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Going Scapegoat - Post-9/11 War Literature, Language and Culture (Paperback)
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Going Scapegoat - Post-9/11 War Literature, Language and Culture (Paperback)
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Since 9/11, David Buchanan argues, the genre of war literature has
become a ""sufferable"" and ""suffering"" feature of American
popular culture. While there has long been a simmering critical
debate regarding artistic depictions of war-who can write war
literature, when he or she can do so-Buchanan wades right in to
offer a new way to close-read war narratives. An experienced
insider, Buchanan disavows the supposed epistemological power of
war experience and the guiding ideology called ""combat
gnosticism"" that has dominated the field. Couple this with a
persistent popular preference for the combat narrative told by the
combat experienced soldier, the potential of the genre to address
the U.S. war system critically has been severely limited. Buchanan
closely examines three war novels from 2012 that represent the
United States' military responses to 9/11 (Ben Fountain's Billy
Lynn's Long Halftime Walk, David Abrams's FOBBIT, and Kevin
Powers's The Yellow Birds). Buchanan adapts Kenneth Burke's
scapegoat mechanism in order to offer a model for those who engage
war literature and war films at a critical level. Favoring healthy
ambivalence of certainty, the result is a method of critiquing war
literature that ameliorates the limiting problems that accompany
combat gnosticism itself.
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