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The Ballets of Maurice Ravel - Creation and Interpretation (Paperback)
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The Ballets of Maurice Ravel - Creation and Interpretation (Paperback)
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Maurice Ravel, as composer and scenario writer, collaborated with
some of the greatest ballet directors, choreographers, designers
and dancers of his time, including Diaghilev, Ida Rubinstein,
Benois and Nijinsky. In this book, the first study dedicated to
Ravel's ballets, Deborah Mawer explores these relationships and
argues that ballet music should not be regarded in isolation from
its associated arts. Indeed, Ravel's views on ballet and other
stage works privilege a synthesized aesthetic. The first chapter
establishes a historical and critical context for Ravel's scores,
engaging en route with multimedia theory. Six main ballets from
Daphnis et Chloe through to Bolero are considered holistically
alongside themes such as childhood fantasy, waltzing and
neoclassicism. Each work is examined in terms of its evolution,
premiere, critical reception and reinterpretation through to the
present; new findings result from primary-source research,
undertaken especially in Paris. The final chapter discusses the
reasons for Ravel's collaborations and the strengths and weaknesses
of his interpersonal relations. Mawer emphasizes the importance of
the performative dimension in realizing Ravel's achievement, and
proposes that the composer's large-scale oeuvre can, in a sense, be
viewed as a balletic undertaking. In so doing, this book adds
significantly to current research interest in artistic production
and interplay in early twentieth-century Paris.
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