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Seneca and the Idea of Tragedy (Hardcover, New)
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Seneca and the Idea of Tragedy (Hardcover, New)
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As both a literary genre and a view of life, tragedy has from the
very beginning spurred a dialogue between poetry and philosophy.
Plato famously banned tragedians from his ideal community because
he believed that their representations of vicious behavior could
deform minds. Aristotle set out to answer Plato's objections,
arguing that fiction offers a faithful image of the truth and that
it promotes emotional health through the mechanism of catharsis.
Aristotle's definition of tragedy actually had its greatest impact
not on Greek tragedy itself but on later Latin literature,
beginning with the tragedies of the Roman poet and Stoic
philosopher Seneca (4 BC - AD 65). Scholarship over the last fifty
years, however, has increasingly sought to identify in Seneca's
prose writings a Platonic poetics which is antagonistic toward
tragedy and which might therefore explain why Seneca's plays seem
so often to present the failure of Stoicism. As Gregory Staley
argues in this book, when Senecan tragedy fails to stage virtue we
should see in this not the failure of Stoicism but a Stoic
conception of tragedy as the right vehicle for imaging Seneca's
familiar world of madmen and fools. Senecan tragedy enacts
Aristotle's conception of the genre as a vivid image of the truth
and treats tragedy as a natural venue in which to explore the human
soul. Staley's reading of Seneca's plays draws on current
scholarship about Stoicism as well as on the writings of
Renaissance authors like Sir Philip Sidney, who borrowed from
Seneca the word "idea" to designate what we would now label as a
"theory" of tragedy. Seneca and the Idea of Tragedy will appeal
broadly to students and scholars of classics, ancient philosophy,
and English literature.
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