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Arranging Stories - Framing Social Commentary in Short Story Collections by Southern Women Writers (Paperback)
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Arranging Stories - Framing Social Commentary in Short Story Collections by Southern Women Writers (Paperback)
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Between the 1880s and the 1940s, opportunities for southern white
women writers increased dramatically, bolstered by readers' demands
for southern stories in northern periodicals. Confined by magazine
requirements and social expectations, writers often relied on
regional settings and tropes to attract publishers and readers
before publishing work in a collection. Selecting and ordering
magazine stories for these collections was not arbitrary or
dictated by editors, despite a male-dominated publishing industry.
Instead, it allowed writers to privilege stories, or to
contextualize a story by its proximity to other tales, as a form of
social commentary. For Kate Chopin, Ellen Glasgow, Marjorie Kinnan
Rawlings, and Katherine Anne Porter-the authors featured in this
book-publishing a volume of stories enabled them to construct a
narrative framework of their own. Arranging Stories: Framing Social
Commentary in Short Story Collections by Southern Women Writers is
as much about how stories are constructed as how they are told. The
book examines correspondence, manuscripts, periodicals, and first
editions of collections. Each collection's textual history serves
as a case study for changes in the periodical marketplace and
demonstrates how writers negotiated this marketplace to publish
stories and garner readership. The book also includes four tables,
featuring collected stories' arrangements and publication
histories, and twenty-five illustrations, featuring periodical
publications, unpublished letters, and manuscript fragments
obtained from nine on-site and digital archives. Short story
collections guide readers through a spatial experience, in which
both individual stories and the ordering of those stories become a
framework for interpreting meaning. Arranging Stories invites
readings that complicate how we engage collected works.
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