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An Aesthetic Occupation - The Immediacy of Architecture and the Palestine Conflict (Paperback)
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An Aesthetic Occupation - The Immediacy of Architecture and the Palestine Conflict (Paperback)
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In "An Aesthetic Occupation" Daniel Bertrand Monk unearths the
history of the unquestioned political immediacy of "sacred"
architecture in the conflict between Palestinians and Israelis.
Monk combines groundbreaking archival research with theoretical
insights to examine in particular the Mandate era--the period in
the first half of the twentieth century when Britain held
sovereignty over Palestine. While examining the relation between
monuments and mass violence in this context, he documents
Palestinian, Zionist, and British attempts to advance competing
arguments concerning architecture's utility to politics.
Succumbing neither to the view that monuments are autonomous
figures onto which political meaning has been projected, nor to the
obverse claim that in Jerusalem shrines are immediate
manifestations of the political, Monk traces the reciprocal history
of "both" these positions as well as describes how opponents in the
conflict debated and theorized their own participation in its
self-representation. Analyzing controversies over the authenticity
of holy sites, the restorations of the Dome of the Rock, and the
discourse of accusation following the Buraq, or Wailing Wall, riots
of 1929, Monk discloses for the first time that, as combatants
looked to architecture and invoked the transparency of their own
historical situation, they simultaneously advanced--and
normalized--the conflict's inability to account for itself.
This balanced and unique study will appeal to anyone interested in
Israel or Zionism, the Palestinians, the Middle East conflict,
Jerusalem, or its monuments. Scholars of architecture, political
theory, and religion, as well as cultural and critical studies will
also be informed by its arguments.
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