Few works of political and cultural theory have been as
enduringly provocative as Guy Debord's The Society of the
Spectacle. From its publication amid the social upheavals of the
1960s up to the present, the volatile theses of this book have
decisively transformed debates on the shape of modernity,
capitalism and everyday life in the late twentieth cenlury. Now
finally available in a superb English translation approved by the
author, Debord's text remains as crucial as ever for understanding
the contemporary effects of power, which are increasingly
inseparable from the new virtual worlds of our rapidly changing
image/information culture.
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