Helen Thomas's study opens a new avenue for Romantic literary
studies by exploring connections with literature produced by
slaves, slave owners, abolitionists and radical dissenters between
1770 and 1830. In the first major attempt to relate canonical
Romantic texts to the writings of the African diaspora, she
investigates English literary Romanticism in the context of a
transatlantic culture, and African culture in the context of
eighteenth-century Britain. In so doing, the book reveals an
intertextual dialogue between two diverse yet equally rich cultural
spheres, and their corresponding systems of thought, epistemology
and expression. Showing how marginalised slaves and alienated
radical dissenters contributed to transatlantic debates over civil
and religious liberties, Helen Thomas remaps Romantic literature on
this broader canvas of cultural exchanges, geographical migrations
and identity-transformation, in the years before and after the
abolition of the slave trade.
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