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Time Travel - The Popular Philosophy of Narrative (Hardcover, New)
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Time Travel - The Popular Philosophy of Narrative (Hardcover, New)
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This book argues that time travel fiction is a narrative
"laboratory," a setting for thought experiments in which essential
theoretical questions about storytelling-and, by extension, about
the philosophy of temporality, history, and subjectivity-are
represented in the form of literal devices and plots. Drawing on
physics, philosophy, narrative theory, psychoanalysis, and film
theory, the book links innovations in time travel fiction to
specific shifts in the popularization of science, from evolutionary
biology in the late 1800s, through relativity and quantum physics
in the mid-20th century, to more recent "multiverse" cosmologies.
Wittenberg shows how increasing awareness of new scientific models
leads to surprising innovations in the literary "time machine,"
which evolves from a "vehicle" used chiefly for sociopolitical
commentary into a psychological and narratological device capable
of exploring with great sophistication the temporal structure and
significance of subjects, viewpoints, and historical events. The
book covers work by well-known time travel writers such as H. G.
Wells, Edward Bellamy, Robert Heinlein, Samuel Delany, and Harlan
Ellison, as well as pulp fiction writers of the 1920s through the
1940s, popular and avant-garde postwar science fiction, television
shows such as "The Twilight Zone" and "Star Trek," and current
cinema. Literature, film, and TV are read alongside theoretical
work ranging from Einstein, Schroedinger, and Stephen Hawking to
Gerard Genette, David Lewis, and Gilles Deleuze. Wittenberg argues
that even the most mainstream audiences of popular time travel
fiction and cinema are vigorously engaged with many of the same
questions about temporality, identity, and history that concern
literary theorists, media and film scholars, and philosophers.
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