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The Happy Afterlife of Ludwig W. - The People that Made Wittgensteinʼs Books and Turned Him into the Worldʼs Most Popular Philosopher (Hardcover, 1st ed. 2023)
Loot Price: R1,228
Discovery Miles 12 280
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The Happy Afterlife of Ludwig W. - The People that Made Wittgensteinʼs Books and Turned Him into the Worldʼs Most Popular Philosopher (Hardcover, 1st ed. 2023)
Series: Beiträge zur Praxeologie / Contributions to Praxeology
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Total price: R1,248
Discovery Miles: 12 480
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This book tells a great philosophical tale. The backstory of this
tale is simple: the famous philosopher Ludwig Wittgenstein
published only one philosophical book during his lifetime:
the Tractatus Logico-Philosophicus. He left the lion’s
share of his philosophical writings to posterity in the form of
unpublished manuscripts and typescripts amounting to more than
18,000 pages. In his will, Wittgenstein entrusted three of his
former students – Elizabeth Anscombe, Rush Rhees and Georg Henrik
von Wright – with the task of publishing from his writings what
they thought fit. During the subsequent decades, these literary
heirs edited the volumes that the learned world has come to know as
the influential works of Wittgenstein. Now, the essays in this book
tell about Wittgenstein’s literary heirs in their ambition to
publish the writings of their beloved teacher. This history of the
posthumous publication processes for Wittgenstein’s writings will
extinguish the genius cult that still exists in some
historiographies of philosophy. This cult is partly responsible for
the impression that great philosophical works fall from the window
of an ivory tower, in completed form, printed and bound, just in
order to hit and inspire the next genius philosopher walking by. In
actual fact, in the history of philosophy, there are a number of
cases in which it takes the great philosophers’ pupils and
followers to bring their teachers’ thought into a publishable
form. Indeed, this is how literary tradition of Western philosophy
begins. In the case of Wittgenstein’s writings, this book opens,
at least to some extent, the black box of the discipulary
production processes of the making of a classic philosopher.
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