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Dance to the Music of Story - Understanding Human Behavior Through the Integration of Storytelling and Complexity Thinking (Paperback)
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Dance to the Music of Story - Understanding Human Behavior Through the Integration of Storytelling and Complexity Thinking (Paperback)
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We all Dance to the Music of Story. That's what recent work in
anthropology and neurobiology is telling us: our brains turn events
around us into the stories that become the music for which our acts
are the dance steps. As biological anthropologist Terrence Deacon
puts it, "We tell stories about our real experiences and invent
stories about imagined ones, and we even make use of these stories
to organize our lives. In a real sense, we live our lives in this
shared virtual world." Stories, these researchers suggest, are the
maps by which we navigate the territory of the world around us, and
learning to listen to the music of story improves the art with
which we dance our lives.The essays in Dance to the Music of Story
begin to examine this virtual, storied world, exploring the
implications of this perspective on how people interact, as
illuminated by the principles of another provocative field of
studies, Complexity Theory. This field explores the dynamics of
evolving phenomena in nature - from the atomic and molecular scales
to those of the ecological and cosmic; in this way, it offers a
unique way of treating social phenomena, which are also many-scaled
evolving phenomena, from the personal to the organizational, the
professional to the national. By integrating recent research in
storytelling and complexity, these essays offer the possibility of
a new perspective on studying human interactions, which we call
storytelling complexity.Using this perspective, the writers of
these essays address a series of questions to explore many familiar
terrains in different and illuminating ways: How do people
transform the overwhelmingly abundant world around them into the
stories that enable them to interact? What are the ethical
dimensions of storytelling, especially when manipulation is the
storyteller's emphasis? What are the implications for storytelling
complexity in organizations? In the end, these essays are an
attempt to "open up a space of research," in Foucault's words, a
first move in a language game which readers can try out and, if
they find it worthwhile, join in with.
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