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The Damned and the Dead - The Eastern Front through the Eyes of Soviet and Russian Novelists (Hardcover)
Loot Price: R1,750
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The Damned and the Dead - The Eastern Front through the Eyes of Soviet and Russian Novelists (Hardcover)
Series: Modern War Studies
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The confrontation between the Wehrmacht and the Red Army on the
Eastern Front of World War II was defined by incalculable
suffering, destruction, casualties, and heroism. While many
historians have chronicled the epic nature of that arena of war, it
has largely been left to Russian novelists to fully express the
intense human dimensions of that conflict. Frank Ellis's
groundbreaking study provides the first comprehensive survey of
that impressive body of literature.
Canvassing a wide spectrum of works by Soviet and post-Soviet
writers, many of whom were war veterans themselves, Ellis uncovers
themes both common to war literature in general and distinctive to
the Soviet experience. He recalls the earliest works in this genre
by Emmanuil Kazakevich, Grigorii Baklanov, and IUrii Bondarev;
presents a long overdue assessment of Vasil' Bykov's work, which
focuses on the partisan war in Bykov's native Belorussia; and
brings into sharp focus the powerful Stalingrad novels of Vasilii
Grossman, Konstantin Simonov, Viktor Nekrasov, and Bondarev. He
also provides keen insights into the heroic portraits of Stalin in
the fiction of Ivan Stadniuk and Vladimir Bogomolov and examines
three important war novels published during the 1990s: Viktor
Astaf'ev's The Damned and the Dead, Georgii Vladimov's The General
and His Army, and Vladimir But's Heads-Tails.
One of the many threads running throughout Ellis's study is the
dilemma of the Red Army soldier condemned to serve a regime that
was utterly paranoid regarding the allegiances of its own armies,
so much so that Soviet soldiers often felt as threatened by the
Soviet government as they did by the German armies. Many of these
novels reinforce the now well-known fact that Stalin devoted
considerable resources to ferreting out soldiers whose actions (or
inactions) suggested disloyalty to his repressive regime. A few of
them-such as Grossman's Life and Fate-became battlegrounds in their
own right, pitting Soviet writers against Soviet censors in a
struggle over the public memory of the war.
Russia's memories of World War II are forever tied to the suffering
of its people. Ellis's rich and revealing work shows us why.
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