The Apocalypse of John is perhaps the most alluring and dangerous
text in any scripture. This study looks at English responses to it
in political pamphlets and scholarly exegesis, in poetry and
preaching and visual art. Those who set out to find enduring
meaning in the book failed. Yet in the post-Christian re-writings
of Revelation by Shelley and Blake, John's own dynamic of unveiling
comes to life, subverting the structures of power and reading built
on the visions of Patmos.
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