Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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George Ohr - Sophisticate and Rube (Hardcover)
Loot Price: R1,219
Discovery Miles 12 190
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George Ohr - Sophisticate and Rube (Hardcover)
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The late nineteenth-century Biloxi potter, George Ohr, was
considered an eccentric in his time but has emerged as a major
figure in American art since the discovery of thousands of examples
of his work in the 1960s. Currently, Ohr is celebrated as a
solitary genius who foreshadowed modern art movements. While an
intriguing narrative, this view offers a narrow understanding of
the man and his work that has hindered serious consideration. Ellen
J. Lippert, in her expansive study of Ohr and his Gilded Age
context, counters this fable. The tumultuous historical moment that
Ohr inhabited was a formative force in his life and work. Using
primary documentation, Lippert identifies specific cultural changes
that had the most impact on Ohr. Developments in visual display and
the altered role of artists, the southerner redefined in the wake
of the Civil War, interest in handicraft as an alternative to
rampant mass production, emerging tenets of social thought seeking
to remedy worker exploitation, and new assessments of morals and
beauty as a result of collapsed ideals all played into the
positioning Ohr purposefully designed for himself. The second part
of Lippert's study applies these observations to Ohr's body of
work, interpreting his stylistic originality to be expressions of
the contradictions and oppositions particular to late
nineteenth-century America. Ohr threw his inspiration into being
both the sophisticate and the ""rube,"" the commercial huckster and
the selfless artist, the socialist and the individualist, the
""old-fashioned"" craftsman and the ""artist-genius."" He created
art pottery as both a salable commodity and a priceless creation.
His work could be ugly and deformed (or even obscene) and
beautiful. Lippert reveals that far from isolated, Ohr and his
creations were very much products of his inspired engagement with
the late nineteenth century.
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