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Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture
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Contemporary Sculpture and the Critique of Display Cultures - Tainted Goods (Paperback)
Loot Price: R720
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Contemporary Sculpture and the Critique of Display Cultures - Tainted Goods (Paperback)
Series: Routledge Focus on Art History and Visual Studies
Expected to ship within 10 - 15 working days
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In this book, Dan Adler addresses recent tendencies in contemporary
art toward assemblage sculpture and how these works incorporate
tainted materials - often things left on the side of the road,
according to the logic and progress of the capitalist machine - and
combine them in ways that allow each element to retain a degree of
empirical specificity. Adler develops a range of aesthetic models
through which these practices can be understood to function
critically. Each chapter focuses on a single exhibition: Isa
Genzken's "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey
Farmer's midcareer survey (Musee d'art contemporain, Montreal,
2008), Rachel Harrison's "Consider the Lobster" (CCS Bard Hessel
Museum of Art, 2009), and Liz Magor's "The Mouth and Other Storage
Facilities" (Henry Art Gallery, Seattle, 2008).
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