Using narrative descriptions of the author's own lived-experience
of her ethnic heritage, Martinez offers a systematic interrogation
of the social and cultural norms by which certain aspects of her
Mexican-American cultural heritage are both retained and lost over
generations of assimilation. Combining semiotic and existential
phenomenology with Chicana feminism, the author charts new terrain
where anti-racist, anti-sexist, and anti-homophobic work may be
pursued.
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