With the rise of naturalism in the art of the late Middle Ages and
the Renaissance there developed an extensive and diverse literature
about art which helped to explain, justify and shape its new aims.
In this book, David Summers provides an investigation of the
philosophical and psychological notions invoked in this new theory
and criticism. From a thorough examination of the sources, he shows
how the medieval language of mental discourse derived from an
understanding of classical thought.
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