This is the first comprehensive English-language study of East
Asian art history in a transnational context, and challenges the
existing geographic, temporal, and generic paradigms that currently
frame the art history of East Asia. This pioneering study proposes
an important new framework that focuses on the relationship between
China, Japan, and Korea. By reconsidering existing concepts of
'East Asia', and examining the porousness of boundaries in East
Asian art history, the study proposes a new model for understanding
trans-local artistic production - in particular the mechanics of
interactions - at the turn of the 20th century.
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