While some people think that our new technologies which texture our
lifeworld disembody human experience, and while others think that
eventually we will be able to 'upload' our very embodiment into
these technologies, this collection of chapters takes a close
postphenomenological account of a myriad of these technologies as
we interface with them. Beginning with cinema and the "Matrix
Trilogy," then on to both ancient and new musical
instrumentalities, romping with robots, venturing into radical
imaging technologies which depict phenomena beyond human sensory
capacity, and working with both information technologies and a deep
history of writing technologies, Don Ihde brings his skills at
doing variations to explore the role of human embodiment with
technics. He argues that the new technologies both extend and
transform our experience of embodiment. And the multistable
trajectories of these new technics present possibilities often not
yet explored.
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