i) It is the first book on the general history of Chinese film
spanning from the end of the 19th century to the present day. ii)
It collects the most significant and latest studies both in China
and abroad. iii) It analyses the most important Chinese films and
filmmakers and is backed by most solid historical materials and
documents. iv) It shows the functions of film in different
historical phases of China and unveils the discourse mechanism and
development patterns of Chinese films. v) It revisits and
reinterprets important events in the development of Chinese cinema
and aims to display the complexity and modernity of Chinese film
history.
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