Painted screens have long been synonymous in the popular
imagination with the Baltimore row house. Picturesque, practical,
and quirky, window and door screens adorned with scenic views
simultaneously offer privacy and ventilation in crowded
neighborhoods. As an urban folk art, painted screens flourished in
Baltimore, though they did not originate there--precursors date to
early eighteenth-century London. They were a fixture on fine homes
and businesses in Europe and America throughout the Victorian era.
But as the handmade screen yielded to industrial production, the
whimsical artifact of the elite classes was suddenly transformed
into an item for mass consumption. Historic examples are now a
rarity, but in Baltimore the folk art is still very much alive.
"The Painted Screens of Baltimore" takes a first look at this
beloved icon of one major American city through the words and
images of dozens of self-taught artists who trace their creations
to the capable and unlikely brush of one Bohemian immigrant,
William Oktavec. In 1913, this corner grocer began a family dynasty
inspired generations of artists who continue his craft to this day.
The book examines the roots of painted wire cloth, the ethnic
communities where painted screens have been at home for a century,
and the future of this art form.
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