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On Company Time - American Modernism in the Big Magazines (Hardcover)
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On Company Time - American Modernism in the Big Magazines (Hardcover)
Series: Modernist Latitudes
Expected to ship within 12 - 17 working days
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American novelists and poets who came of age in the early twentieth
century were taught to avoid journalism "like wet sox and gin
before breakfast." It dulled creativity, rewarded sensationalist
content, and stole time from "serious" writing. Yet Willa Cather,
W. E. B. Du Bois, Jessie Fauset, James Agee, T. S. Eliot, and
Ernest Hemingway all worked in the editorial offices of
groundbreaking popular magazines and helped to invent the house
styles that defined McClure's, The Crisis, Time, Life, Esquire, and
others. On Company Time tells the story of American modernism from
inside the offices and on the pages of the most successful and
stylish magazines of the twentieth century. Working across the
borders of media history, the sociology of literature, print
culture, and literary studies, Donal Harris draws out the profound
institutional, economic, and aesthetic affiliations between
modernism and American magazine culture. Starting in the 1890s, a
growing number of writers found steady paychecks and regular
publishing opportunities as editors and reporters at big magazines.
Often privileging innovative style over late-breaking content,
these magazines prized novelists and poets for their innovation and
attention to literary craft. In recounting this history, On Company
Time challenges the narrative of decline that often accompanies
modernism's incorporation into midcentury middlebrow culture. Its
integrated account of literary and journalistic form shows American
modernism evolving within as opposed to against mass print culture.
Harris's work also provides an understanding of modernism that
extends beyond narratives centered on little magazines and other
"institutions of modernism" that served narrow audiences. And for
the writers, the "double life" of working for these magazines
shaped modernism's literary form and created new models of
authorship.
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