The Greek-American artist Kosta Alex (1925-2005) initially
trained in figure sculpture in Manhattan. In 1947 he moved to
Paris, where he mingled with and exhibited alongside the
avant-garde artists of his day. His interest in the flattening of
forms led him to create his first series of decoupage-collages in
about 1950. Like many other artists of the time, he was drawn to
using humble, utilitarian materials such as corrugated cardboard,
packaging, newspapers, magazines, wallpaper, timetables, lists,
maps, and other scraps culled from daily urban life. He integrated
these elements into his art in an often poetic and humorous manner,
using screws, nuts, staples, rope, string, and glue to connect them
into a cohesive whole.
Alex also drew inspiration from classical sculpture, primitive
art, and Islamic art, and employed repetitive themes and rhythmic
arrangements in his compositions. In the late 1960s and early 1970s
he produced groundbreaking collage-reliefs in expanded polystyrene,
which Man Ray praised for breaking "the two-dimensional barrier."
Handsomely illustrated, "Kosta Alex" is the first monograph on this
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