The Oxford Handbook of Creative Industries is a reference work,
bringing together many of the world's leading scholars in the
application of creativity in economics, business and management,
law, policy studies, organization studies, and psychology. Creative
industries research has become a regular theme in academic journals
and conferences across these subjects and is also an important
agenda for governments throughout the world, while business people
from established companies and entrepreneurs revaluate and innovate
their models in creative industries. The Handbook is organized into
four parts: Following the editors' introduction, Part One on
Creativity includes individual creativity and how this scales up to
teams, social networks, cities, and labour markets. Part Two
addresses Generating and Appropriating Value from Creativity, as
achieved by agents and organizations, such as entrepreneurs, stars
and markets for symbolic goods, and considers how performance is
measured in the creative industries. Part Three covers the
mechanics of Managing and Organizing Creative Industries, with
chapters on the role of brokerage and mediation in creative
industry networks, disintermediation and glocalisation due to
digital technology, the management of project-based organzations in
creative industries, organizing events in creative fields, project
ecologies, Global Production Networks, genres and classification
and sunk costs and dynamics of creative industries. Part Four on
Creative Industries, Culture and the Economy offers chapters on
cultural change and entrepreneurship, on development, on copyright,
economic spillovers and government policy. This authoritative
collection is the most comprehensive source of the state of
knowledge in the increasingly important field of creative
industries research. Covering emerging economies and new
technologies, it will be of interest to scholars and students of
the arts, business, innovation, and policy.
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