Browning's world is essentially interactive, a dramatized process
drawing speaker and reader together. This volume argues that
Browning's poems both encourage and require the kind of engagement
typically required of the Victorians in their conversations, and
explores what Victorians thought conversation was and how it
functioned in their society. To value the conversational in
Browning's poetry is to value the unscripted and inordinate. This
book poses questions about the sources and narrative structures of
the verse, even its layout on the page. By examining a series of
specific poems in the context of Victorian conversation and
society, Andrew St George offers the modern reader a new way of
appreciating some of Browning's most significant work.
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