Since the early 2000s, the phenomenon of the "down low"--black men
who have sex with men as well as women and do not identify as gay,
queer, or bisexual--has exploded in news media and popular culture,
from the "Oprah Winfrey Show" to R & B singer R. Kelly's hip
hopera "Trapped in the Closet." Most down-low stories are morality
tales in which black men are either predators who risk infecting
their unsuspecting female partners with HIV or victims of a
pathological black culture that repudiates openly gay identities.
In both cases, down-low narratives depict black men as sexually
dangerous, duplicitous, promiscuous, and contaminated.
In "Nobody Is Supposed to Know," C. Riley Snorton traces the
emergence and circulation of the down low in contemporary media and
popular culture to show how these portrayals reinforce troubling
perceptions of black sexuality. Reworking Eve Sedgwick's notion of
the "glass closet," Snorton advances a new theory of such
representations in which black sexuality is marked by
hypervisibility and confinement, spectacle and speculation. Through
close readings of news, music, movies, television, and gossip
blogs, "Nobody Is Supposed to Know "explores the contemporary
genealogy, meaning, and functions of the down low.
Snorton examines how the down low links blackness and queerness
in the popular imagination and how the down low is just one example
of how media and popular culture surveil and police black
sexuality. Looking at figures such as Ma Rainey, Bishop Eddie L.
Long, J. L. King, and Will Smith, he ultimately contends that
down-low narratives reveal the limits of current understandings of
black sexuality.
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