Isiah Lavender III's Dis-Orienting Planets amplifies critical
issues surrounding the racial and ethnic dimensions of science
fiction. This edited volume explores depictions of Asia and Asians
in science fiction literature, film, and fandom with particular
regard to China, Japan, India, and Korea. Dis-Orienting Planets
highlights so-called yellow and brown peoples from the
constellation of a historically white genre. The collection
launches into political representations of Asian identity in
science fiction's imagination, from fear of the Yellow Peril and
its racist stereotypes to techno-Orientalism and the remains of a
postcolonial heritage. Thus the essays, by contributors such as
Takayuki Tatsumi, Veronica Hollinger, Uppinder Mehan, and Stephen
Hong Sohn, reconfigure the very study of race in science fiction. A
follow-up to Lavender's Black and Brown Planets, this collection
expands the racial politics governing the renewed visibility of
Asia in science fiction. One of the few on this subject, the volume
probes Gary Shteyngart's novel Super Sad True Love Story, the
acclaimed film Cloud Atlas, and Guillermo del Toro's monster film
Pacific Rim, among others. Dis-Orienting Planets embarks on a
wide-ranging assessment of Asian representations in science
fiction, upon the determination that our visions of the future must
include all people of color. Contributions by Suparno Banerjee,
Cait Coker, Jeshua Enriquez, Joan Gordon, Veronica Hollinger,
Malisa Kurtz, Stephanie Li, Bradford Lyau, Uppinder Mehan, Graham
J. Murphy, Baryon Tensor Posadas, Amy J. Ransom, Robin Anne Reid,
Haerin Shin, Stephen Hong Sohn, Takayuki Tatsumi, and Timothy J.
Yamamura.
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