As a recording device, photography plays a unique role in how we
remember places and events that happened there. This includes
recording events as they happen, or recording places where
something occurred before the photograph was taken, commonly
referred to as aftermath photography. This book presents a
theoretical and historical analysis of German photography of place
after 1945. It analyses how major historical ruptures in
twentieth-century Germany and associated places of trauma, memory
and history affected the visual field and the circumstances of
looking. These ruptures are used to generate a new reading of
postwar German photography of place. The analysis includes original
research on world-renowned German photographers such as Thomas
Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas
Ruff as well as photographers largely unknown in the Anglophone
world.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!