New essays on poetical and theoretical responses to the Holocaust's
rupture of German and European civilization. Crisis presents
chances for change and creativity: Adorno's famous dictum that
writing poetry after Auschwitz would be barbaric has haunted
discourse on poetics, but has also given rise to poetic and
theoretical acts of resistance. The essays in this volume discuss
postwar poetics in terms of new poetological directions and
territory rather than merely destruction of traditions. Embedded in
the discourse triggered by Adorno, the volume's foci include the
work of Paul Celan, Gottfried Benn, and Ingeborg Bachmann. Other
German writers discussed are Ilse Aichinger, Rose Auslander,
Charlotte Beradt, Thomas Kling, Heiner Muller, and Nelly Sachs;
concrete poetry is also treated. The final section offers
comparative views of the poetics of European literary figures such
as Jean Paul Sartre, Andre Malraux, and Danilo Kis and a
consideration of the aesthetics of Claude Lanzmann's film Shoah.
Contributors: Chris Bezzel, Manuel Braganca, Gisela Dischner,
Rudiger Goerner, Stefan Hajduk, Gert Hofmann, Aniela Knoblich,
Rachel MagShamhrain, Marton Marko, Elaine Martin, Barry Murnane,
Marko Pajevic, Tatjana Petzer, Renata Plaice,Annette Runte,
Hans-Walter Schmidt-Hannisa, Michael Shields, Peter Tame. Gert
Hofmann is a Lecturer in German, Comparative Literature, Drama, and
Film and Rachel MagShamhrain is a Lecturer in German, Film, and
Comparative Literature, both at University College Cork; Marko
Pajevic is a Lecturer in German at Queen's University Belfast;
Michael Shields is a Lecturer in German at the National University
of Ireland, Galway.
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