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Holy Treasure and Sacred Song - Relic Cults and their Liturgies in Medieval Tuscany (Hardcover)
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Holy Treasure and Sacred Song - Relic Cults and their Liturgies in Medieval Tuscany (Hardcover)
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In the Middle Ages, relic cults provoked rich expressions of
devotion not only in hagiographic literature and visual art but
also in liturgical music and ritual. Despite the long-recognized
inter-play between these diverse media, historians of the period
rarely integrate analysis of sacred music into their research on
other modes of worship espoused by relic cults. Holy Treasure and
Sacred Song situates this oft-neglected yet critical domain of
religious life at the center of an examination of relic cults in
medieval Tuscany. Long recognized as a center of artistic
innovation during the Renaissance, this region also boasted the
rich and well documented veneration of holy bishops and martyrs
buried in the cathedrals and suburban shrines of its principal
cities. Author Benjamin Brand reveals that the music composed to
honor these local saints - no fewer than ninety chants for the Mass
and Divine Office - were essential components of larger devotional
campaigns that included the recording of their life stories and the
building and decoration of their shrines. Furthermore, the local
Tuscan clerics who assumed control of these campaigns with the
intent of gaining both temporal and spiritual power drew on
influential global models - literary, architectural, musical, and
ritual - from preeminent European powers, Rome and the Carolingian
Empire. By integrating detailed analyses of plainsong and sacred
ritual into this rich panorama, Brand traces the dialectic between
local, regional, and pan-European trends, revealing the centrality
of the liturgy in the development of medieval relic cults and, in a
broader sense, medieval European culture and politics. Offering a
rich topography of music, liturgy, and devotion through an
interdisciplinary approach ideal for the multifaceted nature of
medieval relic cults, Holy Treasure and Sacred Song will find a
broad audience amongst musicologists and medievalists alike.
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