Fran?ois Hartog explores crucial moments of change in society's
"regimes of historicity" or its way of relating to the past,
present, and future. Inspired by Arendt, Koselleck, and Ricoeur,
Hartog analyzes a broad range of texts, positioning the The Odyssey
as a work on the threshold of a historical consciousness and then
contrasting it against an investigation of the anthropologist
Marshall Sahlins's concept of "heroic history." He tracks changing
perspectives on time in Ch?teaubriand's Historical Essay and
Travels in America, and sets them alongside other writings from the
French Revolution. He revisits the insight of the French Annals
School and situates Pierre Nora's Realms of Memory within a history
of heritage and our contemporary presentism.
Our presentist present is by no means uniform or clear-cut, and
it is experienced very differently depending on one's position in
society. There are flows and acceleration, but also what the
sociologist Robert Castel calls the "status of casual workers,"
whose present is languishing before their very eyes and who have no
past except in a complicated way (especially in the case of
immigrants, exiles, and migrants) and no real future (since the
temporality of plans and projects is denied them). Presentism is
therefore experienced as either emancipation or enclosure, in some
cases with ever greater speed and mobility and in others by living
from hand to mouth in a stagnating present. Hartog also accounts
for the fact that the future is perceived as a threat and not a
promise. We live in a time of catastrophe, one he feels we have
brought upon ourselves.
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