1. Building on the recent resurgance of interest in Milner's work,
this book provides the first book-length analysis of Milner’s
distinctive and important contribution to psychoanalytic theory and
technique; 2. The book makes a unique contribution to object
relations psychoanalysis by engaging with Milner’s distinctive
search for a therapeutic cure that takes place in the relationships
between pen and paper, paint, and canvas; 3. The author engages
with Milner's autobiographical work in a thoroughly contemporary
way, including analysis of her theories in relation to 21st century
creatives such as Lynda Barry and Alison Bechdel
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