Against Voluptuous Bodies - Late Modernism and the Meaning of Painting (Hardcover)

The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W.Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Lessing, Kant, Schiller, and Schlegel to Adorno and Stanley Cavell. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yves-Alain Bois, Theirry de Duve, and Arthur Danto; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollack, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.

General

Imprint:	Stanford University Press
Country of origin:	United States
Series:	Cultural Memory in the Present
Release date:	2006
First published:	2006
Authors:	J. M. Bernstein
Dimensions:	229 x 152 x 29mm (L x W x T)
Format:	Hardcover - Cloth / Cloth
Pages:	416
ISBN-13:	978-0-8047-4894-0
Categories:	Books > Arts & Architecture > The arts: general issues > Theory of art Books > Arts & Architecture > History of art / art & design styles > From 1900 > General Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General Books > Humanities > Philosophy > Topics in philosophy > Aesthetics Books > Philosophy > Topics in philosophy > Aesthetics Promotions
LSN:	0-8047-4894-2
Barcode:	9780804748940

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!