This book celebrates experimental translation, taking a series of
exploratory looks at the hypercyborg translator, the collage
translator, the smuggler translator, and the heteronymous
translator. The idea isn't to legislate traditional translations
out of existence, or to "win" some kind of literary competition
with the source text, but an exuberant participation in literary
creativity. Turns out there are other things you can do with a
great written work, and there is considerable pleasure to be had
from both the doing and the reading of such things. This book will
be of interest to literary translation studies researchers, as well
as scholars and practitioners of experimental creative writing and
avant-garde art, postgraduate translation students and professional
(literary) translators.
General
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