In a positive departure from modernism, the work of the art critic
and urbanist Ludwig Hilberseimer offers schemata towards the design
for the city itself: its mereological composition. The resonance of
parts unfolds to an alternative of a purely contrasting equation of
form and content. It reminds us, that when the ground (gr.: logos)
of the city is defined by its parts (gr.: meros), its architecture,
the city in turn always also is part of the architecture as its
desire. "The Mereological City" introduces a mereological
methodology and contributes to an ongoing discussion about an
ecological form of urban design.
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