessarily extend to Thais themselves. While Thailand is home to the largest LGBTQ communities in Asia, the reality for them is less accepting. Discrimination and exclusion targeting LGBTQ people continues despite a nominally progressive stance on inclusion, and same-sex marriage remains illegal. Against this backdrop, McCurry's lushly colored photographs take us into the vibrant LGBTQ community in Bangkok, and this beautifully packaged, affordably priced book gives us a series of close to one hundred moving and intimate portraits of people who are no longer welcome in the community in which they grew up, but who have forged a new life and a new meaning of family in the queer community. Belonging was designed by Emerson, Wajdowicz Studios (EWS).